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Goya (Francisco de Goya y Lucientes) #238,158

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Other Museum Acquisitions12

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'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Metropolitan Museum of Art · New York, United States · Acquired 2021 · Accession 2021.409 · Etching
Gift of the Estate of John Loree, 2021
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
Metropolitan Museum of Art · New York, United States · Acquired 2016 · Accession 2016.772 · Heliogravure with traces of green watercolor
Gift of Susan Schulman Printseller, in honor of Carolyn Bullard, 2016
Landscape
Metropolitan Museum of Art · New York, United States · Acquired 2015 · Accession 2015.539 · Etching, aquatint
Purchase, Joseph Pulitzer Bequest, Lila Acheson Wallace Gift, Van Day Truex Fund, and several members of The Chairman's Council Gifts, 2015
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)
Metropolitan Museum of Art · New York, United States · Acquired 2015 · Accession 2015.480 · Etching, burin ('Goya' inscribed in pencil lower right, not in the artist's hand)
A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2015
An old woman spinning, spindle in her right hand, distaff in her left
Metropolitan Museum of Art · New York, United States · Acquired 2014 · Accession 2014.650 · Pen lithograph
Acquisitions Fund, 2014
Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.)
Metropolitan Museum of Art · New York, United States · Acquired 2012 · Accession 2012.136.872 · Etching, aquatint, drypoint
Bequest of Phyllis Massar, 2011
The Andalusian dance (El Vito)
Metropolitan Museum of Art · New York, United States · Acquired 2011 · Accession 2011.320 · Lithograph
Janet Lee Kadesky Ruttenberg Fund, in honor of Colta Ives, and Walter and Leonore Annenberg Acquisitions Endowment Fund, 2011
'If he Is guilty, let him die quickly' (Si es deliquente qe. muera presto)
Metropolitan Museum of Art · New York, United States · Acquired 2007 · Accession 2007.49.376 · Etching
Bequest of William S. Lieberman, 2005
Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)
Metropolitan Museum of Art · New York, United States · Acquired 1987 · Accession 1987.1014 · Etching, burnished aquatint, drypoint
Purchase, Derald H. and Janet Ruttenberg, Dr. and Mrs. Goodwin M. Breinin, Arthur Ross Foundation, and Peter H. B. Freylinghuysen Gifts, and The Elisha Whittelsey Collection, Th…
Plate C: The dogs let loose on the bull, from "Tauromaquia"
Metropolitan Museum of Art · New York, United States · Acquired 1986 · Accession 1986.1180.898 · Etching, burnished aquatint, drypoint, burin
Bequest of Grace M. Pugh, 1985
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring
Metropolitan Museum of Art · New York, United States · Acquired 1986 · Accession 1986.1180.896 · Etching, burnished aquatint, drypoint
Bequest of Grace M. Pugh, 1985
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Metropolitan Museum of Art · New York, United States · Acquired 1986 · Accession 1986.1180.895 · Etching, aquatint on wove paper
Bequest of Grace M. Pugh, 1985
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