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mildred thompson retrospective ica miami

The Institute of Contemporary Art (ICA) Miami has opened "Mildred Thompson: Frequencies," the first comprehensive retrospective of the late artist Mildred Thompson (1936–2003). Spanning five decades, the exhibition brings together 49 works—including wood assemblages, monochromatic prints, and oversized triptychs—sourced from the artist's estate and Galerie Lelong & Co. It traces Thompson's career as she moved between the United States and Germany, highlighting her stylistic evolution and her deep engagement with abstraction, science, and spirituality. The show follows earlier focused presentations like "Against the Grain" (2018) at the New Orleans Museum of Art and the 2017 "Magnetic Fields" exhibition at the National Museum of Women in the Arts.

arrival hotel art fair change the game

A new art fair called Arrival made its debut at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors and attracting curators, collectors, and artists from across the country. The fair, which closed June 15, offered an intimate format with world-class art, deep conversation, and a relaxed atmosphere that included swimming between sales, set against the backdrop of cultural attractions like Mass MOCA, the Clark Art Institute, and the Williams College Museum of Art.

joel peter witkin photography

Joel-Peter Witkin, the controversial photographer known for his macabre and surreal imagery, is the subject of a new exhibition titled “Joel-Peter Witkin: The World Is Not Enough” at A Gallery for Fine Photography in New Orleans. The show features a wide cross-section of his work, from early pieces like the cadaver-based still life *The Kiss* (1982) to recent works such as *The Soul Has No Gender* (2016), a portrait of a transsexual woman posed as Mary Magdalene. Witkin, a mainstay on artnet’s Top 300 list, personally prints each photograph and continues to explore themes of death, beauty, and the marginalized in society.

america 250th anniversary exhibitions

Museums across the United States are preparing exhibitions to mark the 250th anniversary of American independence in 2026. The New York Historical will present "Democracy Matters," opening June 19, 2026, exploring voting, free speech, and land rights through works by Thomas Cole, Mel Chin, and Lady Pink alongside historic documents. The Museum of Fine Arts, Boston will debut "America at 250" on the same date, integrating Native and non-Native art with pieces like Gilbert Stuart's portrait of George Washington and a critique by Mohawk artist Alan Michelson. The National Portrait Gallery had planned "Amy Sherald: American Sublime" for September 2025, but Sherald canceled the show over censorship concerns in July 2025. The Philadelphia Museum of Art will host "A Nation of Artists" from April 2026 through September 2027, featuring Frederic Edwin Church's "Pichincha."

‘The content, material and form support each other’: Sandy Rodriguez on her Hispanic Society Museum show

Sandy Rodriguez presents her new exhibition, *Tierra Insurgente*, at the Hispanic Society Museum and Library in Washington Heights, featuring her hand-painted maps on amate paper alongside historic codices and globes from the institution's collection. Her works blend Mesoamerican and colonial-era imagery with contemporary symbols of state violence and resistance, such as riot police, calavera-style surveillance helicopters, and references to the 2020 racial-justice protests in New Orleans. Rodriguez uses natural pigments like cochineal and hand-processed minerals on bark paper, a material once outlawed by Spanish colonizers, to create a dialogue between past and present.

Gagosian Beverly Hills hosts first Frank Gehry show since the iconic architect’s death

Gagosian Beverly Hills has announced the first exhibition of Frank Gehry’s work since the legendary architect’s death in December. Opening May 14, the show pivots away from his architectural legacy to focus on his sculptural practice, specifically his animal-themed works. Highlights include the stainless steel sculpture "Bear with Us" (2014), on loan from the Gehry family, alongside his signature fish and snake lamps and late-career copper sculptures.

Van Gogh visited Georges Seurat's studio the day he left for Provence

The Courtauld Gallery in London is hosting a major exhibition of Georges Seurat’s work, highlighting the profound influence the Neo-Impressionist leader had on Vincent van Gogh. Historical records reveal that Van Gogh visited Seurat’s studio on February 19, 1888—the very day he departed Paris for Arles—to view masterpieces like 'A Sunday on La Grande Jatte.' This meeting underscores the deep respect Van Gogh held for Seurat’s scientific approach to color, even as he prepared to embark on his most famous creative period in Provence.

