H
arrow_back Back

Honoré-Victorin Daumier #229,399

description Report
play_circleStream Art
Claim this page
palette

Selected Works634

Museum Acquisitions

Art Institute of Chicago
The Drunkard, from Le Charivari
The Drunkard, from Le Charivari, 1834
Acquired 2017
Lithograph on newsprint (ivory wove paper)
Art Institute of Chicago
The Poster Man, plate 17 from Bohémiens de Paris
The Poster Man, plate 17 from Bohémiens de Paris, 1842
Acquired 2017
Lithograph in black on ivory wove paper
Art Institute of Chicago
New Fashion of the Half-World. Reappearance of the baskets – it seems that these ladies are not yet quite done with their harvest, plate 295 from Actualités
New Fashion of the Half-World. Reappearance of the baskets – it seems that these ladies are not yet quite done with their harvest, plate 295 from Actualités, 1856
Acquired 2015
Lithograph in black on ivory wove paper
Art Institute of Chicago
The Lesson of the Professor, plate five from Les Comédiens de Société
The Lesson of the Professor, plate five from Les Comédiens de Société, 1858
Acquired 2013
Lithograph in black on ivory wove paper
Art Institute of Chicago
I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs
I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs, 1839
Acquired 2012
Lithograph in black, with additions in pen and iron gall ink, on cream wove paper
Art Institute of Chicago
New patented umbrella, with an improved spring system, to swiftly open at the slightest touch.(please refer to our advertisement in the matter), plate 33 from Émotions Parisiennes
New patented umbrella, with an improved spring system, to swiftly open at the slightest touch.(please refer to our advertisement in the matter), plate 33 from Émotions Parisiennes, 1842
Acquired 2012
Lithograph in black on ivory wove paper
Art Institute of Chicago
A Boat Maneuver, plate nine from Les Canotiers Parisiens
A Boat Maneuver, plate nine from Les Canotiers Parisiens, 1843
Acquired 2011
Lithograph in black, with additions in pen and brown ink (faded to gray) and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Art Institute of Chicago
An Encounter in Open Water, plate eleven from Les Canotiers Parisiens
An Encounter in Open Water, plate eleven from Les Canotiers Parisiens, 1843
Acquired 2011
Lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Art Institute of Chicago
A New Way to Float Down the River of Life, plate three from Les Canotiers Parisiens
A New Way to Float Down the River of Life, plate three from Les Canotiers Parisiens, 1843
Acquired 2011
Lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Art Institute of Chicago
A Man Saved Against his Will, plate seven from Les Canotiers Parisiens
A Man Saved Against his Will, plate seven from Les Canotiers Parisiens, 1843
Acquired 2011
Lithograph in black, with additions in pen and brown ink (discolored to grayish brown) and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Art Institute of Chicago
An Unpleasant Encounter, plate sixteen from Les Canotiers Parisiens
An Unpleasant Encounter, plate sixteen from Les Canotiers Parisiens, 1843
Acquired 2011
Lithograph in black, with additions in pen and dark brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Art Institute of Chicago
Combat Naval
Combat Naval, 1843
Acquired 2011
Lithograph in black, with additions in pen and brown ink, on ivory wove paper
Art Institute of Chicago
All Right Rigobert, My Old Friend…, plate one from Les Canotiers Parisiens
All Right Rigobert, My Old Friend…, plate one from Les Canotiers Parisiens, 1843
Acquired 2011
Lithograph in black, with additions in pen and brown ink (discolored to grayish brown), on ivory wove paper
Art Institute of Chicago
Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals., plate two from Les Canotiers Parisiens
Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals., plate two from Les Canotiers Parisiens, 1843
Acquired 2011
Lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Art Institute of Chicago
Each time I take you to the opera ball…, plate four from Paris l’hiver
Each time I take you to the opera ball…, plate four from Paris l’hiver, 1845
Acquired 2011
Lithograph in black on ivory wove paper
Art Institute of Chicago
Landscape Painters at Work, plate 309 from Souvenirs d'artistes
Landscape Painters at Work, plate 309 from Souvenirs d'artistes, 1862
Acquired 2009
Lithograph on ivory Japanese paper, laid down on ivory wove paper (chine collé)
Art Institute of Chicago
"Would Monsieur like some crêpes?.. - He must have been an undertaker," plate five from Croquis Parisiens (Parisian Sketches)
"Would Monsieur like some crêpes?.. - He must have been an undertaker," plate five from Croquis Parisiens (Parisian Sketches), 1855
Acquired 2008
Lithograph on cream wove paper
Art Institute of Chicago
Antoine Odier
Antoine Odier, 1832
Acquired 2005
Bronze
Art Institute of Chicago
Man in a Tall Hat (Tete d'homme en chapeau haut de forme)
Man in a Tall Hat (Tete d'homme en chapeau haut de forme), 1830
Acquired 2005
Bronze
Art Institute of Chicago
Antoine-Maurice-Apollinaire, comte d'Argout
Antoine-Maurice-Apollinaire, comte d'Argout, 1832
Acquired 2005
Bronze
Art Institute of Chicago
The Smiling Man (Tete d'homme souriant)
The Smiling Man (Tete d'homme souriant), 1830
Acquired 2005
Bronze
Art Institute of Chicago
Laurent Cunin, called Cunin-Gridaine
Laurent Cunin, called Cunin-Gridaine, 1832
Acquired 2005
Bronze
Art Institute of Chicago
Charles Philipon
Charles Philipon, 1832
Acquired 2005
Bronze
Art Institute of Chicago
Jean Claude Fulchiron
Jean Claude Fulchiron, 1832
Acquired 2005
Bronze
Art Institute of Chicago
Jean-Pons-Guillaume Viennet
Jean-Pons-Guillaume Viennet, 1832
Acquired 2005
Bronze

