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Claude Gillot #12,975Established

description Report

personFrench, 1673–1722

palette

Selected Works91

Museum Acquisitions

Art Institute of Chicago

Le Mariage (The Mariage from, the Vie des Satyres)

Le Mariage (The Mariage from, the Vie des Satyres), 1722

Etching with engraving on cream laid paper

Art Institute of Chicago

Apollo, from Livre de Portieres

Apollo, from Livre de Portieres, 1737

Etching on cream laid paper

Cleveland Museum of Art

Seated Male Nude

Seated Male Nude, 1693

Cleveland Museum of Art

The Four Festivals: Festival of the God Pan

The Four Festivals: Festival of the God Pan, 1693

etching and engraving

Cleveland Museum of Art

The Four Festivals: Festival of Faune

The Four Festivals: Festival of Faune, 1693

etching and engraving

Cleveland Museum of Art

The Four Festivals: Festival of Bacchus

The Four Festivals: Festival of Bacchus, 1693

etching and engraving

Cleveland Museum of Art

The Four Festivals: Festival of Diana

The Four Festivals: Festival of Diana, 1693

etching and engraving

Cleveland Museum of Art

The Four Festivals

The Four Festivals, 1693

etching and engraving

Scene from the Italian Comedy (recto); Figure Study (verso)

Scene from the Italian Comedy (recto); Figure Study (verso), 1700

Etudes de pièces d'arquebuse et de canon de fusil

Etudes de pièces d'arquebuse et de canon de fusil, 1718

Quatre études : deux figures de Pluton et deux du Temps

Quatre études : deux figures de Pluton et deux du Temps, 1718

Quatre études de capitaines debout

Quatre études de capitaines debout, 1715

lavis de sanguine; pierre noire; rehauts de blanc; plume

Quatre spectres, le corps entouré de bandelettes, drapés dans des manteaux

Quatre spectres, le corps entouré de bandelettes, drapés dans des manteaux, 1715

lavis de sanguine; pierre noire; rehauts de blanc; sanguine

Le Tombeau de Maître André.

Le Tombeau de Maître André., 1716

huile sur toile (transposition)

Le Christ dans le temps qu'il va être attaché à la Croix

Le Christ dans le temps qu'il va être attaché à la Croix, 1715

huile sur toile

Scène de comédie italienne : Jupiter curieux impertinent

Scène de comédie italienne : Jupiter curieux impertinent, 1711

Plume et encre noire au carbone, lavis de sanguine, dessin sous-jacent au graphite dont il subsiste quelques traces, visibles sous binoculaire (A. de La Chapelle, décembre 2022)

Le Repos de Diane au retour de la chasse

Le Repos de Diane au retour de la chasse, 1710

Annoté à la plume et encre brune en bas à gauche : "Gillot". Collé en plein

Les Deux carrosses.

Les Deux carrosses., 1707

huile sur toile

Scène de la comédie italienne : "Arlequin femme grosse"

Scène de la comédie italienne : "Arlequin femme grosse", 1695

Plume et encre noire au carbone, lavis de sanguine, dessin sous-jacent au graphite dont il subsiste quelques traces, visibles sous binoculaire (A; de La Chapelle, décembre 2022)

La fête de Diane troublée par les satyres

La fête de Diane troublée par les satyres, 1695

Sanguine sur un tracé au graphite sur papier beige, traits d'incision à la pointe fine.

Scène de la Comédie Italienne

Scène de la Comédie Italienne, 1695

A la plume et encre brune en bas à droite : "Gillot"; à la plume et encre noire en haut à gauche : "23"; au milieu du verso, d'une main ancienne, à la plume et encre brune : "Scène de Théâtre / à la plume lavé de / bistre".; ; Plume et encre noire au carbone, lavis de sanguine, dessin sous-jacent au graphite dont il subsiste quelques traces, visibles sous binoculaire (A. de La Chapelle, décembre 2022).

Scène de la comédie italienne : Arlequin et Goliath

Scène de la comédie italienne : Arlequin et Goliath, 1695

lavis (brun); rehauts de blanc

Les Armes de France soutenues par deux Renommées

Les Armes de France soutenues par deux Renommées, 1700

lavis (brun); pierre noire; sanguine

In museum collection

In museum collection

Inscription en bas au milieu : "Inventées & Gravées à l'eau forte par Gillot Peintre du Roi / AParis chez Huquier, vis-à-vis le grand Châtelet. Avec priv. du Roi".

Previous Sales

Farcical scene with Harlequin as a police commissioner

Farcical scene with Harlequin as a police commissioner

Harlequin disguised as an Apothecary

Harlequin disguised as an Apothecary

Recto: Allegory of Europe Verso: A section of a design for a gazebo decorated with a central sculpture, a fountain, and arabesques

Recto: Allegory of Europe Verso: A section of a design for a gazebo decorated with a central sculpture, a fountain, and arabesques

Allegory of America

Allegory of America

Allegory of Asia

Allegory of Asia

A pair of double sided drawings: Costume designs (recto); Arabesques designs (verso)

A pair of double sided drawings: Costume designs (recto); Arabesques designs (verso)

Les quatre âges de la vie : Seven figures in a garden, one digging with a spade

Les quatre âges de la vie : Seven figures in a garden, one digging with a spade

£9,560 ($13k USD)

