Judy Baca, a pioneering Los Angeles muralist known for her socially engaged public art, is participating in the Other Art Fair for the first time. She is showcasing a new 10-by-22-foot painting, *The 1968 East L.A. Walkouts*, which is the latest addition to her monumental, decades-long project *The Great Wall of Los Angeles*. The fair has commissioned a printed reproduction of the work for exhibition and will donate it to a community center afterward.
The article reviews the exhibition "MONUMENTS" held at both MOCA (Museum of Contemporary Art, Los Angeles) and The Brick, as covered by Contemporary Art Review LA. The review, written by Qingyuan Deng, appears in Issue 43 (February 2026) of the publication, which also features other reviews, interviews, and essays on topics ranging from olfactory art to tarot and video art.
The article reports on "MONUMENTS," a major exhibition co-organized by the Brick and the Museum of Contemporary Art, Los Angeles (MOCA), curated by Hamza Walker, Bennett Simpson, and artist Kara Walker. The show, on view at MOCA's Geffen Contemporary and the Brick through May 6, brings together nearly a dozen altered Confederate memorials alongside contemporary works. It features Kara Walker's reworking of the Stonewall Jackson monument from Charlottesville, Virginia, among other pieces, and was eight years in the making, spurred by the 2015 Charleston church shooting and the 2017 Unite the Right Rally.
Cultured magazine has published a preview of artists to watch in 2026, focusing on the upcoming biennial season. The article features insights from a dozen industry insiders, including Diya Vij of Powerhouse Arts, who highlights Guadalupe Maravilla's healing-focused practice; Allan Schwartzman, who champions Yoko Ono's underrecognized legacy; Hans Ulrich Obrist, who anticipates Koo Jeong A's multisensory exhibitions; and Victoria M. Rogers, who spotlights Akinsanya Kambon's politically charged ceramics. Major events in 2026 include the 61st Venice Biennale (opening after the death of commissioner Koyo Kouoh), new Art Basel and Frieze fairs in Qatar and Abu Dhabi, and expansions at LACMA and the New Museum.
Artist Kara Walker has transformed a decommissioned monument of Confederate General Stonewall Jackson into a new, grotesque sculpture titled "Unmanned Drone" (2023). After curator Hamza Walker secured the bronze statue from Charlottesville, Virginia, the artist reconfigured its parts at a New York foundry to create a 12-foot horse-man hybrid that subverts traditional heroic iconography. The work is currently the centerpiece of the "Monuments" exhibition at the Brick in Los Angeles, co-presented by MOCA LA.
Anna Maria Maiolino, an 83-year-old Italian-born Brazilian artist, is the subject of a feature interview following her first solo exhibition in France, titled "Estou Aqui (I am here)", at the Musée Picasso in Paris. The exhibition spans her career of over 60 years and includes newly commissioned work. Maiolino, who won the Golden Lion for Lifetime Achievement at the 2024 Venice Biennale, discusses her migration from Italy to Venezuela to Brazil, her time in New York, and her return to São Paulo. She reflects on her artistic practice, which evolved from gestural works on paper and film to clay installations, and her engagement with themes of exile, language, and memory, often using simple materials like paper, cement, and clay.
The exhibition "Monuments," co-organized by The Brick and the Museum of Contemporary Art, Los Angeles (MOCA), features ten former Confederate monuments removed from public spaces across the American South. Highlights include Kara Walker's reconfigured "Unmanned Drone" (formerly Charlottesville's Stonewall Jackson monument), Richmond's toppled Jefferson Davis statue, and a graffitied Matthew Fontaine Maury statue. Co-curator Hamza Walker explains the show began after the 2015 Charleston church shooting and gained urgency following George Floyd's murder in 2020, involving complex negotiations with city governments and stewards to secure the politically charged pieces.
Champagne house Ruinart has commissioned Los Angeles-based artist Sam Falls to create a two-part installation for its Conversations with Nature series at Art Basel Miami Beach. Falls, who grew up in Vermont, used organic materials from Ruinart's Taissy vineyard in France's Champagne region as tools, pigments, and stencils on canvas, with the composition partly inspired by the stained-glass windows of Reims Cathedral. The installation transforms the Ruinart Plaza Bar and Collectors Lounge at the Miami Beach Convention Center, on view through December 7.
Jeffrey Deitch, the New York dealer and former director of the Los Angeles Museum of Contemporary Art, is co-curating a new street art project called "Coney Art Walls" in Brooklyn with real-estate developer Joseph Sitt of Thor Equities. The project features murals by prominent graffiti and street artists including Crash, Daze, Lady Pink, How & Nosm, Lee Quinones, Futura, Kenny Scharf, Miss Van, Swoon, and Icy Signs, and will accompany a Smorgasburg Coney Island pop-up with 12 food vendors. Photos show the artists hard at work as the project rapidly takes shape.
