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Bringing back the salon: UK organisation aims to revive Brighton's contemporary art scene

The Adelaide Salon, a new arts organization founded in 2024 by Pascal Dowers and Paulina Anzorge, is staging a ticketed contemporary art event at Brighton's Royal Pavilion on 30 May, featuring live art and performance. This follows the organization's earlier exhibitions at their home in Adelaide Crescent and a current takeover of the Founders Room at Brighton Dome with the exhibition Act O (until 25 May), part of the Brighton Festival. The salon aims to revive Brighton's art scene after notable losses, including the 2023 closure of Brighton University's Centre for Contemporary Art (CCA) and the withdrawal of Arts Council funding at Fabrica gallery.

america 250th anniversary exhibitions

Museums across the United States are preparing exhibitions to mark the 250th anniversary of American independence in 2026. The New York Historical will present "Democracy Matters," opening June 19, 2026, exploring voting, free speech, and land rights through works by Thomas Cole, Mel Chin, and Lady Pink alongside historic documents. The Museum of Fine Arts, Boston will debut "America at 250" on the same date, integrating Native and non-Native art with pieces like Gilbert Stuart's portrait of George Washington and a critique by Mohawk artist Alan Michelson. The National Portrait Gallery had planned "Amy Sherald: American Sublime" for September 2025, but Sherald canceled the show over censorship concerns in July 2025. The Philadelphia Museum of Art will host "A Nation of Artists" from April 2026 through September 2027, featuring Frederic Edwin Church's "Pichincha."

New York institutions offer nuanced and inclusive views of US’s 250th birthday

New York institutions are presenting nuanced exhibitions for the US's 250th birthday, offering both patriotic and critical perspectives on the American Revolution. The Grey Art Museum at NYU displays one of the 26 surviving Dunlap broadsides of the Declaration of Independence alongside over 100 contextual documents in "The Declaration of Independence: Long Trail to Liberty," while the Museum of the City of New York's "The Occupied City" immerses visitors in the British occupation of New York, featuring interactive elements like toppling a digital effigy of King George III.

Exhibitions marking 250th anniversary of the US open in New York

Several New York museums have opened exhibitions marking the 250th anniversary of the United States, which falls on 4 July 2026. The New-York Historical Society presents "Old Masters, New Amsterdam," drawn from the Leiden Collection, focusing on the lives of Dutch colonists. The Hispanic Society Museum & Library offers "Goya and the Age of Revolution," linking the American Revolution to European upheavals and Goya's depictions of war. The Metropolitan Museum of Art has installed "Revolution!" in its American Wing, reexamining the nation's founding through art. A rare copy of the Declaration of Independence handwritten by Thomas Jefferson will also be on view at the New York Public Library.

At 250, America Must Reframe Its Founding Icons

The Princeton University Art Museum has reopened after a five-year construction hiatus, returning Charles Willson Peale's iconic 1783 painting, *George Washington at the Battle of Princeton*, to public view. The painting, which had been on continuous display for 236 years prior to the closure, is being presented with a new interpretive framework that highlights the complex history of its ornate frame—originally made for a portrait of King George II, with its crown physically removed—and the painting's timing for the nation's 250th anniversary.

From Rocky to Rizzo: Monument Expert Paul Farber Talks Statues and Public Spaces

Paul Farber, founder of Monument Lab, discusses his new exhibition "Rising Up: Rocky and the Making of Monuments" at the Philadelphia Museum of Art. The show moves the iconic Rocky statue inside the museum and examines how a fictional boxer's statue became Philadelphia's most famous work of art, exploring broader questions about collective memory and public commemoration. Farber also reflects on the dismantling of the Frank Rizzo statue and how unintentional monuments like the Berlin Wall shape cultural discourse.

Lament for much-loved squirrel to go on show in London exhibition

A poetic lament for a squirrel named Jack, written by James Hadfield—a patient at Bethlem Royal Hospital who attempted to assassinate King George III in 1800—will go on public display for the first time at the Bethlem Museum of the Mind in London. The work is part of a new exhibition titled "Between Sleeping and Waking: Hospital Dreams and Visions," opening August 14, which also features a major installation by contemporary artist Kate McDonnell and other previously unseen works from the hospital's historic art collection.