Guest columnist John Chiaverina reports from the opening of the 2026 Whitney Biennial, capturing the shifting moods of the New York art scene. Through interviews with participating artists like Maddie Biven of the collective kekahi wahi and veteran performer Pat Oleszko, the piece explores a tension between the desire for exuberant, risk-taking aesthetics and a perceived lack of political urgency among younger generations.
The Winter Show returns to New York's Park Avenue Armory from January 23 to February 1, 2026, blending blue-chip modernism with decorative arts, design, jewelry, and antiques. The fair features a special presentation titled 'Study of a Young Collector,' curated by Patrick Monahan in collaboration with executive director Helen Allen, which imagines the private study of a next-generation collector using works from 11 international dealers exhibiting for the first time. Notable highlights include Jonathan Boos's presentation of Christo and Jeanne-Claude's early work 'Wrapped Toy Horse' (1963), priced at $450,000, and a rare copper and gilt mask by Harlem Renaissance artist Sargent Claude Johnson from 1933, priced at $245,000. Boccara Gallery also showcases modern and contemporary tapestries by artists like Man Ray and Alexander Calder.
Artnet News highlights the top photography moments of 2025, including Sara Cwynar's exhibition of search-engine images at ICA Boston, Inuuteq Storch's debut at MoMA PS1 showcasing his Greenlandic hometown, and Dietemar Busse's Polaroid portraits celebrated at Amant, New York. The year also saw Wolfgang Tillmans' blockbuster farewell exhibition at the Centre Pompidou before its five-year renovation, and Marian Goodman Gallery's inaugural show of Ana Mendieta's work, "Back to the Source," featuring her iconic photographs and performances. Mendieta's work was also spotlighted at Art Basel Miami Beach, with her piece "Sandwoman" (1983) drawing emotional responses from visitors.
A new exhibition at Hauser & Wirth's Basel location, timed to Art Basel, reexamines the legacy of Swiss artist Meret Oppenheim, 40 years after her death. The show aims to move beyond her famous 1936 work *Object (Breakfast in Fur)*, presenting the full breadth of her practice across sculpture, painting, readymades, and wearable art. Curated by Josef Helfenstein, the exhibition positions Oppenheim as a multifaceted artist who resisted the labels of Surrealist muse and pop star, highlighting her irreverent, medium-defying approach.
The New Museum in New York has officially reopened following a two-year closure for a major expansion designed by OMA. The renovation doubles the institution's footprint to 60,000 square feet, introducing a central spiral staircase that seamlessly connects the original SANAA-designed building with the new structure. The reopening is marked by the massive group exhibition "New Humans: Memories of the Future," a sprawling survey featuring over 200 artists curated by artistic director Massimiliano Gioni.
The gallery Anthony Meier in San Francisco is hosting "Barbara Stauffacher Solomon: Garden = Grid = City," the first exhibition of the late artist’s work since her estate began being co-represented by the gallery and von Bartha. The show highlights Solomon’s diverse eight-decade career, moving beyond her famous "supergraphics" to showcase rarely seen paintings and drawings from the 1980s that explore the intersection of city grids and landscape architecture.
The article profiles Bona de Mandiargues, an overlooked Italian Surrealist artist whose work is finally gaining international recognition. Her major debut occurred at the 2024 Venice Biennale, and her first U.K. solo show is now on view at Alison Jacques gallery in London through June 28. The exhibition focuses on her mature period (1975–1995), featuring dark, erotic, and occult-inspired collages and assemblages that challenge gender norms.
The Museum of Modern Art (MoMA) has launched a major retrospective of Marcel Duchamp, marking the first comprehensive North American survey of the artist’s work in over 50 years. Co-organized with the Philadelphia Museum of Art and the Centre Pompidou, the exhibition traces Duchamp’s evolution from his early Cubo-Futurist paintings to his revolutionary "Readymades" and optical experiments. The show features seminal works such as Nude (Study), Sad Young Man on a Train and explores his various personas, including his female alter ego, Rrose Sélavy.
The Victoria and Albert Museum in London is presenting the first UK exhibition dedicated to Italian fashion designer Elsa Schiaparelli. Titled 'Schiaparelli: Fashion Becomes Art,' the show features over 400 objects, including 100 ensembles, and traces her work from the 1920s to the present under current creative director Daniel Roseberry. It highlights her collaborations with major 20th-century artists.
This fall 2025, New York City will see the reopening of the Studio Museum in Harlem after a seven-year closure, with a new 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The museum will debut with a major exhibition on Tom Lloyd, archival displays, and commissions by Camille Norment and Christopher Myers. The Metropolitan Museum of Art will present the first exhibition focused on Man Ray's rayographs, featuring 60 photograms and 100 other works. The Brooklyn Museum will host New York's largest Monet exhibition in over 25 years, reuniting 19 of his Venetian paintings. The New Museum will also unveil a 60,000-square-foot expansion by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its exhibition space.
