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the detroit museum of arts confronts art history while wrestling with its future

The Detroit Institute of Arts (DIA) has reinstalled its African American galleries, moving them from the back of the museum to a prominent location beside Diego Rivera's iconic "Detroit Industry Murals" (1932–33). The reinstallation is framed by a quote from Alain Locke's 1925 essay "The Legacy of the Ancestral Arts," envisioning the museum as an instrument of cultural education and repair. Complementing this is "Contemporary Anishinaabe Art: A Continuation" (through April 5), the first comprehensive survey of art from the Indigenous inhabitants of the Great Lakes region. The DIA began collecting African American art in 1943 and in 2001 became the first US museum to name a curator devoted to that field, Valerie J. Mercer, who still serves as curator and head of African American art.

Top 10 art events in the Twin Cities in 2025

The article lists the top 10 art events in the Twin Cities in 2025, highlighting major exhibitions such as "Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys" at the Minneapolis Institute of Art, Dyani White Hawk's "Love Language" at the Walker Art Center, and a retrospective of Swedish photographer Lars Tunbjörk at the American Swedish Institute. Other notable shows include "Mary Sully: Native Modern" at Mia, Jonathan Thunder's "The Artist as Storyteller" at the U's Quarter Gallery, and "Queering Indigeneity" at the Minnesota Museum of American Art, along with the annual crop art display at the Minnesota State Fair.

‘A family reunion of artists’: Minnesota Anishinaabe artists showcased in Detroit and beyond

A group exhibition titled 'A Family Reunion of Artists' features works by Minnesota Anishinaabe artists, currently on display in Detroit and traveling to other venues. The show brings together multiple generations of Indigenous artists from the Anishinaabe community, highlighting their diverse practices and shared cultural heritage.

Minnesota Anishinaabe artists well-represented at major new exhibition in Detroit

A major new exhibition, “Contemporary Anishinaabe Art: A Continuation,” has opened at the Detroit Institute of Arts (DIA), marking the museum’s first major Native American exhibition in over three decades. The show features 90 works by more than 60 artists from the Great Lakes region of the U.S. and Canada, including a strong contingent of Minnesota-based painters, sculptors, designers, and filmmakers. Curated in collaboration with a panel of Anishinaabe artists—including Duluth-based painter and filmmaker Jonathan Thunder, Kelly Church, Jason Quigno, Monica Rickert-Bolter, and Jodi Webster—the exhibition spans painting, beadwork, fashion, film, and sculpture. Signage is translated into Anishinaabemowin, and QR codes offer language learning. The curators deliberately chose not to begin with historical works, asserting that Native American artists should not be required to provide a historical preamble.

A Look at the DIA’s Contemporary Anishinaabe Art Exhibition

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," its first Native American art exhibition in over 30 years. Featuring 92 works by more than 60 Anishinaabe artists from the Great Lakes region, the show spans from 1892 to 2025 and includes pieces by renowned artists such as Jim Denomie, Norval Morrisseau, Kent Estey, Jonathan Thunder, and Rabbett before Horses Strickland. Highlights include Denomie's vibrant "Four Days and Four Nites, Ceremony" (2020) and Morrisseau's spiritual works like "Punk Rockers Nancy and Andy" (1989).