Legacy dealer Marianne Rosenberg unearths family archive for New York show

Marianne Rosenberg, an Upper East Side dealer and descendant of the storied Rosenberg gallery dynasty, has opened a new exhibition titled "Giacomo Manzù: The Artist and his Dealer" at her gallery Rosenberg & Co., running until 27 June. The show features sculptures, works on paper, and archival letters that explore the decades-long relationship between Italian sculptor Giacomo Manzù and her father, Alexandre P. Rosenberg, who represented Manzù until his death in 1987. Marianne, who left a career in international aviation finance law to open her gallery in 2015, continues her family's focus on Impressionist and Modern art while also working with contemporary artists and pursuing restitution of artworks looted by the Nazis during World War II.

London Gallery Weekend 2026: our critics pick their top shows

London Gallery Weekend returns for its sixth edition with over 120 participating galleries and more than 80 public events. Despite recent gallery closures like Stephen Friedman Gallery, the festival highlights expansions by major dealers such as Sadie Coles, Modern Art, and Maureen Paley, along with newcomers like Sundaram Tagore Gallery and Pale Horse. Critics pick top shows across the city, including Freya Tewelde's abstract paintings at Gallery 1957, Savannah Harris's café-gallery hybrid at Harlesden High Street, and Ravelle Pillay's archival works at Goodman Gallery.

À Paris, Anglet ou Dreux, 5 expositions gratuites à voir en juin

The article highlights five free art exhibitions to see in France in June 2026, spanning Paris, Anglet, Dreux, and the Maine-et-Loire region. In Paris, the Bibliothèque historique de la Ville de Paris presents "C'était Paris en 1970," showcasing 100,000 photographs from a 1970 city-wide contest to document the capital. In Anglet, the Centre d'art contemporain hosts "Tutti Frutti," a group show curated by Anne-Laure Lestage featuring 18 artists whose works evoke the atmosphere of a market, including pieces by Miriam Cahn, Takako Saito, and Manuel Wroblewski. In Maine-et-Loire, the exhibition "Dans le Maine-et-Loire, de grands artistes ouvrent les portes de leur atelier" displays photographs by Jean Marie del Moral of artists' studios, featuring figures like Joan Mitchell, Miquel Barceló, and Damien Hirst. Additional free exhibitions are mentioned in Dreux and elsewhere, though details are cut off.

Francis Picabia: Against Bad Breath and Cathedrals of Shit

ArtReview examines the enduring relevance of Francis Picabia through the exhibition "Francis Picabia: Expanding Horizons" at Hauser & Wirth in London. The show presents a five-decade, 32-work mini-retrospective of Picabia's painting and drawing, spanning from an untitled impressionist landscape (1902) to his late Dada-themed works. The article highlights Picabia's deliberately wayward, ever-changing practice, his provocative aphorisms (e.g., "Cubism is a cathedral of shit"), and his role as a precursor to appropriation art, Pop, Conceptualism, and 'bad' painting, with key series including the Espagnoles, Transparencies, and mechanomorphic images.

Come together: how London galleries are making it work in the capital

London’s gallery sector is undergoing a reset as a slower market, rising operating costs, and changing collector behavior challenge dealers of all sizes. Despite high-profile closures, around two dozen new galleries have opened in the past few years, and many are experimenting with new business models. London Gallery Weekend (LGW) returns this month (5–7 June), highlighting a shift away from art fairs toward a renewed focus on exhibitions. New galleries like Pale Horse Gallery in Marylebone and Edel Assanti’s second space in St James’s prioritize in-gallery programming, while others like Elizabeth Xi Bauer are expanding into studios and residency programs to offer artists more infrastructure.

