Art News. Vasari Codex

museum exhibitions schedule Aug 29, 2025 visibility 18 link 5 artists, 1 gallery

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

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museum exhibitions schedule Sep 4, 2025 visibility 20 link 2 artists

Ten surprises at the National Gallery’s five-star Van Gogh exhibition

The National Gallery in London opened its exhibition "Van Gogh: Poets & Lovers" (14 September 2024–19 January 2025) to five-star reviews, attracting a record 335,000 visitors. The article reveals ten surprising details about individual paintings on loan from around the world, including a self-portrait that once hung in the American ambassador's residence in Regent's Park, a painting executed on a dish towel when Van Gogh ran out of canvas, and the revelation that casino mogul Steve Wynn owns The Trinquetaille Bridge. Other surprises include a stark white replica frame for Roses, inspired by frames designed by Dr. Paul Gachet, and the fact that The Public Garden, Arles is owned by a foundation set up by Bernard Arnault, the world's third richest person.

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museum exhibitions schedule May 21, 2026 visibility 4 link 1 artist

The paintings Jannis Psychopedis never let go

Seventy works kept for decades in the studio of painter Jannis Psychopedis form the core of a new retrospective at the Basil and Elise Goulandris Foundation Museum in Athens, tracing the artist’s journey from 1962 to the present. Titled 'Jannis Psychopedis: Landscapes of Memory. The Ones I Kept,' the exhibition gathers paintings and mixed-media works that rarely appeared in public and were never intended as an archive. Psychopedis said he always saved 'two or three works from every period,' preserving them as 'support for the next movement' and as a record of life, art and experience. Emerging during the liberal climate of the 1960s, the artist belonged to the pioneering New Greek Realists and painted the tensions of a society shaped by advertising, consumerism and political upheaval.

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