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Abbiamo visto tutte le mostre del Roma Gallery Weekend: ecco le 10 migliori

The third edition of the Roma Gallery Weekend has concluded, with around thirty galleries forming an official association with legal status and a dedicated budget. The event featured a VIP program of breakfasts, guided tours, and performances, aiming to attract collectors, curators, and local audiences. While the quality of exhibitions was high—28 out of 33 shows were reviewed—logistical challenges remain, including Rome's sprawling layout, limited public transport, and taxi availability. The article highlights 10 standout shows, such as Petra Feriancová's archaeological-inspired installation at Gilda Lavia and Elisa Montessori's exhibition at Monitor.

A Persian Garden Blooms on Governors Island

Artist Bahar Behbahani organized a four-hour event called "Damask Rose: A Gathering" on Governors Island, transforming three shallow fountains with handwoven carpets and crocheted canopies. The gathering featured West African musical improvisation, Kurdish poetry, a cyanotype workshop, and communal activities like hair braiding and tea ceremonies, involving over two dozen community groups including the Asia Contemporary Art Forum and Eat Offbeat. The event was part of Governors Island Arts's annual Interventions series, curated with associate curator Juan Pablo Siles.

“Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art

Jamea Richmond-Edwards presents her solo exhibition “Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art. The show features the artist’s mixed-media works that explore themes of Black womanhood, Afrofuturism, and historical narratives through collage, painting, and drawing.

Eye opening: Artist speaks through the eyes in his artwork

Alexandre Emmanuel Henrique, a Brazilian-born artist now living in Cary, North Carolina, has a solo exhibition titled "BraFro" at the Waterworks Visual Arts Center in Salisbury. The show is part of the gallery's larger exhibit "ART from ALL Perspectives." Henrique's paintings explore his family history, particularly the story of his great-grandmother, who was enslaved in Brazil after being brought from Africa. The works use eyes as a central motif to convey emotion and narrative, ranging from sorrow to joy, with titles like "Sorrow" and "Once Upon a Time." Henrique works primarily in oils, and many pieces were created specifically for this exhibition.