‘We have a shared sky and stars’: the Indigenous American artists challenging our relationship to the natural world

Hold to This Earth, the largest exhibition of contemporary Native North American art ever shown in Britain, has opened at a time when the United States prepares for the 250th anniversary of the Declaration of Independence. Curated by Sarah Coulson, the show features works from more than 35 tribal nations, drawn from Santa Fe’s Tia Collection. Artists such as Jeffrey Gibson, Rose B Simpson, Raven Halfmoon, Dakota Mace, and Hock E Aye Vi Edgar Heap of Birds address urgent issues including environmental exploitation, land rights, and Indigenous resilience through a blend of traditional craft and contemporary media.

Philadelphia opens its Van Gogh Sunflowers display with a very rare loan from London’s National Gallery

The Philadelphia Museum of Art is opening a special display, "Van Gogh’s Sunflowers: A Symphony in Blue and Yellow" (June 6–October 11), that brings together two of Van Gogh's iconic Sunflowers paintings: the Philadelphia museum's own version (January 1889) and a rare loan of London's National Gallery's version with a yellow background (August 1888). This marks the first time the London painting has crossed the Atlantic, and only its fifth loan abroad since 1924. The reunion was reciprocated after Philadelphia lent its Sunflowers to London's 2024 exhibition "Van Gogh: Poets & Lovers."

How Gedi Sibony Makes a Show, By Transforming Street Finds Into Magical ‘Frozen Moments’

Gedi Sibony's latest exhibition, "The Invisible Point," opened at Greene Naftali in New York, marking his eighth solo show at the gallery since 2008. The show features his signature assemblage sculptures crafted from street finds and discarded materials—including wooden bookshelves from trash dumps, broken plant stands, wire scraps, and a broomstick—alongside restrained, barely-there paintings. The press release, just four sentences long, describes his process as "powered by an intuitive momentum" and the works as "objects drafted from remnants and castoffs." Sibony's practice extends a tradition from Cubist collage through artists like Louise Nevelson, Robert Rauschenberg, and Richard Tuttle.

Léon Tutundjian, l’avant-gardiste oublié enfin remis en lumière à Grenoble

The Musée de Grenoble has mounted the first-ever retrospective of Léon Tutundjian, an Armenian-born avant-garde artist who was active in Paris from the 1920s onward. Despite being a friend and peer of major figures such as Jean Hélion, Auguste Herbin, Theo van Doesburg, Jean Arp, and Alexander Calder, Tutundjian was largely forgotten by art history. The exhibition brings together his rare works—including collages, drawings, gouaches, and the sculptural "reliefs" for which he is best known—and aims to restore his place in the narrative of 20th-century modernism.

At MICAS, architecture competes with Reggie Burrows Hodges' exhibition

Au MICAS, l'architecture concurrence l'exposition de Reggie Burrows Hodge

The Malta International Contemporary Art Space (MICAS) presents "Mela," the first European solo exhibition of American painter Reggie Burrows Hodges, featuring around thirty new works inspired by the artist's extended stay on the island in 2024-2025. The exhibition, curated by Edith Devaney, includes four thematic series—Labor, Seascapes, Buoy, and a sound installation—alongside the monumental canvas *Mamajamma* (2025), which reinterprets Caravaggio's *The Beheading of Saint John the Baptist* as a Maltese water-polo match.

‘The people made me a star’: 100 years of Marilyn Monroe – in pictures

A new exhibition at the National Portrait Gallery in London, titled 'Marilyn Monroe: A Portrait', explores the life, career, and legacy of Marilyn Monroe through portraits created by many of the greatest photographers and artists of the 20th and 21st centuries. The show runs until 6 September and features iconic images from her early modeling days as Norma Jeane to her final interviews and photographs in 1962, including works by Milton H. Greene, Eve Arnold, Cecil Beaton, Pauline Boty, and Andy Warhol.

Crystal Bridges Museum Tacks on a Big Expansion, Just 15 Years After Opening, and Packs it With American Art

Crystal Bridges Museum of American Art in Bentonville, Arkansas, has opened a major expansion just 15 years after its original 200,000-square-foot facility debuted. Designed by architect Moshe Safdie, the addition adds 114,000 square feet of new galleries, education spaces, and artist studios, including a 14,000-square-foot exhibition space. The new wing features skylights with a mechanism to create balanced natural light and hosts the inaugural exhibition “Keith Haring in 3D,” co-curated by Glenn Adamson, which explores the artist’s sculpture practice. The expansion was driven by founder Alice Walton’s desire to execute the original fifty-year plan while Safdie could still lead the project.

