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tefaf restores black book of hours

TEFAF has selected the Black Book of Hours, a rare 15th-century illuminated manuscript from the Hispanic Society Museum and Library in New York, as the recipient of its 2025 Museum Restoration Fund. The manuscript, one of only seven known black vellum books of hours, will be displayed at TEFAF New York at the Park Avenue Armory before undergoing conservation treatment by the Conservation Center for Art and Historic Artifacts in Philadelphia. The work involves disbinding the 149-folio volume, high-resolution imaging, and addressing centuries of wear.

The best exhibitions of 2025, as chosen by curators and museum directors

Curators and museum directors from leading institutions worldwide selected their favorite exhibitions of 2025, highlighting a diverse range of shows. Standouts include Wolfgang Tillmans at Centre Pompidou, Paris, praised for its generous scope and integration of the library space; 'Encounters: Giacometti x Mona Hatoum' at Barbican Art Gallery, London, noted for its dialogue across time; and Ithell Colquhoun's retrospective at Tate St Ives, which repositions the artist from a Surrealist footnote to a major figure. Other acclaimed exhibitions include Noah Davis at Barbican Art Gallery, Linder at Hayward Gallery, Hamad Butt at Whitechapel Gallery, and Caroline Walker at Hepworth Wakefield.

Très Riches Heures: Chantilly exhibition offers ‘once-in-a-lifetime opportunity’ to see famed medieval manuscript

The Condé Museum at the Château de Chantilly, north of Paris, has opened a special exhibition of the Très Riches Heures, the celebrated 15th-century illuminated manuscript. For the first time in decades, the public can view the 12 monthly calendar pages as independent works, detached from the manuscript after a painstaking conservation project. The exhibition, running until October, also features around 100 loaned medieval manuscripts, sculptures, and paintings to contextualize the manuscript's importance. The Très Riches Heures, commissioned by the Duc de Berry and begun by the Limbourg brothers around 1411, has been held at Chantilly since 1856 and is normally never lent out due to the conditions of the Duke d'Aumale's bequest.