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roman sculpture

This article explores the rediscovery of Roman sculpture during the Renaissance and its profound influence on artists like Raphael, Donatello, Michelangelo, and Leonardo da Vinci. It details how Roman sculptors, inspired by Greek methods after the conquest of Greece in 146 B.C.E., created highly realistic works that served both artistic and political purposes, glorifying emperors and reinforcing imperial power. The piece highlights six iconic Roman sculptures—including the Equestrian Statue of Marcus Aurelius, the Colossus of Constantine, Trajan's Column, and the Augustus of Prima Porta—describing their historical context, artistic features, and enduring legacy.

the right influential art historian victoria coates project esther

The article profiles Victoria Coates, an art historian and former Trump administration official, who is leading 'Project Esther,' a conservative initiative aimed at taking over US higher education and targeting progressive organizations. Named after the biblical queen, the project accuses critics of Israel of anti-Semitism and seeks to dismantle what it describes as a 'terrorist support network.' Coates, who previously served as Deputy National Security Advisor and worked on Rumsfeld's memoirs, has a long history of attacking academia from within, including as an anonymous blogger behind 'Elephants in Academia.'

25 of 2025: 5 Groundbreaking Fiber Artists You Need to Know

Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.

art bites zuccaro drawing banished from rome

Federico Zuccaro, a 16th-century Italian Mannerist painter, was banished from Rome in 1581 after presenting a satirical drawing at a feast in the church of Saint Luke. The 13-foot work, 'Porta Virtutis (The Gate of Virtue),' depicted King Midas with donkey ears as a thinly veiled attack on papal steward Paolo Ghiselli, who had rejected Zuccaro's altarpiece. Zuccaro explicitly identified Ghiselli as the foolish Midas and labeled Bologna the 'Reign of Ignorance,' leading Pope Gregory XIII to sentence him for 'excesses' and banish him from the city. He avoided prison by paying a 400 scudi bail.

amalia ulman film magic farm

Amalia Ulman's new film *Magic Farm* follows an American documentary crew that arrives in a rural Argentine town with a mandate to cover "crazy subcultures," only to find none. Led by a harried producer (Alex Wolff) and an anchor (Chloë Sevigny), the crew fabricates a zany trend while completely missing an environmental crisis affecting the village—no drinking water and widespread illness. Ulman describes the film as a critique of media bureaucracy, where content demands override actual news. The film continues her exploration of image-making and fiction, themes she previously investigated in her 2014 Instagram performance *Excellences & Perfections* and her 2021 debut feature *El Planeta*.

Our chief art critic’s nine best UK museums — you may be surprised

Laura Freeman, chief art critic for The Times, shares her personal list of nine favorite UK museums and galleries, ranging from London institutions like Sir John Soane’s Museum and the V&A to smaller venues such as Pallant House in Chichester and Kettle’s Yard in Cambridge. She emphasizes character and collection over flashy renovations, noting that her picks are based on decades of visits, family outings, and emotional resonance.

Required Reading

This week's Required Reading roundup from Hyperallergic covers a diverse range of art-world stories. French photographer JR has unveiled "La Caverne du Pont Neuf Paris" (2026), an optical illusion installation that transforms the pathway across the Seine into a black-and-white mountain range cave, paying homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge. Other highlights include architecture scholar Karrie Jacobs investigating a New York waterfront walking initiative for The Nation, curator Tara Contractor writing in Apollo about James McNeill Whistler's use of metallic pigments influenced by Japanese traditions, and Rob Corsini interviewing Amelia Abraham about their new book celebrating photography of queer nightlife for Dazed.

Space: the ultimate wardrobe challenge – in pictures

Thames and Hudson has released Space Journal: The Art and Science of Cosmic Exploration, a new visual compendium curated by BBC presenter Dallas Campbell. The book chronicles humanity’s aesthetic and technical obsession with the cosmos, featuring a diverse array of archival imagery ranging from 17th-century illustrations and 1930s rocket experiments to high-fidelity spacesuit replicas and mid-century astronomical art.

bernini the ecstasy of saint teresa

Gian Lorenzo Bernini's iconic Baroque sculpture *The Ecstasy of Saint Teresa* (1647–1652) is examined in detail, depicting the Spanish Carmelite nun Saint Teresa of Ávila in a moment of divine rapture as an angel pierces her heart with a golden arrow. The artwork, housed in the Cornaro Chapel at Santa Maria della Vittoria in Rome, was commissioned by Cardinal Federico Cornaro and remains one of Bernini's most celebrated and controversial masterpieces, blending theatricality, religious fervor, and virtuosic marble carving.

Salon | Impressionism, Realism & Post-Impressionism

The Salon was an official art exhibition sponsored by the French government, originating in 1667 when Louis XIV sponsored an exhibit of works by members of the Académie Royale de Peinture et de Sculpture. It was held in the Salon d’Apollon of the Louvre Palace in Paris, and after 1737 it became an annual event, with a jury system introduced in 1748. During the French Revolution, the Salon opened to all French artists, though academicians retained control through much of the 19th century. Its influence waned after the Société des Artistes Français took over in 1881 and as independent avant-garde exhibitions gained prominence.