Artist Nadya Tolokonnikova, a founding member of Pussy Riot, began a durational performance titled *Police State* at the Museum of Contemporary Art (MOCA) in Los Angeles on Thursday, inhabiting a cell and sewing clothing. The following day, protests erupted in the city after ICE raids in the garment district, leading to clashes with police and the deployment of 2,000 National Guard troops by President Donald Trump. MOCA closed its Geffen branch early on Sunday for safety, while Tolokonnikova continued her performance, live-streaming audio from the protests into her installation.
The Museum of Contemporary Art, Los Angeles (MOCA) is presenting a major exhibition dedicated to the work of conceptual artist Michael Asher. The show focuses on his site-specific interventions that critically examined the social, economic, and institutional frameworks of the spaces he engaged with.
Takako Yamaguchi, a Japanese-born artist based in Los Angeles since 1987, will receive her first solo museum show in the city at the Museum of Contemporary Art (MOCA) starting June 29, 2025. The exhibition will feature 10 new seascapes in MOCA's Grand Avenue space, following a period of heightened attention including a 2023 show at Ortuzar gallery, inclusion in the 2024 Whitney Biennial, and record-breaking auction sales. In an interview with Cultured, Yamaguchi discusses her ambivalent relationship with the actual sea—she lives near the coast but rarely visits—and explains that her seascapes are inspired by other artists' depictions, such as Marsden Hartley and Rockwell Kent, filtered through her own lens of "semi-abstraction in reverse."
The remains of Charlottesville's melted Confederate statue of General Robert E. Lee are now on display at the Museum of Contemporary Art (MOCA) in Los Angeles as part of the 'Monuments' exhibition. The statue, originally standing in Market Street Park, was acquired by the Jefferson School African American Heritage Center (JSAAHC) in 2021, melted down at a secret location, and shipped to Los Angeles. The exhibition, presented in partnership with The Brick, also features artist Kara Walker's reconstruction of the Thomas Jackson statue. The bronze ingots and slag from the melting process are displayed alongside other works that reimagine Confederate monuments.
Refik Anadol Studio will open DATALAND, the world's first Museum of AI Arts, on June 20, 2026, at The Grand LA in downtown Los Angeles. The 2,320-square-meter institution will feature five galleries, including the Infinity Room, and launch with the inaugural exhibition "Machine Dreams: Rainforest," running through January 31, 2027. The museum integrates AI systems into its architecture, powered by the studio's Large Nature Model trained on ecological data from the Smithsonian and Cornell Lab of Ornithology.
The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.
This fall, galleries and museums across the United States are presenting a series of exhibitions centered on Black life, ranging from historic pioneers to contemporary voices. Highlights include Athi-Patra Ruga's immersive installation 'Lord, I gotta keep on (movin')' at the Leslie-Lohman Museum of Art, which imagines a queer Black nation called Azania; 'Edmonia Lewis: Indelible Impressions' at Stanford's Cantor Arts Center, showcasing the 19th-century sculptor's Neoclassical works; and 'Data Consciousness: Reframing Blackness in Contemporary Print' in New York, inspired by W. E. B. Du Bois's data visualizations. Other notable shows include 'A Taste of Beauty' at the Crocker Art Museum, featuring carved African spoons, and the reopening of the Studio Museum in Harlem, alongside the global energy of Art Basel Miami Beach.
The exhibition "Monuments" opens this week at the Museum of Contemporary Art (Moca) and the Brick in Los Angeles, featuring decommissioned Confederate statues alongside contemporary artworks. The show includes a double monument of Robert E. Lee and Stonewall Jackson on loan from Baltimore, which required road closures and careful logistics to install, as well as works by Kara Walker, Hank Willis Thomas, and Karon Davis that recontextualize these symbols of white supremacy. Curators Hamza Walker, Bennett Simpson, and Kara Walker collaborated on the exhibition, which runs from October 23 through May 3, 2026.
Nadya Tolokonnikova, co-founder of Pussy Riot, began a durational performance titled "Police State" at the Museum of Contemporary Art (MOCA) in Los Angeles on June 5, 2025. Inside a mock prison cell at the Geffen Contemporary, she screams, plays a pink toy piano, synthesizer, and laptop, and layers live music with sampled prison noises to create an 80-hour experimental soundscape. The performance, running until June 15, references her own 2012 imprisonment in Russia for an anti-Putin protest. On the fourth day, MOCA closed due to clashes between ICE agents, the California National Guard, and protesters over immigrant raids, prompting Tolokonnikova to post: "Police State exhibit closed today due to police state."