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Beware the technology rat trap: Cooper Jacoby’s standout contribution to New York’s Whitney Biennial

Cooper Jacoby's sculptures at the Whitney Biennial explore how AI corporations and other companies turn personal data into financial assets. His five works, displayed in a green-carpeted space he describes as "almost like a rat trap," include the 2026 piece *Estate (July 10, 2022)*—a folding screen with an intercom that uses AI trained on social media posts from deceased creatives to generate vocal outputs. Another series, *Mutual Life*, features eye-like sculptures with clock hands that spin based on the biological age of anonymous individuals in the artist's network. Jacoby's work highlights the lack of regulation around digital life and death, and the opaque nature of AI systems.

Li Yi-Fan: Error and Effigy

Taiwanese artist Li Yi-Fan, born in 1989 and based between Taipei and Amsterdam, creates unsettling digital marionettes using modified game engines and digital puppetry. His pale, chalky figures with uncanny proportions discuss voyeurism, sexual fantasies, philosophy, memes, and computer programming, often resembling the artist himself. Li works a nine-to-five schedule, spends hours on computer games as research, and describes himself as 'probably the most boring artist.' His practice relies on free or subscription software and purchased digital assets, staging what it feels like to make digital art within platform systems and corporate infrastructure.

A Museum Show Like No Other Aschaffenburg’s ‘Bavarian Nice’ Becomes the Stage for a Powerful Ukraine-Europe Art Collaboration Amid Global Conflict!

Aschaffenburg, Germany, is hosting a landmark exhibition titled 'A European Collection' at the Christian Schad Museum, opening April 30, 2026. The show features 73 European masterpieces from the 15th to 19th centuries, loaned from the Bohdan and Varvara Khanenko National Museum in Kyiv, Ukraine. Works by Peter Paul Rubens, Bernardo Bellotto, and Claude-Joseph Vernet are included, alongside a contemporary piece by Ukrainian artist Maria Kulikovska juxtaposed with Antonio Canova's sculpture 'La Pace'. This is the first comprehensive presentation of these Ukrainian-held works in Germany.

World Cup timing perfect for 'Kinetic Energy' exhibition, where 14 artists transform sports into art

The Cultural Council for Palm Beach County, in partnership with the Palm Beach Sports Commission, has opened "Kinetic Energy," an exhibition at the Cultural Council headquarters in Lake Worth Beach, Florida. The show features 14 Palm Beach County-based artists and over 25 works in various mediums, exploring the power and grace of sports. It runs through June 12 and is free to the public, timed to coincide with the upcoming FIFA World Cup 2026.

Solana’s first physical art gallery is using a Frank Ape solo show to prove the onchain art model works in the real world

Brandon Sines, the artist behind FrankApeWorld, opens his first solo exhibition in eight years, titled “Let’s Be Frank,” on May 1 at Cycol Gallery in New York. The show features a cohesive, journey-like curation culminating in a site-specific immersive installation, with every piece minted on Exchange.Art. Cycol Gallery, located at 91 Allen Street, describes itself as Solana’s first brick-and-mortar gallery, built on Solana infrastructure and powered in part by the BONK memecoin, which acquired Exchange.Art in March 2025. Physical display uses Blackdove Art’s digital frames, allowing works to exist as tangible objects and verifiable onchain assets simultaneously.

Istanbul exhibition features artist voice via art at Karaköy Palace | Daily Sabah

The Kültür Medeniyet Vakfı (KÜME) opened its ArtıKÜME 2025 and ODAK exhibitions at Karaköy Palas in Istanbul on Saturday, featuring 25 projects across disciplines from digital art to calligraphy under the theme 'Mümkün' ('Possible'). The exhibition transforms the historic Karaköy Palas into a platform for experimental and process-driven works, with artists like Muharrem Dalhan presenting interactive installations such as 'Threshold,' which critiques algorithm-driven media environments. The ODAK project was also introduced as a platform tracking cultural production across Türkiye, with its first publication, the ODAK 2025 book, launched alongside the exhibition.