Central Texas Museum Exhibitions Opening in Spring 2026

Central Texas museums and arts organizations, including the Blanton Museum of Art, the Visual Arts Center at the University of Texas at Austin, the San Antonio Museum of Art, and The Contemporary at Blue Star, have announced a slate of spring 2026 exhibitions. Highlights include the Georgetown Art Center's four-show season featuring Print Austin (a salon-style invitational for juried-exhibition rejects), Neo Geo: Geometry and Color by Larry Akers and Janet Brooks, Chris Ireland's photo-based Dead Letter Office, and Seeing Double – Two Views of Texas. The Blanton will present Contemporary Project 16: Tammy Nguyen (January 17–September 20), American Modernism from the Charles Butt Collection (March 8–August 2), and Run the Code: Data-Driven Art Decoded, a collaboration with the Thoma Foundation showcasing digital and AI-generated works by artists like Jenny Holzer.

Must-see exhibitions in New York this autumn

The Museum of Modern Art is celebrating the 40th anniversary of its New Photography series with 'New Photography 2025: Lines of Belonging,' featuring 12 international artists from Mexico City, Johannesburg, Kathmandu, and New Orleans. Other must-see exhibitions include 'Ministry: Reverend Joyce McDonald' at the Bronx Museum, showcasing the artist's ceramic works born from her HIV diagnosis and art therapy; 'The Magical City: George Morrison’s New York' at the Metropolitan Museum of Art, highlighting the overlooked Abstract Expressionist painter; and 'Christian Marclay: Doors' at the Brooklyn Museum, a cinematic supercut in the new Moving Image Gallery.

Koyo Kouoh’s Legacy Shapes the 2026 Venice Biennale

Koyo Kouoh, the first African woman to curate the Venice Biennale, was appointed curator of the 2026 edition and began shaping the main exhibition titled 'In Minor Keys' in October 2024. She died of cancer in May 2025 at age 57, but the Biennale organizers have committed to realizing her vision. The exhibition features 111 artists, collectives, and organizations from cities including Nairobi, New Orleans, Kingston, New Delhi, Beirut, and Bangkok, many of them her longtime collaborators. Kouoh was also the founder of Raw Material Company in Dakar and executive director and chief curator of the Zeitz Museum of Contemporary Art Africa (MOCAA) in Cape Town.

In Venice, Hernan Bas Paints the Problem With Modern Tourism

American artist Hernan Bas has created a series of 40 paintings critiquing modern tourism, set to open in May at Ca' Pesaro–International Gallery of Modern Art in Venice during the Biennale. Titled "The Visitors," the exhibition depicts young white male American tourists engaging in objectionable behaviors worldwide—from begpacking to visiting disaster sites—painted with Bas's signature attention to clothing details. The works were developed during a residency in Venice, a city emblematic of overtourism, in collaboration with Victoria Miro, Lehmann Maupin, and Perrotin galleries.

The Best Exhibitions to See Around San Francisco During FOG Design+Art

January brings a full slate of exhibitions across the Bay Area timed to San Francisco Art Week, headlined by the 12th edition of FOG Design+Art at Fort Mason Center (January 21-25). Galerie highlights nine must-see shows, including "100 Candleholders" at Blunk Space, where international artists create candleholders inspired by JB Blunk; "New Work: Sheila Hicks" at SFMOMA, featuring fiber installations tied to personal places; "The Houses Are Haunted By White Night-Gowns" at The Future Perfect, a furniture-and-bowls installation by Studio Ahead; and "Auudi Dorsey: What’s Left, Never Left" at Jonathan Carver Moore, where the painter excavates histories of African American leisure sites.

Art Museum and Galleries at W&L: Fall 2025 Programs and Exhibitions

Washington and Lee University's Art Museum and Galleries announced its Fall 2025 programs under the theme "Materiality & Transformation," featuring two concurrent exhibitions: "Taking Place," a solo show of large-format aerial photographs by Canadian artist Edward Burtynsky, and "Recoded Memories," an immersive installation by Zimbabwean artist Moffat Takadiwa that repurposes discarded materials like computer keys and VHS tapes. Burtynsky's exhibition runs from September 3, 2025, to April 18, 2026, at the Reeves Museum of Ceramics, with a keynote lecture on September 11; Takadiwa's installation is on view from October 24, 2025, to May 31, 2026, at the Watson Galleries, with an artist talk on October 23.

sandy rodriguez ringling museum of art exhibition

Los Angeles-based artist and researcher Sandy Rodriguez has opened her most ambitious exhibition to date, "Currents of Resistance," at the Ringling Museum of Art in Sarasota, Florida, running through August 10. The centerpiece is "Resistance Map of the Gulf of Mexico" (2025), a 94.5-inch amate paper map from her ongoing "Codex Rodriguez-Mondragón" series. Rodriguez creates her own pigments from foraged minerals and botanical specimens, and uses handmade amate bark paper from San Pablito, Mexico, a sacred Mesoamerican material once outlawed during the colonial era. The map layers 500 years of cartographic tradition with historic and contemporary acts of resistance, including the Mixtón War, the Calusa resistance, and modern police violence in New Orleans. For this exhibition, she also introduced ocean water from the Gulf of Mexico to thin her pigments, referencing climate change as ongoing colonial aggression.

