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Brooklyn’s Barclays Center Arena Launches Art Program, with Paul Pfeiffer As First Artist-in-Residence

The Barclays Center arena in Brooklyn has launched a multi-year public art initiative called 'Brooklyn Art Encounters.' The program includes a new artist-in-residence component, with Paul Pfeiffer as the inaugural resident, and will feature digital art broadcasts, major new commissions by artists like Sarah Sze, Rashid Johnson, Mark Bradford, and Kambui Olujimi, and a series of public installations on the arena's plaza and in its entrances.

Hirshhorn Museum announces acquisitions by 8 major artists ahead of reopening.

The Hirshhorn Museum and Sculpture Garden has acquired eight new sculptures by major contemporary artists for its renovated outdoor garden. The works by Mark Grotjahn, Raven Halfmoon, Lauren Halsey, Izumi Katō, Liz Larner, Woody De Othello, Chatchai Puipia, and Pedro Reyes will be installed ahead of the garden's reopening in October.

In a new home, Photo London gets down to business

Photo London opened its 2025 edition at a new venue, Olympia’s Grand Hall in West Kensington, on 13 May, moving from its previous decade-long home at Somerset House. Despite a hailstorm, the preview day saw lively sales: Paris-B Gallery sold three works for £100,000, including pieces by Yang Yongliang; In Camera sold both a vintage and modern print of Jane Everlyn Atwood's *Auto Portrait (Serpent)*; and Radius Publishing moved 40% of its stock by Thursday lunchtime. The fair runs until 17 May, with prices ranging from £100 to £400,000.

A tale of two Annas: Van Gogh’s favourite Whistler painting stars in Tate Britain show

Tate Britain will open a major exhibition titled *James McNeill Whistler* on 21 May, running through 27 September, before traveling to the Van Gogh Museum in Amsterdam (16 October–10 January 2027) under the subtitle *Dandy and Disrupter*. The show’s centerpiece is Whistler’s iconic *Arrangement in Grey and Black no. 1* (commonly known as *Portrait of the Painter's Mother*), on loan from the Musée d’Orsay in Paris and displayed in its original frame designed by the artist. The article explores Vincent van Gogh’s admiration for the painting—he wrote to his sister Wil in 1889 that it reminded him of their own mother—and traces the work’s connections to the Goupil gallery (later Boussod & Valadon), where both Vincent and his brother Theo worked.

Lee Ufan: ‘I try to bring together those things which are made and unmade’

Lee Ufan, the South Korean artist and founding member of the Mono-ha movement, is being honored with a major solo exhibition at SMAC San Marco Art Centre as an official Collateral Event of the Venice Biennale, marking his 90th year. Simultaneously, a new display of his painting and sculpture opens at Dia Beacon in New York State, and his first show in Portugal opens at Casa e Parque de Serralves in July. In an interview with The Art Newspaper, Ufan discusses his artistic journey, his rejection of the artist's hand, and the influence of seeing a Barnett Newman exhibition at MoMA in 1971, which led him to develop his signature From Point and From Line paintings that use repeated marks to express the passage of time.

Paul McCarthy: ‘The world is now an extreme absurdity. The work is a reaction to that’

Paul McCarthy, the 80-year-old American artist known for his transgressive critiques of consumer culture, has opened a new exhibition titled "SS EE Saint Santa Eva Elf" at Hauser & Wirth in Paris. The show features large-scale drawings and a six-channel video installation created during filmed performances with his long-term collaborator, German actress Lilith Stangenberg, who plays the Elf. McCarthy revisits his iconic Santa Claus motif, portraying him as a dark, psychotic figure—the "god of capitalism and consumption." The exhibition also includes earlier drawings made with Stangenberg at Bowman Hal gallery in Madrid. The interview reveals that McCarthy's home and studios in Los Angeles were destroyed by wildfires, resulting in the loss of art, drawings, notebooks, and books, and the cancellation of a planned London show.

Rare early photographs reveal lost sites featured in Van Gogh’s paintings

Two rare photographic albums taken by art critic Gustave Coquiot in 1922 have been acquired by the newly established Van Gogh Academy in Auvers-sur-Oise, France, and are now on display. The images capture many of the sites in Arles that Vincent van Gogh painted in the late 1880s, including the Yellow House, the Langlois Bridge, and the Rhône riverbank. Several of these locations were later destroyed during World War II or by modernization, making Coquiot's photographs valuable historical records of Van Gogh's original subjects.

