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Biennale di Venezia 2026. Le grandi mostre da non perdere in città

The article previews major exhibitions in Venice during the 2026 Biennale, highlighting a rich lineup of shows across the city's museums and foundations. Key highlights include a retrospective for Marina Abramović at the Gallerie dell'Accademia, a Peggy Guggenheim exhibition at her former home, and dual shows at Palazzo Grassi and Punta della Dogana featuring artists like Michael Armitage, Amar Kanwar, Lorna Simpson, and Paulo Nazareth. Other notable venues include Fondazione Prada, Ca' Pesaro, and the Museo Correr, with artists ranging from Joseph Kosuth to Jenny Saville.

‘It’s really important that the public is not just a silent witness’: Marina Abramović on her Venice Biennale exhibition

Marina Abramović is the first living female artist to have a solo exhibition at the Gallerie dell'Accademia in Venice, where her work will be installed alongside the museum's permanent collection. The show, titled *Transforming Energy*, features interactive 'transitory objects' such as stone beds and crystal-embedded structures that visitors are invited to use, as well as a juxtaposition of her 1983 photograph *Pietá (with Ulay)* with Titian's final masterpiece *Pietá* (1575-76). Abramović, who won the Golden Lion for Best Artist at the 1997 Venice Biennale, emphasizes audience participation over passive viewing, banning telephones and encouraging visitors to spend at least three hours engaging with the works.

Venice’s top museum brings in 80-year-old performance artist as St. Mark’s Square hosts Lee Ufan exhibition

Gallerie dell'Accademia, one of Venice’s most historic museums, is hosting "Energy in Transition," a major retrospective marking performance artist Marina Abramović’s 80th birthday. The exhibition features iconic works such as "The Lovers: The Great Wall Walk" (1988) and "Balkan Baroque" (1997), for which she became the first woman to win the Golden Lion at the Venice Biennale. Visitors can interact with installations involving crystals, meditation platforms, and energy brushes, transforming Abramović’s once-violent performances into a healing journey. Separately, St. Mark’s Square is hosting an exhibition by Korean artist Lee Ufan, featuring his sculpture "The Kiss."

Bones and crystals greet visitors at Marina Abramovic show in Venice

Marina Abramović, the Serbian pioneer of performance art, inaugurated her latest exhibition "Transforming Energy" at the Gallerie dell’Accademia in Venice, days before the official opening of the Biennale International Art Exhibition. The show features a pile of plaster bones and crystal objects, with guides in white coats encouraging visitors to interact with the crystals to detox from modern technology. Abramović is the first living woman artist to present an exhibition at the Gallerie, which is known for its Renaissance masterpieces.

Three Venice shows everyone is talking about

The Korea Herald recommends three must-visit museum shows in Venice during the Venice Biennale. At Palazzo Grassi, the Pinault Collection presents "Michael Armitage. The Promise of Change," featuring the Kenya-born British painter's vivid works addressing sociopolitical tensions and migration. At Gallerie dell'Accademia, "Transforming Energy" by Marina Abramovic marks her 80th birthday, creating a dialogue between her performance art and Renaissance masterpieces. The Peggy Guggenheim Collection hosts "Peggy Guggenheim in London: The Making of a Collector," revisiting her formative years and her short-lived London gallery Guggenheim Jeune.

Marina Abramović’s Transforming Energy Reframes Performance Art in Venice

Marina Abramović has unveiled "Transforming Energy," a landmark exhibition at the Gallerie dell’Accademia in Venice, on view through October 19, 2026. The show marks the museum’s first major solo presentation dedicated to a living woman artist, arriving during the Venice Biennale. It places Abramović’s most significant performance works, including "Pietà (with Ulay)" (1983), in direct dialogue with Renaissance masterpieces such as Titian’s "Pietà," exploring themes of spirituality, grief, endurance, and transcendence. The exhibition is curated by Shai Baitel and features iconic works like "Balkan Baroque" (1997), for which Abramović won the Golden Lion.

Marina Abramović in Venice: “Don’t treat me like an icon”

Marina Abramović has opened a new exhibition titled "Transforming Energy" at the Gallerie dell’Accademia in Venice, running concurrently with the Venice Biennale. Curated by Shai Baitel, the show spans the museum’s permanent collection and temporary exhibition spaces, featuring a timeline of the artist’s biography, video works, and interactive installations with crystals and stone objects. Abramović is the first living woman artist to receive a major solo exhibition at the museum, and the exhibition includes a digital avatar and rituals designed to slow down the viewer’s experience.

Marina Abramović’s Historic Venice Biennale Exhibition Is a Full-Circle Moment

Marina Abramović has become the first living woman to be honored with a dedicated exhibition at the Gallerie dell’Accademia di Venezia, titled “Marina Abramović: Transforming Energy.” The show, which coincides with her 80th birthday, features works selected in dialogue with Renaissance masterpieces from the museum’s permanent collection, including pieces such as “The Lovers, Great Wall Walk,” “Balkan Baroque,” and “Pietà (Anima Mundi).” Abramović first visited the Venice Biennale at age 14 and later won the Golden Lion there in 1997; this exhibition marks a full-circle return to the city that inspired her.