This week's Critic's Table column highlights three New York gallery and museum shows. Painter Sam McKinniss praises Helene Schjerfbeck's first major U.S. institutional survey, "Seeing Silence: The Paintings of Helene Schjerfbeck," at the Metropolitan Museum of Art, calling the Finnish modernist more fascinating than Edvard Munch. Critic Johanna Fateman argues that Joan Semmel's career-spanning exhibition "In the Flesh" at the Jewish Museum proves her recent icon status is well-deserved and long overdue. Artist Ajay Kurian reviews Marguerite Humeau's mythic ecosystems at White Cube.
Artnet News has published a preview of major museum exhibitions scheduled across the United States in 2026, highlighting five standout shows. These include "Renaissance to Runway: The Enduring Italian Houses" at the Cleveland Museum of Art, which examines the intersection of fashion and art from the Renaissance to today; "The One-Two Punch: 100 Years of Robert Colescott" at the Tacoma Art Museum, celebrating the centenary of the artist known for his provocative figurative paintings; "Containing Multitudes" at the Minneapolis Institute of Art, a photography exhibition marking America's 250th year; and "Frida: The Making of an Icon" at the Museum of Fine Arts, Houston, focusing on Frida Kahlo's enduring legacy.
London’s spring art season kicks off this March with a diverse array of high-profile exhibitions across the city's major institutions. Highlights include the Serpentine Galleries hosting concurrent shows by David Hockney and Cecily Brown, while the National Portrait Gallery presents the first major UK museum survey of American photographer Catherine Opie. Other notable openings include a George Stubbs focus at the National Gallery and a comprehensive look at the Baroque architecture of Sir John Vanbrugh at the Sir John Soane’s Museum.
The Virginia Museum of Fine Arts (VMFA) has received a major donation of nearly 2,000 photographs from the Joy of Giving Something Inc. (JGS), a nonprofit dedicated to photographic arts. The gift, drawn from the collection of late financier Howard Stein, spans the 19th century to the present and includes works by over 450 artists, with highlights from Eugène Atget, Nadar, Alfred Stieglitz, Dora Maar, László Moholy-Nagy, Man Ray, Berenice Abbott, Walker Evans, Dorothea Lange, Mary Ellen Mark, and contemporary figures like Adam Fuss and Cindy Sherman. The donation also includes a grant for cataloging and housing, and comes as the VMFA plans five new photography galleries opening in 2027.
The Smithsonian’s National Air and Space Museum will reopen its newly renovated Flight and Arts Center in July 2026 with a major exhibition devoted to Robert Rauschenberg. Titled “The Ascent of Rauschenberg: Reinventing the Art of Flight,” the show features 30 works by the American Pop artist, some never before exhibited, tracing how aviation and space exploration themes permeated his six-decade career. Highlights include his lithograph *Sky Garden (Stoned Moon)*, inspired by the Apollo 11 mission, and works from his “Combines” series. The exhibition draws loans from the Hirshhorn Museum, the Smithsonian American Art Museum, the National Gallery of Art, and the Robert Rauschenberg Foundation.
Artnet News has published a preview of major European museum exhibitions opening in early 2026. Highlights include a monographic show on Paul Cézanne at Fondation Beyeler (January 25–May 25), featuring 80 works from his late career; “Yellow. Beyond Van Gogh’s Favourite Colour” at the Van Gogh Museum, Amsterdam (February 13–May 17), exploring the color yellow across art, fashion, and literature; a solo exhibition by conceptual artist Danh Vo at the Stedelijk Museum (February 14–August 2); and “The First Homosexuals” at Kunstmuseum Basel (March 7–August 2), examining the intersection of emerging homosexual identity and the arts in the late 19th century.
In September 1945, exiled Surrealist painter Leonora Carrington completed her masterpiece *Les Distractions de Dagobert* (also known as *The Pleasures of Dagobert*), a densely layered canvas teeming with mythical figures, ritual fires, and medieval references. The painting, loosely inspired by the 7th-century Merovingian king Dagobert, depicts the monarch in a red robe on a cow-headed cart surrounded by enigmatic scenes. After a fierce 10-minute bidding war at Sotheby’s New York in May 2024, the work sold for $28.5 million to Argentine collector Eduardo F. Costantini, shattering Carrington’s previous auction record of $3.3 million. The painting is now on view at the Philadelphia Museum of Art as part of the exhibition “Dreamworld: Surrealism at 100,” the show’s only North American stop.
The Stedelijk Museum in Amsterdam has opened "Erwin Olaf—Freedom," a major retrospective of the late Dutch photographer Erwin Olaf, who died in 2023 at age 64. The exhibition spans over a dozen rooms, showcasing his diverse output from subcultural documentation and commercial work to staged tableaux, self-portraits, and club ephemera, alongside video and sculpture. It juxtaposes formally refined portraits, such as Queen Máxima, with provocative early works like "Joy" (1985), refusing to impose a single narrative on his career.
The Victoria and Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" in March, the first major institutional exhibition in the U.K. dedicated to Italian couturier Elsa Schiaparelli. The show will feature around 200 objects, including garments, accessories, sculptures, and paintings, highlighting Schiaparelli's revolutionary use of color, surrealist collaborations with artists like Salvador Dalí, Jean Cocteau, and Man Ray, and her impact on 20th-century fashion. Key pieces include the Skeleton Dress, Tears Dress, and Shoe Hat, alongside works by Picasso and others that contextualize her creative circle.