New Orleans artists mark 20 years since Hurricane Katrina

An ongoing group exhibition titled "This City Holds Us" at Ferrara Showman Gallery in New Orleans marks the 20th anniversary of Hurricane Katrina. The show, which opened on White Linen Night, features work by ten artists affected by the storm and focuses on the city's recovery and artistic reinvestment rather than the destruction. Gallery founder Jonathan Ferrara and director Matthew Weldon Showman curated the exhibition to honor the past while celebrating progress, with artists submitting written testimonies about how the storm shaped their lives and practices.

medina triennial western new york

A new contemporary art triennial is set to launch in 2026 in Medina, a small village in Western New York with a population of about 6,000. The Medina Triennial will feature approximately 50 site-responsive works created by invited artists across indoor and outdoor locations, including former industrial buildings and spaces along the Erie Canal. The exhibition is co-directed by Kari Conte and Karin Laansoo, with associate curator Ekrem Serdar, and is conceived by the New York Power Authority and the New York State Canal Corporation to revitalize the canal and highlight its significance. A steering committee includes major regional institutions such as the Buffalo AKG Art Museum, the Burchfield Penney Art Center, the University at Buffalo, the Memorial Art Gallery, and the Corning Museum of Glass. The inaugural edition runs from June 6 to September 7, 2026, with a hub opening in September 2025 for public programs.

art moma new photography exhibition

The Museum of Modern Art in New York is launching its latest New Photography exhibition, “Lines of Belonging,” on September 14, marking the series’ 40th anniversary. The show features 13 international artists and collectives from four cities, including Sandra Blow, L. Kasimu Harris, and Prasiit Sthapit, who each reflect on their contributions. Blow captures Mexico City’s queer nightlife, Harris documents Black Masking Indian traditions in New Orleans, and Sthapit photographs the changing landscape of Susta, Nepal.

What do you hear in these paintings? 'Still In Sound' at the Clyfford Still Museum asks just that

The Clyfford Still Museum in Denver has opened 'Still In Sound,' a new exhibition that pairs five of Clyfford Still's paintings with original audio interpretations created by contemporary artists. Curated by Ben Coleman and Bailey Placzek, the show invites artists like Kalyn Heffernan and Michael Schumacher to respond sonically to Still's works, drawing on the museum's archives of the artist's voice recordings and personal record collection. Each audio piece plays on a loop from speakers positioned directly above the corresponding painting, with sounds ranging from rhythmic beats and hisses to New Orleans jazz and car engines.

Known in New Orleans, multimedia artist will take the world stage in Venice Biennale

New Orleans-based conceptual artist Dawn DeDeaux is preparing for a career-defining presentation at the 2026 Venice Biennale. Selected by curator Dan Cameron and featured in the central exhibition "In Minor Keys," the 73-year-old artist will occupy the final room of the Arsenale. Her work, which spans photography, video, and large-scale installation, often explores existential themes, environmental fragility, and the relationship between the antique and the futuristic.

New Orleans Takes the Stage at the 2026 Venice Biennale

New Orleans artists Dawn DeDeaux and Demond Melancon have been selected to participate in the 61st Venice Biennale in 2026. Curated by Koyo Kouoh under the title "In Minor Keys," the exhibition marks a historic moment as two artists from the city receive simultaneous invitations to the prestigious international forum. DeDeaux, a veteran multimedia artist known for her "MotherShip Series" and environmental themes, will bring her focus on post-anthropocene landscapes to the global stage.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

Don’t Miss These September Museum Exhibits in NOLA

New Orleans museums are launching several major exhibitions in September 2025. The Ogden Museum of Southern Art presents "Flags of Our Mothers" (September 13–March 8, 2026) featuring Raven Halfmoon's largest ceramic sculptures, and "The Unending Stream: Chapter II" (September 27–March 15, 2026) showcasing six local photographers. The New Orleans Museum of Art opens "Dawoud Bey: Elegy" (September 26–January 4, 2026), a photography and film installation exploring African American historical memory.

