Faces of Russian Art

Gesichter der russischen Kunst

On the Venice Biennale, the Russian Pavilion presents itself as a space for dialogue, while simultaneously a major exhibition in St. Petersburg titled "Russischer Imperativ" (Russian Imperative) opened on May 8 at the Manezh exhibition hall, glorifying war as a historical imperative of Russian identity. Curated by Anton Belikov, a Moscow artist and former Russian soldier who fought in Ukraine, the show features works from state museums like the Tretyakov Gallery, blending historical battles with the current war in Ukraine, and includes a monumental, fascistoid design with a ten-meter-tall installation of a soldier's head. The exhibition has sparked outrage on social media and in Russian exile media for its militaristic propaganda.

Frida Kahlo and Diego Rivera at MoMA in New York in a Passionate Theatrical Dialogue

Frida Kahlo et Diego Rivera au MoMA de New York dans un dialogue théâtral plein d’ardeur

The Museum of Modern Art (MoMA) in New York has opened a theatrical exhibition titled "Frida and Diego: The Last Dream," curated by Beverly Adams, the museum's curator of Latin American art. The show features around twenty paintings and drawings by Frida Kahlo and Diego Rivera from MoMA's collection, alongside photographic portraits. The exhibition's dramatic staging, designed by British set designer Jon Bausor—who also worked on the Metropolitan Opera's concurrent production of "El Último Sueño de Frida y Diego"—creates a tense dialogue between the artists' contrasting styles: Rivera's political murals and Kahlo's intimate, colorful self-portraits. Highlights include Kahlo's "Self-Portrait with Cropped Hair" (1940) and Rivera's "Zapata, Agricultural Leader" (1931).

Raque Ford ”The only one willing to to the hard part” at Fridericianum, Kassel

The article reviews Raque Ford's exhibition "The only one willing to do the hard part" at Fridericianum in Kassel. Ford, born in 1986 in Columbia, Maryland, and based in New York, presents works that blend artistically formed shapes with bold color contrasts and slogan-like text. Using plastic and industrial materials, she creates an aesthetic that oscillates between abstraction and simple visual codes, with layered compositions that challenge conventional boundaries.

Le vedute veneziane di Francesco Guardi tornano in laguna da un museo di Lisbona

Ca' Rezzonico, the Museum of 18th-Century Venice, has opened its exhibition season with a selection of ten paintings by Francesco Guardi (1712–1793) on loan from the Calouste Gulbenkian Museum in Lisbon. The works, dated between 1770 and 1790, include iconic Venetian views such as the Festa della Sensa in Piazza San Marco and the Regata sul Canal Grande, showcasing Guardi's distinctive loose brushwork and atmospheric perspective. The exhibition also features drawings from civic collections, including Il Gran Teatro La Fenice and two watercolored sheets depicting Le nozze del duca di Polignac.

Giorgio Vasari beyond the Lives: what the exhibition at the Capitoline Museums in Rome looks like

An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.

Don’t Miss: Giles Duley’s “Distortion / Memory / Resilience” at Sutton Tower

Photographer and storyteller Giles Duley has opened a two-week exhibition titled “Distortion / Memory / Resilience” at Sutton Tower on the Upper East Side of New York. The show features his powerful images documenting life during war, alongside artistic touches such as wooden school desks filled with artwork by Ukrainian children. Duley, who lost two legs and one arm after an I.E.D. injury in Afghanistan in 2011, continues to work actively in war zones including Sudan, Afghanistan, and Ukraine. Proceeds from the exhibition support his NGO, the Legacy of War Foundation, which has raised over $4 million since 2017 to help communities rebuild after conflict.

‘The Generative Universe’: Keith Tyson returns to LA with new exhibition at Hauser & Wirth

Keith Tyson, the Turner Prize-winning British artist, returns to Los Angeles with his first exhibition in the city since 2009, titled “The Generative Universe,” on view at Hauser & Wirth from May 28 to August 16. The show spans 30 years of his career, featuring paintings, sculptures, drawings, and mixed media works that explore generative systems—artworks created through rule-based structures shaped by mathematics, technology, nature, and the artist's own choices. Central to the exhibition is Tyson's early computer program “Artmachine,” which he developed in the 1990s to generate prompts for his own creative process, contrasting with today's AI image generators that respond to human prompts.