East Africa meets Western Europe as Michael Armitage takes on Venice's Palazzo Grassi

The artist Michael Armitage opens a monographic exhibition titled 'The Promise of Change' at Venice's Palazzo Grassi, featuring 46 large paintings and nearly 100 sketches that survey his past decade of work. At 42, Armitage is the youngest artist to receive a solo show at the palazzo, which is owned by François Pinault and has previously hosted Albert Oehlen, Luc Tuymans, and Marlene Dumas. The exhibition highlights Armitage's fusion of East African and Western European artistic influences, drawing on his upbringing in Kenya and his training at London's Byam Shaw School of Art, the Slade, and the Royal Academy.

The village where Van Gogh spent his final days celebrates its most distinguished visitor

An exhibition titled "Van Gogh, Influencer: Legacies in Motion" has opened at the Château of Auvers-sur-Oise, the village near Paris where Vincent van Gogh spent his final 70 days and died by suicide in July 1890. The show, running until 3 January 2027, features nearly a hundred works by artists influenced by Van Gogh, including Léonide Bourges, Charles-François Daubigny, and Léo Gausson, though no original Van Gogh paintings are included. Curated by Wouter van der Veen, the exhibition explores visual parallels and stylistic contrasts between Van Gogh’s iconic works—such as *Church at Auvers* and *Wheatfield with Crows*—and those of his contemporaries and followers.

Slags, bings and pipelines: Edinburgh landscape offers fitting backdrop for exhibition on fossil fuel extraction

Jupiter Artland, a sculpture park and gallery near Edinburgh, Scotland, is hosting the exhibition "Extraction" (through July 26), which examines the impact of fossil fuel extraction on landscapes and culture. Set against a backdrop of historic shale oil bings, North Sea oil pipelines, and modern wind farms, the show features five artists who explore energy histories through nuanced, non-polemical lenses. Glasgow-born painter Siobhan McLaughlin uses earth pigments gathered from the nearby Five Sisters Bing to create works like "Date of Exhaustion" (2025) and "Pioneer Species" (2025), turning mining waste into art that reflects on memory, ecology, and regeneration.

Defiant women and daring paintings: Emin, Webster and Wylie create a buzz in the UK's exhibition calendar

The UK art scene is currently dominated by major survey exhibitions from three prominent female artists: Rose Wylie, Tracey Emin, and Sue Webster. Rose Wylie, at 92, makes history as the first woman painter to occupy the Royal Academy’s main galleries, while Tracey Emin presents a raw, thematic survey at Tate Modern reflecting on her life before and after cancer. Simultaneously, Sue Webster marks her institutional solo debut at Firstsite, showcasing a transition from her famous collaborative practice to deeply personal oil painting.

Is Dubai’s loss Palma's gain? Newly revived Mallorca fair offers ’sun, sand and safety’ for wealthy Germans

The Art Cologne Palma Mallorca fair has been successfully revived at the Palau de Congressos, attracting 88 exhibitors with a heavy concentration of Spanish and German galleries. The event capitalizes on Mallorca's status as a premier second-home destination for wealthy Europeans, particularly Germans, and benefits from significant local government backing of €500,000. Early sales reports indicate strong performance in the lower and mid-market price brackets, with artists like Neo Rauch and Brian Eno finding quick buyers, though seven-figure works by Anselm Kiefer and Georg Baselitz moved more slowly.

A Dutch museum has just put its fake Van Gogh on show

The Kröller-Müller Museum in Otterlo has broken traditional museum protocol by placing a known forgery, "Seascape at Saintes-Maries-de-la-Mer," on public display. Acquired in 1928 by museum founder Helene Kröller-Müller from the notorious Berlin dealer Otto Wacker, the painting was eventually exposed as a fake created by Wacker’s brother, Leonhard. The exhibition, which runs until June 21, coincides with a new podcast detailing the history of the acquisition and the subsequent fraud trial that rocked the art world in the 1930s.