MoMA exhibition will examine Mondrian’s time in New York and love of boogie woogie music

The Museum of Modern Art (MoMA) in New York will present "Mondrian Boogie Woogie" (March 21–July 31, 2027), an exhibition focusing on Piet Mondrian's final four years in New York and the influence of boogie woogie music on his late work. The show reunites Mondrian's last two paintings—Broadway Boogie Woogie (1942-43) from MoMA's collection and Victory Boogie Woogie (1942-44) from the Kunstmuseum Den Haag—for the first time in over thirty years, alongside 30 total works including pieces from a crate he brought to New York. A section will explore Café Society, New York's first interracial nightclub where Mondrian was a regular, and jazz pianist Jason Moran will contribute an original composition.

Photographs of Barbara Hepworth and Ben Nicholson’s shared studio go on show in London

The Courtauld Gallery in London is presenting an exhibition of 23 black-and-white photographs taken by Paul Laib in 1932-33, documenting the shared Hampstead studio of sculptor Barbara Hepworth and painter Ben Nicholson. The images, drawn from a larger archive of 22,000 glass-plate negatives gifted to the Courtauld in 1974, reveal the creative partnership between the two artists, who were a couple from 1931 to 1951. The show includes fourteen vintage prints and nine modern prints, curated by Chloe Nahum and Gerlind May, and runs from 6 June to 4 October.

A MoMA Retrospective Proves Duchamp Was More Sincere Than He Seems

A new retrospective at the Museum of Modern Art (MoMA) in New York surveys the full career of Marcel Duchamp, featuring 300 works across media. The exhibition traces his evolution from early paintings—such as a placid chess scene of his brothers and the watercolor *Woman Hack Driver* (1907)—through his iconic readymades like *Pharmacy* (1914) and *Nude Descending a Staircase* (1911–12), to the monumental *The Bride Stripped Bare by Her Bachelors, Even* (The Large Glass, 1915–23). It is the first comprehensive survey of Duchamp's oeuvre since 1973, and includes reproductions, facsimiles, and even contemporary caricatures from the American press.

Museums across North America hope to score with World Cup programmes

Museums across North America are launching sports-themed programming ahead of the 2026 FIFA World Cup, aiming to bridge political and cultural divides between the US, Canada, and Mexico. The Pérez Art Museum Miami (Pamm) opened the exhibition "Get in the Game: Sports, Art, Culture" (originating from SFMOMA) with a conference called "Game Time" featuring artists, athletes, and curators. Artist Hank Willis Thomas discussed his quilted replica of Picasso's Guernica made from sports uniforms, framing sports as sublimated combat and highlighting labor inequities. Other institutions, like LACMA, are also presenting football-related shows.

‘A kind of reconnecting with the past’: the Met celebrates the art of the portrait

The Metropolitan Museum of Art has opened a new exhibition, 'The Face of Modern Life,' featuring nearly 80 works from its permanent collection that challenge traditional definitions of portraiture. Curated by Stephanie D’Alessandro, the show includes pieces by Max Beckmann, Wifredo Lam, Pablo Picasso, and Joan Miró, among others, exploring how portraits can be rooted in memory, myth, and abstraction rather than mere physical likeness. Highlights include Picasso's iconic portrait of Gertrude Stein and Lam's recent acquisition 'Ídolo,' which draws on Santería imagery.

Crystal Bridges’s New Expansion Makes Room for More of Its Story

Crystal Bridges Museum of American Art will unveil a 114,000-square-foot expansion on June 6–7, 2025, designed by architect Moshe Safdie, who also designed the original 2011 campus. The expansion includes two new galleries—one for contemporary art and one for temporary exhibitions—a Learning and Engagement Hub with ceramic and artmaking studios, artist-in-residence spaces, a café called Quartz and Honey, and five acres of landscaped trails, gardens, and a pond. Museum founder Alice Walton insisted Safdie remain the architect despite his age, accelerating a 50-year plan into a five-year timeline.

