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Follow PAPER Undercover at New York Art Week

The article follows the author's undercover experience during New York Art Week, focusing on the simultaneous openings of Frieze New York and TEFAF New York in May. Frieze, held at The Shed in Hudson Yards, features contemporary galleries from 28 countries, while TEFAF at the Park Avenue Armory offers a mix of contemporary art, antiques, and Old Masters. The author highlights standout works, including Kelly Sinnapah Mary's solo presentation at James Cohan and Aki Goto's dental installation at Gallery G, and notes the packed schedule of talks, gallery openings, and museum galas.

‘Like a Malfunctioning Theme Park Ride’: Banality and Body Horror at New York Art Week

New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.

ISA Art Gallery and Fitri DK’s ‘Nine Kartinis of Kendeng’

ISA Art Gallery in Jakarta recently held the first exhibition in its 'Biophilia' series, titled 'Exquisite Corpse', which ran from February 14 to April 16. The show features works centered on nature and sustainability, with a standout piece by artist Fitri DK: two batik works titled 'Selamatan Bumi 1 and 2'. These works depict the 'Nine Kartinis of Kendeng', a group of women from Central Java fighting to protect their karst mountains from a cement factory that threatens their clean water supply. The exhibition draws its title from Elza Adamowicz's book on Surrealist collage, emphasizing fragmented, collective creation.

Cagecircle: Composition for an Exhibition

An exhibition titled "Cagecircle: Composition for an Exhibition—curated by chance!" will open on June 27, 2026, at Bard College’s Stevenson Library in Annandale-on-Hudson, New York, as part of Upstate Art Weekend. The show features archival items from twenty-two collections, selected using John Cage's chance procedures, including works by Marcel Duchamp, Hannah Arendt’s kitchen cabinet door, a death mask, and an architecture model of a garage. The opening includes free performances of Cage’s "Lecture on Nothing" and "Extended Lullaby."