Artist Nathaniel Mary Quinn, admired by the Rolling Stones and Leonardo DiCaprio, returns with hometown show

Artist Nathaniel Mary Quinn, known for his distinctive collage-like composite portraits, is opening his first solo exhibition in his hometown of Chicago at the National Public Housing Museum. Titled "A Love Letter to My Mother," the show honors his late mother and includes a replica of his family's living room in the Robert Taylor Homes public housing project. Quinn, who is represented by Gagosian, has seen his work acquired by major institutions including the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Art Institute of Chicago. His art will also appear on the cover of the Rolling Stones' forthcoming album "Foreign Tongues."

Artist Nathaniel Mary Quinn, Who Grew Up in the Robert Taylor Homes, Returns to Chicago for New Exhibit

Chicago-born artist Nathaniel Mary Quinn, now based in Brooklyn, is opening his first museum show in his hometown at the National Public Housing Museum. Titled “Nathaniel Mary Quinn: A Love Letter to My Mother,” the exhibition runs from May 21 to August 23, 2026, and features 10 artworks alongside a recreation of his childhood living room in the Robert Taylor Homes. The show is dedicated to his late mother, who encouraged his early drawing on the apartment walls. Quinn, known for his collage-like portraits, recently created the album cover for the Rolling Stones’ upcoming album “Foreign Tongues.” The museum will also host community conversations about the history of the Robert Taylor Homes.

Dear Mary, For Chicago, Sincerely Nathaniel Mary Quinn

The National Public Housing Museum in Chicago opened its doors on April 4, 2025, becoming the only museum in the United States dedicated to the histories of public housing and its residents. Located on the site of the historic Jane Addams Homes, the museum was remodeled by architect Peter Landon and features permanent installations, artist residencies, and temporary exhibitions. Current initiatives include Open Mike Eagle's residency as 'Artist as Instigator,' building on his album 'Brick Body Kids Still Daydream' (2017) about life in Robert Taylor Homes, and the art-glass frieze 'Resilient Hues' by Amanda Williams and Olalekan Jeyifous. The museum is led by executive director Lisa Yun Lee and has earned third place on USA Today's list of 'Best New Museums.'

LR Vandy's Dynamic Rope Sculptures Transform Yorkshire's Weston Gallery With Maritime Inspirations

British artist LR Vandy has transformed the Weston Gallery at Yorkshire Sculpture Park with "Rise," an exhibition of dynamic rope sculptures that climb walls, loop through pulleys, and coil across the floor. The centerpiece, "A Call to Dance," is a monumental maypole whose braided strands cascade from a metal ring. Vandy, who works from her studio at the historic Chatham Dockyard, uses maritime fibers that evoke ships, cargo, and hard labor. The sculptures appear caught mid-action, hovering between tension and release, with over 30 kilometers of rope used in the installation, much of it evolved onsite through collaboration with technicians.

Frida Kahlo and Diego Rivera at MoMA in New York in a Passionate Theatrical Dialogue

Frida Kahlo et Diego Rivera au MoMA de New York dans un dialogue théâtral plein d’ardeur

The Museum of Modern Art (MoMA) in New York has opened a theatrical exhibition titled "Frida and Diego: The Last Dream," curated by Beverly Adams, the museum's curator of Latin American art. The show features around twenty paintings and drawings by Frida Kahlo and Diego Rivera from MoMA's collection, alongside photographic portraits. The exhibition's dramatic staging, designed by British set designer Jon Bausor—who also worked on the Metropolitan Opera's concurrent production of "El Último Sueño de Frida y Diego"—creates a tense dialogue between the artists' contrasting styles: Rivera's political murals and Kahlo's intimate, colorful self-portraits. Highlights include Kahlo's "Self-Portrait with Cropped Hair" (1940) and Rivera's "Zapata, Agricultural Leader" (1931).

Marcel Duchamp and the MoMA Exhibition That Didn’t Ask Questions

Marcel Duchamp's 1917 readymade *Fountain* and its radical questioning of art's definition are the focus of a new retrospective at the Museum of Modern Art (MoMA) in New York, curated by Matthew Affron, Michelle Kuo, and Ann Temkin. The exhibition, the first major Duchamp show in the U.S. since 1973, assembles three hundred objects and presents them chronologically, tracing Duchamp's evolution from early paintings to his conceptual breakthroughs. The article highlights how *Fountain* was originally submitted to a no-jury exhibition by the Society of Independent Artists, sparking a debate that ultimately led to its rejection and Duchamp's resignation, a pivotal moment in art history.

A life beyond diagnostic labels: Recovering Art exhibition opened this week at Dax Centre, Melbourne

The Dax Centre in Melbourne, in partnership with SANE Australia, has opened "Recovering Art," an exhibition pairing historical works from the Cunningham Dax Collection—created by patients in Victorian psychiatric hospitals from the 1950s—with new contemporary pieces by artists Ruth Buchanan, John Young Zerunge, Abdul Abdullah, Jenna Lee, and Luke Willis Thompson. Curated by Andy Butler, the show includes landscape paintings by Rene Sutton, works by Graeme Doyle, Carla Krijt, and NEG, alongside new commissions that engage with themes of archive, classification, and institutional observation of lived experience.

LR Vandy tells stories of labor, movement, and collective resistance through rope sculptures

British artist LR Vandy presents 'Rise' at Yorkshire Sculpture Park's Weston Gallery, featuring rope sculptures that appear caught mid-motion. The exhibition includes works like 'A Call to Dance,' a monumental maypole form, and explores themes of tension, labor, and movement through maritime fibers sourced from her studio at Chatham Dockyard. The sculptures climb walls, loop through pulleys, and collapse onto the floor, evoking both architectural strength and delicate fragility.

May we suggest the art you need to see this May?

Lifestyle Asia has published a curated list of art exhibitions and events to see in May, offering recommendations for art enthusiasts looking to explore new shows and installations during the month. The article serves as a guide to notable cultural happenings, likely highlighting both emerging and established artists across various venues.

When satire met paper: ‘Ink & Outrage’ is now open at the Driehaus Museum

The Driehaus Museum in Chicago has opened 'Ink & Outrage: 18th-Century Satirical Prints in London & Dublin,' an exhibition of some 100 prints by Georgian-era caricaturists including James Gillray and Thomas Rowlandson. Curated by Silvia Beltrametti and William Laffan, the show explores the rise of visual satire in 18th-century England and features side-by-side comparisons of original English prints with unauthorized Irish copies, highlighting issues of plagiarism and intellectual property.

'Slime family portrait' shown at top exhibition

Kutub Uddin, a photographer from West Sussex, is one of only two UK photographers selected for the prestigious Wildlife Photographer of the Year exhibition. His image, described as a "slime family portrait," captures the reproductive parts of a slime mold—tiny blue spheres on stalks—on a fallen tree in Slindon Wood, magnified many times using a specialist lens. The exhibition recently opened at Brighton Museum and Art Gallery and runs until September 6.

Deep space photography on view at the Santa Cruz Museum of Art & History

The Santa Cruz Museum of Art & History (MAH) is opening a pop-up exhibition titled "Beautiful Universe" featuring deep space astrophotography. The exhibit, a collaboration between the MAH and UC Santa Cruz's Department of Astronomy and Astrophysics, showcases celestial images captured by astrophotographer Steve Mandel and collaborator Bob Fera using remotely operated telescopes in the Sierra Nevada mountains and Chile. The photos, printed on large metal sheets, depict galaxies, nebulae, and supernova remnants using color filters similar to those on the Hubble Telescope.