Crystal Bridges To Open $150 Million, 100,000 Square Foot Expansion

Crystal Bridges Museum of American Art in Bentonville, Arkansas, will unveil a $150 million expansion to the public on June 6–7, adding 114,000 square feet of new space. Designed by Safdie Architects, the project increases exhibition space by 50 percent and includes new galleries, a restaurant, artist-in-residence studios, a ceramic-making space, and five acres of forest trails. The expansion also features a 14,000-square-foot Learning and Engagement Hub and 29,000 square feet of new gallery space.

Bricking it! How a ‘crinkle crankle’ wall reinvented the Serpentine Pavilion

Lanza Atelier, a Mexico City-based studio founded by Isabel Abascal and Alessandro Arienzo, has designed the 2025 Serpentine Pavilion in London's Kensington Gardens. The pavilion features a 'crinkle-crankle' wall—a wavy, single-brick-thick structure historically used in rural Suffolk and introduced by Dutch engineers in the 17th century. The design reinterprets this form as a gathering space, with a flat glass roof, steel grid, and fixed louvres, alluding to the Serpentine pond and existing tree canopies.

18 must-see exhibitions for a European art road trip this summer

This article highlights 18 must-see art exhibitions across Europe for summer 2026, featuring major solo shows by artists such as Cecilia Vicuña at the Irish Museum of Modern Art in Dublin, Yayoi Kusama at Museum Ludwig in Cologne, Ruth Asawa at the Guggenheim Museum Bilbao, Marina Abramović at the Gallerie dell'Accademia in Venice, Pierre Huyghe at Fondation Beyeler in Basel, and Danh Vo at the Stedelijk Museum in Amsterdam. Many of these exhibitions are traveling shows or coincide with key art events like the Venice Biennale and Art Basel, offering a rich cultural itinerary for visitors.

She Beat Warhol to Pop Art’s Biggest Ideas. The Art World Wrote Her Out Anyway

The article features an interview with Alexandra Munroe, senior curator at large for global arts at the Guggenheim Museum, discussing Yayoi Kusama's inclusion in the new exhibition "Guggenheim Pop: 1960 to Now." Munroe explains that Kusama, now 97, anticipated many art movements including pop art but was historically excluded from the pop art canon despite showing with Andy Warhol as early as 1962 and garnering more press than him in 1968. The exhibition features Kusama's "INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019)" and one of her "Infinity Net" paintings.

Lisson at Art Basel 2026

Lisson Gallery returns to Art Basel 2026 with a presentation of new and historic works from its international programme, featuring painting, sculpture, textiles, and photography. Highlights include Ryan Gander's animatronic mouse installation 'I’ve felt everything I’m going to feel – The Unspeakable World' and Wael Shawky's site-specific extension of 'I Am Hymns of the New Temples' at Art Unlimited, alongside a booth with works by Olga de Amaral, Dana Awartani, Anish Kapoor, Carmen Herrera, and others. The presentation coincides with major exhibitions for Lisson artists at the 61st Venice Biennale and its collateral programme, including Dana Awartani's National Pavilion of Saudi Arabia project and Anish Kapoor's solo shows across Europe and the US.

126 galleries, one weekend, one app: How to navigate London’s biggest gallery event

London Gallery Weekend 2026 will take place from June 5 to 7, featuring 126 galleries across the capital in its sixth edition. GalleriesNow has been named the Official Navigation Partner, providing an interactive app with maps, curated routes, exhibition listings, and offline access to help visitors explore the three-day event, which focuses on Central London on Friday, South London on Saturday, and East London on Sunday. Highlights include a solo exhibition of Emily Kam Kngwarray at Pace Gallery, a retrospective of Dotty Attie at Public Gallery, works by Paul McCarthy at Hauser & Wirth, and paintings by David Hockney at Hazlitt Holland-Hibbert, alongside 15 new participating galleries.