Joan Danziger Retrospective in Washington

The American University Museum at the Katzen Arts Center in Washington, D.C., will host the first career retrospective of artist Joan Danziger, titled "The Magical World of Joan Danziger," opening February 7, 2026. The exhibition spans six decades of her work, from abstract paintings to mixed-media sculptures, featuring over 100 pieces including 40 sculptures and 25 works on paper and canvas. A concurrent exhibition, "Ravens: Spirits of the Sky," showcases 24 large glass and metal raven sculptures, many never before exhibited. Danziger, who continues to work daily at age 91, traces her evolution from an abstract painter to a multimedia sculptor, with influences ranging from surrealists to Hieronymus Bosch.

Willie Birch: Stories to Tell

The California African American Museum presents 'Willie Birch: Stories to Tell,' a sweeping retrospective spanning over five decades of the artist's career, from the late 1960s to the present. The exhibition features Birch's paintings, papier-mâché sculptures, charcoal drawings, and installations, all rooted in his exploration of Black cultural memory, community life in New Orleans, and what he calls 'retentions'—fragments of African heritage persisting across generations. Organized chronologically, the show highlights Birch's evolving visual language and his commitment to storytelling as a form of social practice.

art exhibition biennials this year curators

In 2026, a rare alignment of major biennial exhibitions will take place globally, including the Venice Biennale (opening May 9, curated by Koyo Kouoh), MoMA PS1's Greater New York, the Whitney Biennial, and the Bronx Museum's AIM Biennial, alongside events in Toronto, Pittsburgh, Gwangju, Sydney, Diriyah, and Busan. CULTURED interviewed curators from four of these shows—such as Marcela Guerrero and Drew Sawyer of the Whitney Biennial—to explore how these sprawling group exhibitions come together, revealing a trend toward smaller, internally organized shows with less declarative themes.

New Orleans artist Andrew Lamar Hopkins channels folk art legend Clementine Hunter in new exhibit

The article profiles New Orleans artist Andrew Lamar Hopkins and his new exhibition "Her Way, His Way" at the Orleans Gallery on Julia Street. The show pairs Hopkins' contemporary folk-inspired works with paintings by the late, legendary Louisiana folk artist Clementine Hunter, who died in 1988. Hopkins, now 48, draws directly from Hunter's subjects—such as wildflower bouquets and pecan harvesting scenes—creating a dialogue between two artists who never met. The piece also traces Hopkins' career trajectory from a self-taught history nerd in Mobile, Alabama, to a rising star with works displayed in Venice during the Venice Biennale.

art paul chan ai breathers digital

Paul Chan, the artist known for his early digital video works, is preparing for a new exhibition at Greene Naftali titled "Automa Mon Amour," opening March 12, featuring his latest "breathers"—kinetic windsock-like sculptures powered by fans. Chan, who quit making art in 2009 to found the indie publishing house Badlands Unlimited, has since returned to art-making with analog-focused works, yet simultaneously developed Paul’ (Paul Prime), a sophisticated AI project that creates a digital version of himself using his personal data, writings, and interviews. The article explores the contradiction between Chan's rejection of screens and his engagement with highly technical, code-intensive digital art.

Pamela Bryan and Julia Campbell Carter Bring New Orleans Rhythm to London

Pamela Bryan of Octavia Art Gallery in New Orleans and London-based curator Julia Campbell Carter have organized "Rhythm in the Blues," a contemporary group exhibition at 14 Percy Street, London, running from May 11 to 20. The show features five international artists—Alia Ali, Aigana Gali, Azadeh Ghotbi, Naomie Kremer, and Lucille Lewin—whose works in painting, sculpture, and mixed media explore themes of memory, migration, resilience, and identity, with music serving as an atmospheric and structural influence rather than a literal subject.

Auudi Dorsey: Self Esteem and 2D Surrealism

Artist Auudi Dorsey's recent exhibition, 'What's Left, Never Left,' at the Jonathan Carver Moore gallery in San Francisco, focuses on Black leisure and collective joy through paintings of Lincoln Beach in New Orleans. The works, which depict Black families and community members, use a surrealist visual vernacular to archive and celebrate Southern Black experiences and the building of self-esteem.

Must-See Museum Exhibits in New Orleans This May

The article highlights two must-see photography exhibitions in New Orleans this May. The New Orleans Jazz Museum presents "Less is More: The Photography of Steve Rapport," which opened April 21 and combines Rapport's earlier rock 'n' roll photography with new, emotionally charged portraits made since he moved to New Orleans—the first time both bodies of work are shown together. Meanwhile, the Ogden Museum is hosting "Herman Leonard: Images of Jazz" (through July 12), featuring the legendary photographer's iconic images of jazz musicians from the bebop and cool jazz eras, including a print of Ella Fitzgerald. Leonard lived in New Orleans later in life, and the Ogden Museum protected his negative archive during Hurricane Katrina.