Marcel Duchamp and the MoMA Exhibition That Didn’t Ask Questions

Marcel Duchamp's 1917 readymade *Fountain* and its radical questioning of art's definition are the focus of a new retrospective at the Museum of Modern Art (MoMA) in New York, curated by Matthew Affron, Michelle Kuo, and Ann Temkin. The exhibition, the first major Duchamp show in the U.S. since 1973, assembles three hundred objects and presents them chronologically, tracing Duchamp's evolution from early paintings to his conceptual breakthroughs. The article highlights how *Fountain* was originally submitted to a no-jury exhibition by the Society of Independent Artists, sparking a debate that ultimately led to its rejection and Duchamp's resignation, a pivotal moment in art history.

In Milan, the surprising wild nature of Luciana Meazza's blind drawing

A Milano la sorprendente natura selvaggia del disegno cieco di Luciana Meazza

The article reviews Luciana Meazza's exhibition 'Wild Thoughts' at Tipografia Fratelli Bonvini in Milan, showcasing her vibrant, spontaneous paintings and works on paper. The show features two series: studio paintings on canvas and outdoor works on paper, including blind drawing and leporellos, all inspired by nature and executed with a free, childlike hand.