From Masters of the Universe to Monteverdi: your complete entertainment guide to the week ahead

This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights three exhibitions: Julio Le Parc at Tate Modern (London), featuring his pioneering immersive installations and light sculptures from the 1950s to the 2020s; Chico da Silva at Nottingham Contemporary, showcasing the Brazilian artist's psychedelic mythical creatures and his role in Brazil's Indigenous art explosion; and Project a Black Planet: The Art and Culture of Panafrica at Barbican Art Gallery (London), examining how the Pan-Africa movement shaped 20th-century anti-colonial art and culture.

Event: Jayden Ali and Simone Brewster, Off the Record

ArtReview and Ursula magazine have partnered to host a monthly talk series in a Mayfair wine bar, featuring intimate conversations with creative visionaries. The upcoming event on June 9 will spotlight architect and artist Jayden Ali and artist Simone Brewster, who will discuss their inspirations and working methods. Jayden Ali is a founding director of JA Projects, a London Mayor's Design Advocate, and co-curator of the British Pavilion at the 2023 Venice Biennale. Simone Brewster is a London-based artist exploring identity and cultural memory through sculpture, painting, and installation, with her work held in major collections including the Victoria & Albert Museum and the Smithsonian Institution.

15 Art Shows to See in Los Angeles This Summer

Hyperallergic's summer guide highlights 15 art shows across Los Angeles, featuring exhibitions that challenge the status quo. Highlights include Jon Rubin's 'National Museum of the Aftermath' at Oxy Arts, focusing on America's racial reckoning; a survey of Ulises Carrión's bookworks at JOAN; Scott Carrillo Azevedo's paintings on the American home at Long Beach Museum of Art; and 'Semiotext(e): Desert Islands' at ICA LA, exploring the influential publisher's fusion of theory and vernacular culture. Other shows include punk ephemera at the Skirball, Odilon Redon's portraiture, Willie Birch's papier-mâché works, and Samella Lewis's woodcuts.

Tavares Strachan’s First Monograph Surveys an Encyclopedic Practice

Tavares Strachan, a Bahamian conceptual artist known for his encyclopedic work that challenges historical narratives, has released his first monograph through Phaidon. The book surveys decades of his expansive practice, which includes a 2,400-page encyclopedia from 2018 correcting omissions from the Encyclopedia Britannica, as well as works addressing colonialism, climate change, and space exploration. The monograph coincides with his exhibition 'The Day Tomorrow Began' at The Pizzuti, part of the Columbus Museum of Art, running through January 3.

11 art exhibits to check out this summer

This article highlights 11 art exhibitions opening across Greater Boston this summer, encouraging viewers to challenge their beliefs and reflect on collective memory. Featured shows include "Giorgio Griffa: Paths in the Forest" at the Clark Art Institute, the artist's first U.S. solo exhibition; "Where's Boston? 50 Years Later" at the Boston Athenaeum, revisiting Constantine Manos's 1974 photographic portrait of the city; "James Dye: The Void, the Wheel, and the Monster" at Fitchburg Art Museum; and "Stories on the Planet: Asagi Maeda" at Fuller Craft Museum, among others.

Wallace Chan exhibitions pair intricate sculptures with Venetian heritage

Wallace Chan, a Hong Kong-based jeweler and sculptor, has mounted a dual exhibition across two historic Venetian sites timed to the Venice Biennale. At Palazzo Contarini del Bovolo, he presents "Mythos," a site-specific installation of suspended titanium sculptures that reimagine figures from Tintoretto's paintings, including the Three Graces and Mercury, as abstract, dissolving faces. Inside the palazzo, three sculptures hang beneath Tintoretto's "Paradise," accompanied by a soundscape from Chan's Shanghai workshop. The exhibition is curated by James Putnam, who has long specialized in placing contemporary art in dialogue with historical collections.