Previous Sales

Christie's
Le défenseur (The Defense Attorney)
Le défenseur (The Defense Attorney)
$314,500
Jan 2013
account_balance

Other Museum Acquisitions12

expand_more
The Drunkard, from Le Charivari
Art Institute of Chicago · Chicago, United States · Acquired 2017 · Accession 2017.33 · Lithograph on newsprint (ivory wove paper)
Gift of Henri M. Petiet
The Poster Man, plate 17 from Bohémiens de Paris
Art Institute of Chicago · Chicago, United States · Acquired 2017 · Accession 2016.535 · Lithograph in black on ivory wove paper
Gift of David Wargowski in memory of Theresa B. Wargowski
New Fashion of the Half-World. Reappearance of the baskets – it seems that these ladies are not yet quite done with their harvest, plate 295 from Actualités
Art Institute of Chicago · Chicago, United States · Acquired 2015 · Accession 2015.17 · Lithograph in black on ivory wove paper
Print and Drawing Fund
The Lesson of the Professor, plate five from Les Comédiens de Société
Art Institute of Chicago · Chicago, United States · Acquired 2013 · Accession 2013.705 · Lithograph in black on ivory wove paper
Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs
Art Institute of Chicago · Chicago, United States · Acquired 2012 · Accession 2012.70 · Lithograph in black, with additions in pen and iron gall ink, on cream wove paper
Purchased with funds provided by Celia and David Hilliard in memory of Sam and Marie-Louise Rosenthal
New patented umbrella, with an improved spring system, to swiftly open at the slightest touch.(please refer to our advertisement in the matter), plate 33 from Émotions Parisiennes
Art Institute of Chicago · Chicago, United States · Acquired 2012 · Accession 2012.411 · Lithograph in black on ivory wove paper
Gift of Robert G. Tanner, Esq.
A Boat Maneuver, plate nine from Les Canotiers Parisiens
Art Institute of Chicago · Chicago, United States · Acquired 2011 · Accession 2011.70 · Lithograph in black, with additions in pen and brown ink (faded to gray) and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Celia and David Hilliard Endowment in memory of Sam and Marie-Louise Rosenthal
An Encounter in Open Water, plate eleven from Les Canotiers Parisiens
Art Institute of Chicago · Chicago, United States · Acquired 2011 · Accession 2011.71 · Lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Celia and David Hilliard Endowment in memory of Sam and Marie-Louise Rosenthal
A New Way to Float Down the River of Life, plate three from Les Canotiers Parisiens
Art Institute of Chicago · Chicago, United States · Acquired 2011 · Accession 2011.68 · Lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Celia and David Hilliard Endowment in memory of Sam and Marie-Louise Rosenthal
A Man Saved Against his Will, plate seven from Les Canotiers Parisiens
Art Institute of Chicago · Chicago, United States · Acquired 2011 · Accession 2011.69 · Lithograph in black, with additions in pen and brown ink (discolored to grayish brown) and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Celia and David Hilliard Endowment in memory of Sam and Marie-Louise Rosenthal
An Unpleasant Encounter, plate sixteen from Les Canotiers Parisiens
Art Institute of Chicago · Chicago, United States · Acquired 2011 · Accession 2011.66 · Lithograph in black, with additions in pen and dark brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper
Celia and David Hilliard Endowment in memory of Sam and Marie-Louise Rosenthal
Combat Naval
Art Institute of Chicago · Chicago, United States · Acquired 2011 · Accession 2011.67 · Lithograph in black, with additions in pen and brown ink, on ivory wove paper
Celia and David Hilliard Endowment in memory of Sam and Marie-Louise Rosenthal
gallery_thumbnail

Current Exhibitions0

No current exhibitions found.

history

Past Exhibitions0

expand_more

No past exhibitions on record.