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Dear Mary, For Chicago, Sincerely Nathaniel Mary Quinn

The National Public Housing Museum in Chicago opened its doors on April 4, 2025, becoming the only museum in the United States dedicated to the histories of public housing and its residents. Located on the site of the historic Jane Addams Homes, the museum was remodeled by architect Peter Landon and features permanent installations, artist residencies, and temporary exhibitions. Current initiatives include Open Mike Eagle's residency as 'Artist as Instigator,' building on his album 'Brick Body Kids Still Daydream' (2017) about life in Robert Taylor Homes, and the art-glass frieze 'Resilient Hues' by Amanda Williams and Olalekan Jeyifous. The museum is led by executive director Lisa Yun Lee and has earned third place on USA Today's list of 'Best New Museums.'

A Decade of Contemporary Art: Gallery Weekend Beijing Turns 10

Gallery Weekend Beijing (GWBJ) will celebrate its 10th anniversary with the 2026 edition running from May 22 to May 31, opening with three VIP days before going public on May 26. Founded in 2017, the event features curated exhibitions from 30 galleries and 10 non-profit institutions across Beijing, anchored in the 798 Art District and extending to Caochangdi and the CBD Art District. A new Academic Committee—comprising Guo Xi, Leng Lin, Tian Yuan, Xi Tao, and Yang Beichen—selected the participating galleries, with 25 returning from previous editions and five newly nominated. Highlights include institutional presentations at UCCA Center for Contemporary Art, Red Brick Art Museum, and SONG Art Museum, as well as a special exhibition titled "Nirvana" by Ouyang Chun.

Farah Al Qasimi: Psychic Repair

Emirati photographer and musician Farah Al Qasimi presents her solo exhibition "Psychic Repair" at the SCAD Museum of Art in Savannah, Georgia, running from January to June 7, 2026. Curated by SCAD Museum Associate Curator Brittany Richmond, the show explores self-presentation and consumerism through staged domestic interiors, vinyl works, framed photographs, and music videos. Key pieces include "Beauty Salon" (2024), "Aquarium" (2024), "Clothing Store" (2023), and "Painting and Astroturf" (2023), which appropriate signifiers of the attention economy. The exhibition is strategically positioned to respond to Savannah's history as a port city built on trade in cotton, indigo, rice, and enslaved people, with the museum itself occupying a former railway depot made of Savannah Gray brick produced by enslaved laborers.