What not to miss from the new edition of The Phair, the photography fair in Turin

Cosa non perdere della nuova edizione di The Phair, la fiera della fotografia di Torino

The seventh edition of The Phair, a photography fair in Turin, Italy, opened on Thursday, May 21, at the Sala Fucine of the Officine Grandi Riparazioni. Founded by Roberto Casiraghi and Paola Rampini, the fair features 42 national and international galleries. Highlights include a surprising automotive partnership at the entrance, and standout presentations from Red Lab Gallery (Ezio D’Agostino and Carlotta Valente), Alberto Damian Gallery (Paolo Gioli), Roccavintage (Costanza Gastaldi), Tucci Russo (Giulio Paolini), Raw Messina (Kri Babusci), and Galleria Umberto Benappi (Ugo Mulas). Other notable artists include Arnulf Rainer, Anton Corbijn, Luigi Ontani, and Simon Starling.

Yosra Mojtahedi, Iranian artist who moved from painting to astonishing living sculptures

Yosra Mojtahedi, artiste iranienne passée de la peinture à de stupéfiantes sculptures vivantes

Yosra Mojtahedi, an Iranian artist born in 1986, has transitioned from painting to creating stunning living sculptures. Her work, characterized by black and white contrasts, features sculptures that breathe, have hair, and incorporate torn tights and synthetic locks, evoking themes of identity, censorship, and bodily autonomy. She recently presented a spectacular installation titled "Isthme noir" at the Espace Monte-Cristo in Paris and an exhibition at the Abbaye de Maubuisson, where her spiritual universe unfolds across multiple rooms. Mojtahedi's practice includes sound elements in Persian or Kurdish, and she views her sculptures as "bodies" that are both intimate and political.

Meet the Hawaiʻi creatives behind a workout video featured in a New York art exhibition

A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.

A Roma si celebra il fotografo riminese Marco Pesaresi a 25 anni dalla morte: docu-film e mostra

Rome is celebrating the work of Rimini-born photographer Marco Pesaresi (1964–2001), 25 years after his death, through two events organized by the photography training center Daylight School, led by Marco Sconocchia. A documentary film titled "Il granchio nudo – La storia di Marco Pesaresi," produced by Riccardo Caccia and Michela Fragomeni and directed by Marta E. Antonioli and Elena Padovan, will be screened on May 21 at Nuovo Cinema Aquila. The film features unpublished materials, including Pesaresi's diaries and poems, and includes interviews with those who knew him. A group exhibition, "UNDERGROUND. Il mondo sotto. Omaggio a Marco Pesaresi," opens May 29 at Daylight School, reinterpreting the themes of his photobook "Underground" through the eyes of 15 photographers.

Beppe Madaudo on display in Pietrasanta: matter, memory and suspended figures

From May 3 to June 28, 2026, Art Studio La Marina gallery in Pietrasanta hosts "Anteprima," a solo exhibition by Italian artist Beppe Madaudo (born Palermo, 1950), curated by Diego Ferrante. The show presents works where animals, human figures, and hybrid forms emerge from layered matter, exploring themes of memory, tension, and transformation. Key pieces include a depiction of the fish St. Peter, whose profile is outlined in red while its interior is built from threads, combustions, and fragments, and two horse paintings on contrasting ash gray and burnt red backgrounds that alter the visual weight of the same silhouette.

The paintings Jannis Psychopedis never let go

Seventy works kept for decades in the studio of painter Jannis Psychopedis form the core of a new retrospective at the Basil and Elise Goulandris Foundation Museum in Athens, tracing the artist’s journey from 1962 to the present. Titled 'Jannis Psychopedis: Landscapes of Memory. The Ones I Kept,' the exhibition gathers paintings and mixed-media works that rarely appeared in public and were never intended as an archive. Psychopedis said he always saved 'two or three works from every period,' preserving them as 'support for the next movement' and as a record of life, art and experience. Emerging during the liberal climate of the 1960s, the artist belonged to the pioneering New Greek Realists and painted the tensions of a society shaped by advertising, consumerism and political upheaval.

Fancy a One-Kilometer Walk on Water in Shandong?

Japanese architect Junya Ishigami has designed the Zaishui Art Museum in Rizhao, Shandong, China, a striking ivory-white structure built on an artificial lake. The museum features a one-kilometer-long immersive walkway that allows water to flow into the interior, blurring the boundary between architecture and nature. Currently, the museum hosts an exhibition on the history and production of chocolate, blending industrial displays with contemporary art.