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art armory week diary new york september

The article is a first-person diary chronicling the author's experiences during Armory Art Week in New York City in September. It begins at the Fulton Transit Center for the launch of artist Chloë Bass's public sound work "If you hear something, free something," presented by Creative Time and MTA Arts & Design, which features recorded announcements in five languages playing across 14 subway stations. The author then visits galleries in Chinatown, including Matthew Kirk's show at Fierman and Ohad Meromi's exhibition at 56 Henry, encountering notable art-world figures like Jerry Saltz, Issy Wood, and Naomi Fry along the way.

ruckus manhattan red grooms and mimi gross 2712284

In 1975, artists Red Grooms and Mimi Gross created "Ruckus Manhattan," a monumental multimedia recreation of New York City landmarks from Lower Manhattan to Times Square, built in a vacant lobby at 88 Pine Street with a team of 20 to 30 artists called the Ruckus Construction Co. Half a century later, the Brooklyn Museum is exhibiting excerpts from the project, and for the first time properly credits Gross as co-creator, correcting decades of obscuring her role when the work was shown at Marlborough Gallery, which represented only Grooms.

laura raicovich circus of life counterpublic 2650113

Writer and curator Laura Raicovich is organizing a weekend-long festival called the "Circus of Life" in St. Louis, Missouri, taking place October 24–26 at the Big Top circus grounds in the Grand Center Arts District. The event is part of Counterpublic, a triennial civic exhibition founded in 2019 by James McAnally, and will feature artists, writers, theater groups, performers, and activists. Raicovich leads a team of four "ringleaders" including Kenneth Bailey, Galen Gritts, Jeanne van Heeswijk, and Nontsikelelo Mutiti, with additional participants such as Chloë Bass, Hilma's Ghost, and Kameelah Janan Rasheed. The program includes performances by Bread and Puppet Theater, conversations with Roxane Gay and Nermeen Shaikh, workshops, a parade, and communal meals, all free and open to the public.

jill magid solo show esther kim varet congress

Conceptual artist Jill Magid has turned her dealer Esther Kim Varet's campaign for U.S. Congress into the subject of her latest solo exhibition, "Heart of a Citizen," at Various Small Fires in Los Angeles. The show features a replica of the White House Briefing Room platform, which Magid offered for Varet's political use, leading to complex negotiations around campaign finance law. The campaign plans to host a political debate on the platform in July, and a collector purchased the sculpture to donate to Varet's campaign, intertwining art, law, and politics.

FAD News: Trevor Paglen to co-curate Zero 10 at Art Basel Basel 2026.

Art Basel 2026 has announced that artist Trevor Paglen will co-curate the latest edition of Zero 10, the fair's global initiative dedicated to digital art, alongside digital art strategist Eli Scheinman. Making its debut at Art Basel's flagship Swiss edition, Zero 10 will take over the Event Hall on Messeplatz from June 17–21, 2026, with a Preview Day on June 16. The expanded presentation will feature 19 exhibitors showcasing artists working at the forefront of digital, generative, and media-based practices, and is themed "The Condition," examining life within algorithmic systems and AI. Highlights include works by Hito Steyerl, Avery Singer, Andreas Gursky, Vera Molnar, Ryoji Ikeda, John Gerrard, and Rafael Lozano-Hemmer, presented by galleries such as Hauser & Wirth, Marian Goodman Gallery, Sprüth Magers, Esther Schipper, Almine Rech, bitforms gallery, Art Blocks, and HEK (Haus der Elektronischen Künste).

Tania Bruguera on Why Today’s Art Must Be Political

Cuban artist and activist Tania Bruguera will stage her performance "Tatlin’s Whisper #6" in Times Square on May 1, International Workers' Day. Originally created for the 2009 Havana Biennial, the work invites participants to speak freely on a platform for one minute, highlighting the conditional nature of free expression under authoritarian rule. Bruguera discusses the performance's relevance amid rising authoritarianism in both Cuba and the United States, noting that when she attempted to restage the work in Havana, she and other participants were arrested.