Vivid Sydney 2026 has launched, transforming the city with bold light installations, projections, and digital art. The festival features a 6.5km light walk from Barangaroo to Darling Harbour, along with live music, panel discussions, and pop-up dining. Highlights include works like 'Vaiola' by Sāmoan/Australian artist Angela Tiatia, projected onto the Museum of Contemporary Art. The event runs until 13 June.
Russian-born, New York-based artist Sanya Kantarovsky presents his new exhibition "Basic Failure" at Venice's Institute of Sciences, Letters and Arts, timed to coincide with the Venice Biennale. The show features his signature dishevelled, otherworldly figures—including a pallid boy with a cigarette, a child spinning in innocence, and a glass bust of a young boy with a dead spider under its eye—that explore tension, alienation, and the supernatural. Kantarovsky describes his process as listening to the painting like a Ouija board, and the exhibition includes works that confound narrative expectations, such as a scruffy toy panda and a recreation of Antonello Gagini's 16th-century sculpture.
The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.
Fondazione Sandretto Re Rebaudengo in Turin presents "Theatre of the Mind," the first Italian institutional solo exhibition by German-born painter Lenz Geerk. The show features recent works from 2022 to 2024, exploring painting as a perceptual device where figures, objects, and domestic interiors exist in unstable, unresolved configurations. Installation views by Giorgio Perrottino accompany the exhibition, which runs at the foundation's space.
Mark Bradford has completed "City of the Big Shoulders," a monumental painting for the Obama Presidential Center in Chicago. The work, which took five years to create, maps migration patterns and structural racism, reflecting the city's strength and complexity through Bradford's signature abstract, layered style.
Sir John Akomfrah's exhibition, originally presented at the Venice Biennale, is now on view at Liverpool's Walker Art Gallery. The show brings together a selection of the artist's acclaimed film and video works that explore themes of memory, migration, and the African diaspora, offering UK audiences a rare chance to see the Biennale presentation in a new context.
Newcastle Art Gallery in New South Wales, Australia, will open three new exhibitions on May 23, 2026, following its major expansion and reopening in February. The shows include the largest solo exhibition to date by Torres Strait Islander artist Brian Robinson, titled "Multiverse"; the first institutional solo show by Tiyan Baker, "Mouth Mnemonica"; and "The Mordant Family Gift," featuring 25 works donated by philanthropists Simon Mordant AO and Catriona Mordant AM. The gallery has already attracted over 80,000 visitors, surpassing its previous annual record.
Hastings Contemporary in the UK is hosting three major summer exhibitions until September 13, featuring international contemporary and modern artists. The shows include the first major UK solo exhibition of German-Brazilian artist Janaina Tschäpe, a solo show by Argentinian artist Miguel Rothschild with a new seascape installation, and "Moore / Freud," which brings together 20 works by Lucian Freud and Henry Moore exploring familial and personal connections.
Joe Brainard's work is currently on view at Chris Sharp Gallery in an exhibition documented with 68 images and no videos. The show presents the artist's pieces, though no text descriptions accompany the images on the page.
Artist Lotus L Kang has created a new installation titled 'The Face of Desire is Loss' for the inaugural Bulgari Pavilion at the 61st Venice Biennale. The pavilion, located at the Giardini entrance, features Kang's signature use of light-sensitive photographic film that reacts to the environment, suspended from steel joists with large holes inspired by the lotus root motif. The work draws on a line by poet Lara Mimosa Montes and explores themes of absence, loss, and the void, with the film changing color over time from deep purple to hues resembling bruise, blood, and bile.
Estonian painter Kristi Kongi's largest solo exhibition, 'Chromatic Drift,' will open at the Kumu Art Museum on May 22. The exhibition fills the museum's great hall, courtyard, and windows with new works featuring earthy tones like purple, brown, and burgundy, described by curator Ann Mirjam Vaikla as reflecting the aesthetics of the Anthropocene. The show is accompanied by a book with essays by Sara Garzón, Sirje Helme, and Vaikla, and includes works created during Kongi's residency at Cerámica Suro in Guadalajara, Mexico.
An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.
Steven Shearer's exhibition 'My Moody Muse' is on view at David Zwirner in London, United Kingdom. The show presents a selection of the artist's works, continuing his exploration of subcultural imagery and portraiture.
