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A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art

Museum Rietberg in Zurich has opened "A Kind of Paradise," an exhibition featuring twenty international artists who rework and reclaim colonial-era photographs. The show is organized into four thematic sections—Shapeshifters, Confrontation, Care, and In the Photo Fantastic—each exploring different strategies for challenging the historical narratives embedded in colonial archives. Artists such as Wendy Red Star, Cédric Kouamé, Omar Victor Diop, and Sasha Huber use techniques like cutting, stitching, collage, and critical fabulation to transform photographs that once defined and distorted non-European cultures into new works about memory, identity, and resistance.

Flash back: The artists creating new stories from archival photos

Nanina Guyer, curator of photography at Zurich's Museum Rietberg, has organized the exhibition "A Kind of Paradise: Colonial-Era Photography in Contemporary Art," which examines how contemporary artists repurpose archival colonial-era photographs. The show features 20 artists, including Sammy Baloji, Rosana Paulino, Sasha Huber, Dinh Q. Lê, Wendy Red Star, Omar Victor Diop, and Zenaéca Singh, who transform these historical images into sculptures, films, and recontextualized works. The exhibition is divided into four sections: artists as archivists, confronting stereotypes, healing, and a final section on repair.

Museum Rietberg A Kind of Paradise Reframes Colonial Photography Narratives

The Museum Rietberg in Zürich has opened the exhibition 'A Kind of Paradise,' which critically reexamines colonial-era photography through the work of 20 contemporary artists from the global diaspora. The show is structured into four thematic sections—Shapeshifters, Confrontation, Care, and In the Photo Fantastic—and transforms archival images from tools of colonial power into sites of reinterpretation and resistance.