Chicago’s Obama Presidential Center has art at its core

The Obama Presidential Center is set to open on Chicago’s South Side on June 19, 2026. The $850m institution, designed by Tod Williams Billie Tsien Architects, features more than 25 site-specific contemporary art commissions integrated into its architecture and 19.3-acre campus. Ahead of the opening, the museum has partnered with Expo Chicago to preview these works, which include monumental contributions from artists such as Julie Mehretu, Mark Bradford, and Nick Cave.

jenny savilles solo show at ca pesaro in venice in 2026 will be her fourth museum show in 18 months

The International Gallery of Modern Art at Ca’ Pesaro in Venice will host a major solo exhibition of works by British painter Jenny Saville in 2026, coinciding with the Venice Biennale. The show, curated by Elisabetta Barisoni, will run from March 28 to November 22 and feature around 30 paintings spanning Saville's career from the 1990s to the present, including a new series inspired by Venice. Mega-gallery Gagosian, which represents Saville, is supporting the exhibition.

California’s High Desert Is Rich With Natural and Artistic Beauty—All Amplified by a Budding Art Fair

The fifth annual High Desert Art Fair (HDAF) took place at the Pioneertown Motel in California's High Desert, featuring 20 galleries, nonprofits, studios, and publishers. Founded by Nicholas Fahey of Fahey/Klein Gallery and artist manager Candice Lawler, the fair leverages the area's existing artistic community and natural beauty to attract visitors from Los Angeles and beyond.

Flock and awe: inside the big changes at Henry Moore’s glorious sheep-filled Hoglands home

The Henry Moore Foundation has reopened the Sheep Field Barn gallery at Moore's former home and studio in Perry Green after a major architectural redesign by DSDHA. The reopening is marked by an exhibition of Moore's seminal Shelter Drawings, created when he first arrived at the estate during the Second World War.

7 Must-See Shows During Art Basel Hong Kong 2026

Art Basel Hong Kong 2026, running from March 27 to 29, will trigger a major wave of concurrent gallery exhibitions across the city, particularly concentrated in the Central neighborhood and the H Queen's tower. Galleries like Hauser & Wirth, White Cube, and MASSIMODECARLO will present shows for the influx of international collectors and visitors.

The 17 Gallery Shows to See During Frieze Week in New York

Frieze New York has drawn collectors, curators, and art enthusiasts to the city, but this article highlights 17 gallery shows across Manhattan that are worth seeing during the fair week. Featured exhibitions include Katharina Fritsch's return to Matthew Marks with monumental sculptures, Kim Dacres' tire-based busts at Charles Moffett, Sasha Brodsky's debut solo show at Margot Samel, Jasper Johns' "Copy/Trace" at David Zwirner, and Lucia Hierro's packing-box sculptures at Marc Straus, among others.

Lisson Grove's galleries collaborate to promote London's unsung art district

Lisson Gallery, The Showroom, The Bomb Factory Art Foundation, Patrick Heide Contemporary Art, and Palmer Gallery have formed the Lisson Grove Galleries initiative to promote the artistic activity of London's Lisson Grove district. The collaboration will launch during London Gallery Weekend (5-7 June 2025) with talks, tours, performances, and events, including discussions on collectivism, artist talks, and private views, with ongoing programming throughout the year.

In Pictures: New Museum curator Gary Carrion-Murayari’s Frieze favourites

New Museum curator Gary Carrion-Murayari shares his personal highlights from the Frieze New York art fair, selecting works by artists including Arthur Simms, Haegue Yang, Abel Rodriguez and Aycoobo-Wilson Rodríguez, Sung Tieu, Maryam Hoseini, Pedro Neves, and Melvin Way. Each pick is accompanied by a brief commentary explaining why the work resonates with him, ranging from underappreciated talents to artists featured in the 2024 Venice Biennale.

Ten years on, Tefaf New York still stands out from the crowd

Tefaf New York returns to the Park Avenue Armory from 15 to 19 May, bringing together 88 exhibitors from 14 countries. The fair, which launched in 2016 as a two-part event and consolidated into a single annual edition in 2022, spans Greco-Roman antiquities, jewellery, 20th-century design, and contemporary art. This year’s edition includes nine new exhibitors such as David Lévy, Larkin Erdmann, Piano Nobile, Macklowe Gallery, and ML Fine Art, and sees the return of John Berggruen after a three-year absence. Fair leadership, including director Leanne Jagtiani and head of fairs Will Korner, emphasize the fair’s distinctive focus on Modern art, which they say differentiates it from other spring fairs in New York that are more heavily weighted toward contemporary work.