The Fenimore Art Museum in Cooperstown will open "The Linda McCartney Retrospective: From the Light" on May 23, running through September 7. The exhibition showcases the life and work of Linda McCartney (1941–1998), a celebrated photographer known for her portraits of musicians like The Rolling Stones, Jimi Hendrix, Aretha Franklin, and The Beatles. It highlights her career from early editorial work at "Town & Country" to becoming the first female photographer to have a cover photo on "Rolling Stone" magazine, as well as her personal photographs of husband Paul McCartney and their family.
A multidisciplinary solo exhibition titled "Sanford Biggers: Drift" has opened at the Parrish Art Museum in Watermill. The exhibition was organized by Chief Curator Corinne Erni and Curator Scout Hutchinson, and was marked by a public conversation between artist Sanford Biggers and Erni. The discussion focused on Biggers' use of textiles, symbolism, and layered cultural references.
The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opened in May 2026 amid significant turmoil. The Austrian Pavilion features Florentina Holzinger's performance piece "Seaworld Venice," centered on a giant bell that chimes hourly. The biennale has been marked by the death of its curator, the resignation of the international jury over the inclusion of Russia and Israel, protests by Pussy Riot and the Art Not Genocide Alliance, and the cancellation of the South African Pavilion over Gabrielle Goliath's "Elegy," which honors murdered women including a Palestinian poet. The US Pavilion's state-sponsored offerings have also drawn criticism.
The Clark Art Institute in Williamstown, Massachusetts, announced an upcoming exhibition titled “An Exquisite Eye: Introducing the Aso O. Tavitian Collection,” on view from June 13, 2025, through February 21, 2027. The show features approximately 150 works from the Tavitian Collection, a major private collection of European art assembled by the late collector and philanthropist Aso O. Tavitian. Spanning c. 1450–1850, the exhibition includes paintings, sculpture, drawings, and decorative arts by artists such as Jan van Eyck, Jean-Antoine Houdon, and Elizabeth Louise Vigée-Lebrun. The collection, comprising 331 objects, was donated to the Clark and will eventually be housed in a new wing designed by Selldorf Architects, set to open in 2028.
American artist Lorna Simpson has opened a major solo exhibition titled 'Third Person' at Punta della Dogana in Venice, featuring over 50 works across painting, collage, sculpture, installation, and film. The show surveys her practice from the last decade, including new works created in response to the venue, and runs through November 22. Curated by Emma Lavigne of the Pinault Collection, the exhibition also includes pieces from her 2015 Venice Biennale participation and series such as 'Ice,' 'Special Characters,' and 'Earth and Sky.'
A new exhibition titled 'Francis Picabia. Expanding Horizons' has opened at Hauser & Wirth London, showcasing five decades of the artist's experimental work. The show includes dense, layered postwar paintings from his return to Paris with his wife Olga, as well as earlier pieces spanning Impressionism, Dada, and his Transparencies series. Organized with the Comité Picabia, the exhibition features works such as 'Composition abstraite' (1947) and 'Le Zèbre' (c. 1909-1933), highlighting Picabia's habit of revisiting and painting over canvases across decades.
The Museum of Fine Arts, Houston (MFAH) is hosting "Picasso-Klee-Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features dozens of works by Pablo Picasso, Paul Klee, and Henri Matisse from the private collection of dealer and collector Heinz Berggruen, on loan from the Museum Berggruen – Neue Nationalgalerie in Berlin. The show is organized thematically—portraits, landscapes, still life, and the human figure—and includes paintings, drawings, collages, sculptures, and archival materials, alongside pieces from MFAH's own collection. It has already attracted over 1 million visitors on its international tour.
A new exhibition titled "Vistas: From Takao Tanabe’s Travels" has opened at the Audain Art Museum in British Columbia, featuring works by Japanese-Canadian artist Takao Tanabe. The show highlights landscapes from his travels across British Columbia, North America, the Arctic, and Europe, translated into paintings that blend observation with poetic reflection. Curated by Kiriko Watanabe, the exhibition runs until Sept. 21 and coincides with Tanabe’s upcoming 100th birthday on Sept. 16, as well as a related exhibition "Takao Tanabe: Inside Passage" opening June 13.
The Tang Museum at Skidmore College in Saratoga Springs, New York, has announced its summer 2026 public tour program, beginning May 24 with weekly Tang Guide Tours led by trained student ambassadors. The museum will also host three curator-led tours: Rachel Seligman will lead tours of 'All These Growing Things' (June 11) and 'Sheila Pepe: When & Where We Rest' (August 27), while Dayton Director Ian Berry will guide a tour of 'Kathy Butterly: Assume Yes' (July 16). Additional summer programming includes the Upbeat on the Roof concert series, Frances Day community open house, and Family Saturday art-making events.