For Sale

National Gallery of Art, Washington, D.C. · Artsy

L'Education (Education)

L'Education (Education)

Etching and engraving

National Gallery of Art, Washington, D.C. · Artsy

Feste du Dieu Pan, celebree par des Sylvains et des Nymphes (Feast of the God Pan Celebrated by Sylvans and Nymphs)

Feste du Dieu Pan, celebree par des Sylvains et des Nymphes (Feast of the God Pan Celebrated by Sylvans and Nymphs)

Etching and engraving

National Gallery of Art, Washington, D.C. · Artsy

Le Mariage (Marriage)

Le Mariage (Marriage)

Etching and engraving

National Gallery of Art, Washington, D.C. · Artsy

Les Obseques (The Funeral Rites)

Les Obseques (The Funeral Rites)

Etching and engraving

National Gallery of Art, Washington, D.C. · Artsy

Scene from "The Tomb of Master André"

Scene from "The Tomb of Master André", 1705

Red chalk with light mauve, sanguine, and brown wash with pen and black ink, corrected with white gouache, over graphite on laid paper, with a border line by the artist in red chalk, partially obscured by later double framing lines in pen and dark brown ink, mounted on an old album sheet

National Gallery of Art, Washington, D.C. · Artsy

The Triumph of Marriage

The Triumph of Marriage

Pen and brown ink on laid paper

National Gallery of Art, Washington, D.C. · Artsy

Feste de Bacchus, celebree par des Satyres et des Bacchantes (Feast of Bacchus Celeb rated by Satyrs and Bacchanales)

Feste de Bacchus, celebree par des Satyres et des Bacchantes (Feast of Bacchus Celeb rated by Satyrs and Bacchanales)

Etching and engraving

National Gallery of Art, Washington, D.C. · Artsy

La Naissance (Birth)

La Naissance (Birth)

Etching and engraving

National Gallery of Art, Washington, D.C. · Artsy

Feste de Diane, Troublee par des Satyres (Feast of Diana Disrupted by Satyrs)

Feste de Diane, Troublee par des Satyres (Feast of Diana Disrupted by Satyrs)

Etching and engraving

National Gallery of Art, Washington, D.C. · Artsy

Studies of Ornament and Architecture

Studies of Ornament and Architecture, 1710

Pen and brown ink over traces of graphite on laid paper

National Gallery of Art, Washington, D.C. · Artsy

A Performance by the Commedia dell'Arte

A Performance by the Commedia dell'Arte, 1710

Pen and brown ink with gray wash on laid paper

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Other Museum Acquisitions12

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Four Actors in Heroic Costume, with a Study of a Helmeted Head

Metropolitan Museum of Art · New York, United States · Acquired 2020 · Accession 2020.327 · Watercolor, pen and black ink, red chalk, and traces of black chalk

Purchase, Stephen A. Geiger Gift, 2020

Le Mariage (The Mariage from, the Vie des Satyres)

Art Institute of Chicago · Chicago, United States · Acquired 2013 · Accession 2013.544 · Etching with engraving on cream laid paper

Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection

Apollo, from Livre de Portieres

Art Institute of Chicago · Chicago, United States · Acquired 2013 · Accession 2013.545 · Etching on cream laid paper

Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection

The Education (L'Education): in a forest, to right an old satyr instructor holding a wand, teaching a group of children, to the left a merchant of orvietan trying to attract spectators with his act, from 'The lives of satyrs' (La vie des satyres)

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.373.4 · Etching

Bequest of Phyllis Massar, 2011

Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.377.4 · Etching

Bequest of Phyllis Massar, 2011

Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.377.3 · Etching

Bequest of Phyllis Massar, 2011

Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.377.2 · Etching

Bequest of Phyllis Massar, 2011

Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.377.1 · Etching

Bequest of Phyllis Massar, 2011

The festival of Diana, interrupted by satyrs (Feste de Diane, troublée par des Satyres): nymphs gathered around the bust of Diana in a stone niche at center, surprised by the arrival of satyrs from either side, from 'Les Bacchanales; Quatres Festes'

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.376 · Etching

Bequest of Phyllis Massar, 2011

Witches' Sabbath, within a nocturnal landscape, a necromancer seated at top center wearing a robe and cap inscribed with Kabbalist symbols, below him to left a horse with the head of a beast, a ring of nude dancers to right, a robed with the head of a pig to left, various witches, sorcerers, strange animals, and monsters on the ground to left in the foreground, from 'The Sabbaths' (Les Sabbats)

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.375 · Etching

Bequest of Phyllis Massar, 2011

The Birth (La Naissance): in a forest, the new mother resting in a hammock at center, the newborn below her to left, various satyrs and goats surrounding, from 'The lives of satyrs' (La vie des satyres)

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.373.3 · Etching

Bequest of Phyllis Massar, 2011

The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in center, musicians to right, old satyrs with canes to the left, a couple consulting an old philosopher to left in the foreground, from 'The lives of satyrs' (La vie des satyres)

Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.373.2 · Etching

Bequest of Phyllis Massar, 2011

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Current Exhibitions0

No current exhibitions found.

history

Past Exhibitions0

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No past exhibitions on record.

timeline

Recent Activity2

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event

death

Claude Gillot dies

Jan 1, 1722

event

birth

Claude Gillot born

Jan 1, 1673