Bringing back the salon: UK organisation aims to revive Brighton's contemporary art scene

The Adelaide Salon, a new arts organization founded in 2024 by Pascal Dowers and Paulina Anzorge, is staging a ticketed contemporary art event at Brighton's Royal Pavilion on 30 May, featuring live art and performance. This follows the organization's earlier exhibitions at their home in Adelaide Crescent and a current takeover of the Founders Room at Brighton Dome with the exhibition Act O (until 25 May), part of the Brighton Festival. The salon aims to revive Brighton's art scene after notable losses, including the 2023 closure of Brighton University's Centre for Contemporary Art (CCA) and the withdrawal of Arts Council funding at Fabrica gallery.

Zurbarán in London, the Carnegie International, Walter Sickert’s Ennui—podcast

This episode of The Art Newspaper's podcast covers three major art events opening this weekend. The largest career survey of 17th-century Spanish master Francisco de Zurbarán since the 1980s opens at the National Gallery in London, co-curated by Francesca Whitlum-Cooper. The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art and other venues in Pittsburgh, directed by Eric Crosby. The Work of the Week is Walter Sickert's "Ennui" (c.1914), featured in the exhibition "Walter Sickert: Working Notes" at Charleston in Lewes, curated by Robert Travers of Piano Nobile in partnership with Charleston.

Venice Biennale 2026: all the national pavilions, artists and curators so far

The 61st edition of the Venice Biennale, the world's oldest and most prestigious art biennial, will open on 9 May 2026 and run through 22 November. The main exhibition follows the curatorial plan of the late Koyo Kouoh, while national pavilions have been announcing their participating artists and organizers. The article provides a comprehensive list of confirmed pavilions so far, including artists such as Genti Korini (Albania), Matías Duville (Argentina), Khaled Sabsabi (Australia), Florentina Holzinger (Austria), Faig Ahmed (Azerbaijan), and many others, with details on venues and organizers.

'It’s like the natural world. Nothing lasts forever': Tadashi Kawamata on creating his temporary sculptures

Japanese artist Tadashi Kawamata created a temporary wooden vortex sculpture titled "Tornado" inside the Palais de Tokyo in Paris, made from 5,000 individual pieces of wood and installed on the grand staircase for just two weeks in February. The work was commissioned by Ruinart as part of its "Conversations with Nature" series, which presents a piece in Paris before permanently installing it at the champagne house's headquarters in Reims. Kawamata, who has lived in Paris for 18 years, is known for using found materials and creating site-specific, temporary interventions on or inside architecture, emphasizing spontaneity and impermanence.

Chernobyl 40 years on, Paula Rego at Munch in Oslo, Gluck’s flower painting—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three distinct exhibitions. Host Ben Luke discusses the 40th anniversary of the Chernobyl nuclear disaster with organizer Olha Kovalevska, whose exhibition at Nikolaikirche in Potsdam runs until 27 April. He also explores a new show at Munch in Oslo, 'Paula Rego: Dance Among Thorns', with curator Kari J. Brandtzæg, focusing on Rego's engagement with Edvard Munch. Finally, the episode features 'Convolvulus' (1940) by Gluck as the Work of the Week, part of the group exhibition 'Handpicked: Painting Flowers from 1900 to Today' at Kettle's Yard in Cambridge, discussed with co-curator Naomi Polonsky.

As Cuban crisis deepens, diaspora artists have a message of compassion

Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.

Philadelphia art museums celebrate America's 250th anniversary with blockbuster two-venue show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a massive collaborative exhibition titled "A Nation of Artists" to commemorate the 250th anniversary of the Declaration of Independence. Featuring over 1,000 works, the show spans from colonial-era masterpieces like Charles Willson Peale’s portrait of George Washington to contemporary Indigenous art and modern portraiture by Barkley L. Hendricks. The exhibition will also debut 120 works from the Middleton Family Collection, including significant Hudson River School and American Impressionist pieces.

Our pick of the best museum and gallery shows to see in Chicago this spring

Chicago’s spring art season features a diverse array of exhibitions, highlighted by Dabin Ahn’s solo debut at Document, which explores memory and grief through fractured canvases and Korean ceramics. The Art Institute of Chicago is hosting a tribute to the late Lucas Samaras, showcasing his experimental Polaroid self-portraiture, while the Museum of Contemporary Art Chicago (MCA) launches an ambitious group show examining the political and cultural impact of dancehall and reggaetón.