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Shoichi Ida #36,696Established

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Selected Works23

Museum Acquisitions

MoMA
Well from Karma - Black Echo
Well from Karma - Black Echo, 1989
Acquired 1992
Etching and drypoint with chine collé
MoMA
Blue Swan in Well - Locus Sutra No. 6
Blue Swan in Well - Locus Sutra No. 6, 1990
Acquired 1991
Drypoint and etching with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 6
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 6, 1987
Acquired 1987
One from a portfolio of six aquatints and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 5
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 5, 1987
Acquired 1987
One from a portfolio of six aquatints and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 4
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 4, 1987
Acquired 1987
One from a portfolio of six aquatints and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 3
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 3, 1987
Acquired 1987
One from a portfolio of six aquatints and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 2
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 2, 1987
Acquired 1987
One from a portfolio of six aquatints and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 1
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 1, 1987
Acquired 1987
One from a portfolio of six aquatints and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Triangle
Surface is the Between, Between Vertical and Horizon - Descended Triangle, 1987
Acquired 1987
Portfolio of six aquatints and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 5
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 5, 1982
Acquired 1983
One from a portfolio of five etching, aquatint, and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 4
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 4, 1982
Acquired 1983
One from a portfolio of five etching, aquatint, and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 3
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 3, 1982
Acquired 1983
One from a portfolio of five etching, aquatint, and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 2
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 2, 1982
Acquired 1983
One from a portfolio of five etching, aquatint, and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Blue
Surface is the Between, Between Vertical and Horizon - Descended Blue, 1982
Acquired 1983
Portfolio of five etching, aquatint, and drypoints with chine collé
MoMA
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 1
Surface is the Between, Between Vertical and Horizon - Descended Blue No. 1, 1982
Acquired 1983
One from a portfolio of five etching, aquatint, and drypoints with chine collé
MoMA
Surface is the Between, Stone on Paper No. 5
Surface is the Between, Stone on Paper No. 5, 1977
Acquired 1979
Offset lithograph from a portfolio of five
MoMA
Surface is the Between, Stone on Paper No. 4
Surface is the Between, Stone on Paper No. 4, 1977
Acquired 1979
Offset lithograph from a portfolio of five
MoMA
Surface is the Between, Stone on Paper No. 3
Surface is the Between, Stone on Paper No. 3, 1977
Acquired 1979
Offset lithograph from a portfolio of five
MoMA
Surface is the Between, Stone on Paper No. 2
Surface is the Between, Stone on Paper No. 2, 1977
Acquired 1979
Offset lithograph from a portfolio of five
MoMA
Stone on Paper No. 1-No. 5 from the series Surface is the Between
Stone on Paper No. 1-No. 5 from the series Surface is the Between, 1977
Acquired 1979
Portfolio of five lithographs, offset printed
MoMA
Surface is the Between, Stone on Paper No. 1
Surface is the Between, Stone on Paper No. 1, 1977
Acquired 1979
Offset lithograph from a portfolio of five
MoMA
Black Sofa
Black Sofa, 1970
Acquired 1971
Lithograph and screenprint

Previous Sales

Los Angeles Modern Auctions
Three works from the Well from Karma series
Three works from the Well from Karma series
$756
Jan 2024
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Other Museum Acquisitions12

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Paper between Ink Stain and Ink Stain, No. 1
Cleveland Museum of Art · Cleveland, United States · Acquired 2001 · Accession 2001.200 · screenprint with chine collé
Gift of John Bonebrake in honor of Jane Glaubinger
Paper between Ink Stain and Ink Stain
Cleveland Museum of Art · Cleveland, United States · Acquired 2001 · Accession 2001.199 · screenprint with chine collé
Gift of John Bonebrake in memory of Fred Schmidt
Air and Water 18
Cleveland Museum of Art · Cleveland, United States · Acquired 1995 · Accession 1995.82 · polyptych (five plates); color spitbite, aquatint, and drypoint with chine collé
Mr. and Mrs. William E. Ward Collection Fund
Walla Walla Tribe Station, Camp No. 5
Museum of Modern Art · New York City, United States · Acquired 1994 · Accession 152.1994 · Drypoint with hand additions and chine appliqué
Gift of Mr. and Mrs. Herbert Schimmel in honor of Riva Castleman's 30th anniversary at the Museum of Modern Art, New York
"Paper Between Two Stones and Road"
Hammer Museum · Los Angeles, United States · Acquired 1993 · Accession 1984.6.2 · Lithograph and screenprint
Purchase.
Red Lotus in Well-Locus Sutra-No. 4
Cleveland Museum of Art · Cleveland, United States · Acquired 1993 · Accession 1993.106 · softground, spitbite, etching, chine colle, drypoint
Mr. and Mrs. William E. Ward Collection Fund
Well from Karma - Black Echo
Museum of Modern Art · New York City, United States · Acquired 1992 · Accession 270.1992 · Etching and drypoint with chine collé
The Associates Fund in honor of Riva Castleman
Blue Swan in Well - Locus Sutra No. 6
Museum of Modern Art · New York City, United States · Acquired 1991 · Accession 253.1991 · Drypoint and etching with chine collé
Gift of Yoh Art Gallery
Between Vertical and Horizon: Paper Between a Snowed Stone and Water Stain
Cleveland Museum of Art · Cleveland, United States · Acquired 1989 · Accession 1989.105 · lithograph and screenprint
Mr. and Mrs. William E. Ward Collection Fund
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 6
Museum of Modern Art · New York City, United States · Acquired 1987 · Accession 364.1987.6 · One from a portfolio of six aquatints and drypoints with chine collé
Gift of Crown Point Press in celebration of its 25th anniversary
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 5
Museum of Modern Art · New York City, United States · Acquired 1987 · Accession 364.1987.5 · One from a portfolio of six aquatints and drypoints with chine collé
Gift of Crown Point Press in celebration of its 25th anniversary
Surface is the Between, Between Vertical and Horizon - Descended Triangle No. 4
Museum of Modern Art · New York City, United States · Acquired 1987 · Accession 364.1987.4 · One from a portfolio of six aquatints and drypoints with chine collé
Gift of Crown Point Press in celebration of its 25th anniversary
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Galleries1

#32 Crown Point Press
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Current Exhibitions0

No current exhibitions found.

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Past Exhibitions0

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No past exhibitions on record.