The Virginia Museum of Fine Arts (VMFA) announced a major gift of 1,986 photographs from Joy of Giving Something, Inc. (JGS), a nonprofit founded by financier Howard Stein. The donation includes works by over 450 artists, spanning the 19th century to the present, with highlights such as rare daguerreotypes by Joseph-Philibert Girault de Prangey, prints by Gustave Le Gray and Eugène Atget, and significant holdings in American documentary photography from figures like Dorothea Lange and Walker Evans. The gift follows an earlier 2023 donation of portfolios and series, and positions VMFA to open five new photography galleries in 2027 as part of its expansion.
Cosa non perdere della nuova edizione di The Phair, la fiera della fotografia di Torino
The seventh edition of The Phair, a photography fair in Turin, Italy, opened on Thursday, May 21, at the Sala Fucine of the Officine Grandi Riparazioni. Founded by Roberto Casiraghi and Paola Rampini, the fair features 42 national and international galleries. Highlights include a surprising automotive partnership at the entrance, and standout presentations from Red Lab Gallery (Ezio D’Agostino and Carlotta Valente), Alberto Damian Gallery (Paolo Gioli), Roccavintage (Costanza Gastaldi), Tucci Russo (Giulio Paolini), Raw Messina (Kri Babusci), and Galleria Umberto Benappi (Ugo Mulas). Other notable artists include Arnulf Rainer, Anton Corbijn, Luigi Ontani, and Simon Starling.
Focus Art Fair, New York's only art fair dedicated to contemporary Asian art, returned for its fourth edition at Chelsea Industrial, running through May 24, 2026. The fair's theme, 'human-technology coexistence,' was explored through works such as Hwia Kim's interactive installation 'What if two eyes don't work together?' presented by LG Electronics, and pieces by the Ukrainian-born F-Twins (Anna and Valeriia Lyshchenko), who founded the Primarealism art movement in response to AI's encroachment on critical thinking. Other highlights included Annu Yadav's political installation 'This Land is Wounded' (2025) and Taezoo Park's 'Hacked Snoopy' (2025), which memorializes neglected technologies. The fair featured more than 40 galleries and presenters, with a notable appearance by Japanese pop icon Kento Senga, who shared his FiNGA character as a means of connecting with his grandmother suffering from Alzheimer's.
Uffner & Liu in New York is presenting 'What Remains,' a solo exhibition by Iranian artist Arghavan Khosravi, running through July 2, 2026. The show features multi-paneled sculptural canvases, a freestanding sculpture, and intimate mixed-media works, including the debut of her 'Altar Series,' which reimagines medieval devotional altarpieces through a contemporary political and psychological lens.
French artist Pol Taburet has opened a solo exhibition titled *Paranoia as Method* at Villa Medici in Rome, on view through July 15. The show features sculptures, large-format paintings, and charcoal drawings created during his spring residency at the institution, transforming the villa’s gardens, loggias, and salons into tense psychic landscapes. Taburet’s figures drift between human and animal, evoking transformation, mortality, and spiritual tension, drawing on his Caribbean roots, voodoo traditions, contemporary culture, and classical painting.
Multimedia artist Alex Israel has launched his first collaboration with Pace Prints, releasing a new suite of 10 archival pigment prints titled 'Where Is My Mind?' The series, part of his ongoing Self Portrait project, features intimate-scale works that incorporate representational imagery within his signature silhouette—ranging from the Hollywood Bowl stage to aerial views of Los Angeles and a California desert scene with an iPhone outline. Each print began as a photograph, translated into paint by the Scenic Art department at Warner Brothers Studio, then scanned and mounted in custom frames. The show coincides with Pace Prints' upcoming expansion into Los Angeles in fall 2026.
The Kiran Nadar Museum of Art (KNMA) will present a major exhibition from its collection at Christie’s London this summer, running from July 16th through August 21st at Christie’s King Street headquarters. Titled “The Meeting Ground: Scenes from the KNMA Collection,” the exhibition marks the first time Christie’s annual exhibition series has been dedicated to a South Asian institution, featuring works from the New Delhi-based museum’s holdings.
Kunsthaus Glarus presents "Bildersaal," the first institutional solo exhibition by Swiss artist Nolan Lucidi (b. 2000, based in Basel). The installation combines videos and objects to explore male homosexual desire drawn from literature, art history, and personal experience, while also interrogating formal language and claims to authority.