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Ashfika Rahman's art lands in New York Times Critics' Top 6

Bangladeshi visual artist Ashfika Rahman has been recognized by The New York Times as one of the six must-see shows at the Venice Biennale, with her work "Than Para — No Land Without Us" featured in the collateral exhibition "Still Joy — From Ukraine into the World." The installation, presented by the PinchukArtCentre and curated by Björn Geldhof and Oleksandra Pohrebnyak, incorporates thousands of small temple bells gathered from different spiritual traditions and draws on testimonies from Ukraine as well as the struggles of Indigenous communities in Bangladesh's Hill Tracts.

in venice, ukrainian artists reclaim joy with tender force

The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.