The Philadelphia Museum of Art has opened "Boom: Art and Design in the 1940s," a major survey featuring over 250 works including painting, photography, jewelry, ceramics, fashion, and furniture. The exhibition draws entirely from the museum's own collection, with around 40 percent of the works never exhibited before. It includes early pieces by celebrated figures like Jackson Pollock and Lee Krasner, as well as works by queer artists such as Paul Cadmus, Beauford Delaney, and Romaine Brooks, alongside self-taught artist Horace Pippin. Chief curator Jessica Smith emphasizes that the show aims to present a more complex, multivalent narrative of the decade beyond the dominant story of Abstract Expressionism.
Ce que vous ne saviez (peut-être) pas sur Alexander Calder
The Fondation Louis Vuitton in Paris has launched the exhibition "Calder. Rêver en équilibre," prompting a retrospective look at the life and technical mastery of Alexander Calder. The article explores the artist's journey from his arrival in Paris in 1926 to his interactions with avant-garde masters like Duchamp and Miró, highlighting how he defied traditional artistic labels through his innovative use of movement and simple materials.
Cultured magazine has compiled a guide to art exhibitions worth visiting during Milan Design Week 2026, beyond the main Salone del Mobile fair. Featured shows include Rirkrit Tiravanija's first retrospective at Pirelli HangarBicocca, Cao Fei's exploration of smart agriculture at Fondazione Prada, Anselm Kiefer's dual exhibitions at Palazzo Reale and Lia Rumma Gallery, Gabrielle Goliath's painting show at Galleria Raffaella Cortese, and Dozie Kanu's mirroring of Marc Camille Chaimowicz at Fondazione ICA Milano.
The Mayor Gallery in London is celebrating its centenary with a three-part exhibition series revisiting its history. The second part, 'Celebrating 100 years – Part 2: European Art,' is on view through February 20, 2026, showcasing post-war European artists from movements like ZERO, Arte Povera, and Concrete art, including works by Armando, Lucio Fontana, François Morellet, and Man Ray.
British artist David Shrigley has opened a solo exhibition at Stephen Friedman Gallery in London titled “David Shrigley: Exhibition of Old Rope,” featuring a 1.3-meter-high pile of ten tons of discarded rope as a conceptual installation. The work, priced at £1 million ($1.3 million), was assembled from rope salvaged from maritime, climbing, and industrial sources that would otherwise have gone to landfill. Shrigley describes the piece as a literal exploration of the idiom “money for old rope,” questioning the value people place on art.
Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.
This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.
The 2026 Photography Show, organized by AIPAD, opened to VIPs on April 22 at the Park Avenue Armory with record attendance and strong early sales. Featuring 80 domestic and international galleries, the fair showcased works ranging from early photographic experiments to contemporary digital and installation-based practices, with notable acquisitions by the Museum of the City of New York. AIPAD executive director Lydia Melamed Johnson reported a broad demographic of collectors, from established connoisseurs to first-time buyers.
Art museums and institutions across West Texas and the Panhandle have announced their spring 2026 exhibition seasons. Highlights include the LHUCA Review (formerly the LHUCA Members' Show) and Laura Veles Drey's installation "Passerby: Americana" at the Louise Hopkins Underwood Center for the Arts in Lubbock; "A Texas Legacy: Gifts from the Bill and Mary Cheek Collection" and the San Angelo North American Ceramic Competition featuring Marc Leuthold at the San Angelo Museum of Fine Arts; and three exhibitions at the Stanlee and Gerald Rubin Center for the Visual Arts at UTEP in El Paso, including "The Edge is a Center" showcasing graphic design from the U.S.-Mexico borderlands, "Les Sembrantes" by artists from La Semilla Food Center's fellowship, and Cynthia Gutierrez-Krapp's solo show "Strangers In Our Own Land."
Seven jewelry-themed museum exhibitions are on view globally in 2025, showcasing pieces from Van Cleef & Arpels, Cartier, and artist-designed adornments by Man Ray and Pablo Picasso. Highlights include "Cosmic Splendor" at the American Museum of Natural History in New York, featuring astronomically inspired Van Cleef & Arpels creations, and "Cartier" at the V&A in London, displaying over 350 objects including royal commissions and iconic panther jewels. Other shows feature contemporary and vintage designs, emphasizing jewelry as a wearable art form.
Alexander Calder, génial sculpteur de l’air et de la couleur célébré à la fondation Vuitton
The Fondation Louis Vuitton is hosting a major celebration of Alexander Calder, the American sculptor who revolutionized 20th-century art by introducing movement and play into the medium. The article traces Calder's formative years in Paris starting in 1926, where the young engineer-turned-artist gained avant-garde fame with his 'Cirque Calder'—a miniature circus of wire and fabric figurines. This period marked his transition from traditional painting to his signature 'drawings in space,' featuring wire sculptures of figures like Josephine Baker that projected dancing shadows and captured the kinetic energy of the era.