For the 9th edition of Printemps Asiatique Paris, K-art in the spotlight

Pour la 9e édition du Printemps Asiatique Paris, le K-art à l’honneur

The 9th edition of Printemps Asiatique Paris, running from June 3 to 12, 2026, places Korean art (K-art) at center stage, celebrating Franco-Korean friendship. The event moves from its previous location to the refined spaces of Galerie Charpentier and includes a "Parcours galeries" route featuring around twenty Parisian galleries. Participating galleries include Louis & Sack with Lee Hyun Joung's memorial landscapes, Magna Gallery with Hoon Moreau's oak sculptures, and Françoise Livinec with works by Bang Hai Ja. Other highlights include Jean-François Cazeau gallery showing major Asian artists like Zao Wou-Ki, Léonard Tsuguharu Foujita, and Yayoi Kusama; Mingei gallery presenting Japanese bamboo basketry from the 8th century to today; Sinapango gallery with lacquer objects including a Ming-dynasty erotic incense box; and Jacques Barrère gallery with a large Goryeo-dynasty bodhisattva sculpture. The Musée national des Arts asiatiques – Guimet mounts complementary exhibitions on Silla civilization treasures and K-beauty.

Art Basel Qatar Announces Artistic Director and Theme for 2027 Edition

Art Basel Qatar has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for its second edition, scheduled for January 28–30, 2027, in Doha. The fair will be themed “between / بين,” exploring states of betweenness and fluid cultural encounters, and will feature a scaled-up Special Projects sector with large-scale, site-specific works, alongside solo gallery presentations. Al-Khudhairi, a specialist in modern and contemporary Arab art, previously served as founding director of Mathaf: Arab Museum of Modern Art in Doha and held curatorial roles at the Contemporary Art Museum St. Louis.

Stanley Donwood on his show with Thom Yorke in Venice: ‘These drawings… they’re not planned’

Stanley Donwood, the artist and longtime collaborator of Radiohead's Thom Yorke, discusses his recent and upcoming projects in an interview. These include the conclusion of 'This Is What You Get', a retrospective at Oxford's Ashmolean Museum; the 'Motion Picture House' installation based on Radiohead's albums Kid A and Amnesiac; and his first exhibition outside the UK with Yorke, titled 'No Go Elevator (not without no keycard)', staged in Venice during the 2026 Biennale. The Venice show, presented with Tin Man Art, features 15 ink-on-paper works combining drawings and text from Yorke's notebooks.

Matías Duville on Representing Argentina at the 61st Venice Biennale

Matías Duville will represent Argentina at the 61st Venice Biennale in 2026 with a site-specific installation titled *Monitor Yin Yang*, transforming the Argentina Pavilion into a walkable landscape made of salt and charcoal. The work expands drawing into a spatial, sonic, and time-based experience, inspired by the natural environments of Mar del Plata and Patagonia. Duville discusses his approach in an interview with ArtReview, noting how early encounters with vast territories and geological time continue to shape his practice, and how the project relates to the Biennale's theme, *In Minor Keys*, by focusing on subtle intensities and open-ended evolution.

“Quiet Intersections,” June 5 through July 31

Four Chicago-based artists—Allie Kushnir, Shalen Stephenson, Thérèse Mulgrew, and Noel Mercado—will present concurrent solo exhibitions at Dubuque's Voices Studios from June 5 through July 31, under the collective title "Quiet Intersections." Each artist explores themes of memory, materiality, and contemporary life through distinct media: Kushnir's organic paintings, Stephenson's layered abstractions, Mulgrew's figurative works, and Mercado's found-object sculptures. An opening reception with an artist talk is scheduled for June 5.

POSCO Museum of Art Holds Special Exhibition 'A 100-Year Journey of Picture Books'

The POSCO Museum of Art in Seoul is hosting a special exhibition titled 'One Page World: A 100-Year Journey of Picture Books,' running until July 26, 2026. It showcases rare first editions from 19th-century British illustrators like Kate Greenaway, Walter Crane, and Randolph Caldecott, alongside works by modern graphic design masters such as Bruno Munari and Paul Rand. The exhibition traces the evolution of picture books from modern illustration to contemporary design, emphasizing first editions to preserve the original artistic intent and physical qualities of the books. Admission is free, and the show will later travel to POSCO venues in Pohang and Gwangyang.

Meet Three of the Artists in the Emmanuel Art Gallery’s 150th Anniversary Exhibition

The Emmanuel Art Gallery on Denver's Auraria Campus is celebrating its 150th anniversary with the exhibition “Come Together: 150 Years of the Emmanuel.” The gallery, originally built as an episcopal chapel in 1876, has served as a synagogue and an artist's studio before becoming a gallery in 1973. The article profiles three local artists featured in the show: Isabella Briganti, a former student worker at the gallery now showing her drawings; Carlos Frésquez, who had his first professional show there in 1976 and has since become an internationally exhibited artist; and Max Kauffman, a Denver-based painter whose work explores folk imagery and the history of the building.

MINISO Launches World’s First MINISO Gallery in Shanghai with Exhibition by Indonesian Artist RYOL

MINISO has opened the world's first MINISO Gallery in Shanghai, featuring an exhibition by Indonesian artist RYOL. The gallery marks the lifestyle brand's expansion into the art space, blending retail with curated visual art experiences.

"Accumulation of Becoming”, a solo exhibition of new works by Angela Weddle

Un Grito Gallery in San Antonio, Texas, will present "Accumulation of Becoming," a solo exhibition of new works by multidisciplinary artist Angela Weddle. The show opens April 30–May 1, 2026, with a closing reception on May 21, 2026. The exhibition features layered self-portraiture combining drawing and photography, exploring themes of selfhood, grief, and transformation through dense mark-making and the accumulation of imagery.