Andrew Durham Gallery in Houston announces "Vestiges of Existence," a solo exhibition of multi-media works by artist Jill Bedgood, running from June 6 to August 1, 2026. The show explores how physical remnants—such as worn jewelry, handwritten letters, and natural anomalies—carry memory and document human presence, functioning as contemporary memento mori. An opening reception on June 6 and an artist talk on July 11 accompany the exhibition.
The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.
The Reginald F. Lewis Museum of Maryland African American History & Culture will host an exhibition of works by 16 semifinalists for the 2026 Janet & Walter Sondheim Art Prize, on view from May 21 through June 21. The show features a range of mediums including oil paintings, archival prints, video narratives, 3D sculptures, and multimedia installations. An opening reception on May 21 is free and open to the public. The five finalists—Thea Canlas, Leigh Davis, Brandon Donahue-Shipp, Curran Hatleberg, and Danni O’Brien—will exhibit separately at the Walters Art Museum from June 25 to September 13, with the $30,000 prize winner announced in August.
David Zwirner gallery in Los Angeles is presenting "California Light and Space (The 21st Century Version)," a group exhibition organized by curator Helen Molesworth. Running through August 1 at the gallery's 606 N Western Avenue location, the show features contemporary artists from LA's diverse arts scene, exploring how the city's unique geography—its light, space, and basin topography—shapes their work. The exhibition draws a parallel to the Light and Space movement of the 1960s and 1970s, but focuses on a younger generation working across various media.
The 2026 Southwest Washington Juried Exhibition will open on July 6 at the Leonor R. Fuller Gallery, located at the Kenneth J. Minnaert Center for the Arts on the South Puget Sound Community College Olympia Campus. The exhibition runs through August 27, with an opening reception on July 9. Allison Hyde, an artist, teacher, gallery director, and curator, has been selected as the guest juror. Artists residing in ten specified Washington counties are invited to submit works in all media for consideration.
The Contemporary Dayton is hosting a Member's Spotlight Exhibition titled "Simon Robins: Sociable," running from June 5 to June 27, 2026, with an opening reception on June 5 from 6-8 PM. The exhibition features paintings by Simon Robins that draw from public domain and found photographs sourced from digital archives, which he crops, recolors, and recontextualizes to create works that feel both familiar and elusive. Robins, a collections librarian and faculty member at the University of Dayton, uses his archival expertise to explore themes of social alienation, belonging, and the power dynamics embedded in historical image collections.
The Powers Art Center will open a new exhibition titled “Roy Lichtenstein: Beyond Reality” on June 2, 2026, running through May 1, 2027. The show features a broad range of Lichtenstein’s comic book-inspired works, including Ben-Day dots, bold imagery, landscapes, and reinterpretations of classical subjects, curated by museum director Sonya Taylor Moore. An opening reception is scheduled for June 18, 2026.
Artist Tatana Kellner announces an opening reception for her exhibition "Inequity" at The Sketchbook Gallery @ Jane St. Art Center in Saugerties, New York, running from June 27 to August 1, 2026. The show features works from her ongoing series "Apart," which explores tensions between individuals and societal systems, drawing on her personal history as an immigrant from communist Czechoslovakia and a child of Holocaust survivors.
Artspace Gallery in Richmond, Virginia, has announced a juried art exhibition titled "250 Years of Expression: Freedom, Dissent and the American Voice," running from May 22 to July 18, 2026. The show features over 30 artworks in video, photography, sculpture, and mixed media, selected by juror Diego Sanchez, an artist and educator. An opening reception and juror talk will take place on May 22, with a Fourth Friday reception on June 26. Concurrently, the gallery will present "Of, By, For," an exhibition of works from Artspace artists' studios in the Elisabeth Flynn Chapman Gallery.
Art & Light Gallery in Greenville will host 'Natural Form,' an exhibition opening June 2 and running through June 27, featuring abstract works by Allison James, Bethany Mabee, and Morgan Walker. The show explores organic shapes and patterns found in nature, with each artist drawing from personal experiences—James from motherhood, Mabee from interior design, and Walker from her father's Parkinson's disease and her own mental health struggles. An opening reception will be held June 5.
Unchained.Art Contemporary Gallery in Austin, Texas, is hosting the opening reception of "you should eat a burger," a solo exhibition by local artist Erin Carle. The show uses food as both subject and symbol, drawing from Carle's background in ballet to explore the coded language and expectations surrounding women's bodies, addressing themes of self-worth, desire, shame, and control through bright colors and stylized figures.
The Boothbay Region Art Foundation (BRAF) has opened three new exhibitions for summer, running through June 21. The shows include the Spring Members' Show featuring a wide range of media from regional artists, a solo exhibition of Maine landscape oil paintings by local artist Charles Nowell, and an Eco-Art exhibition curated by the Boothbay Region Climate Action Team that addresses environmental stewardship and climate resilience. An opening reception is scheduled for June 5.
Grove Gallery in Evanston, Illinois, will host a group exhibition titled 'In the Absence of Space' from May 30 to June 28, with an opening reception on June 6. The show features artists who explore how minoritized and underrepresented communities respond to exclusion and invisibility by creating their own spaces of presence, connection, and community. The exhibition is presented by Evanston ASPA in partnership with Evanston Latinos, Aloha Center Chicago, Gichigamiin Indigenous Nations Museum, Shorefront Legacy Center, and Evanston Made.
Stephanie Pierre, a Haitian American community developer and placemaker, has opened Kafou, a Haitian art-inspired gallery in East Flatbush, Brooklyn. The gallery launched with an inaugural exhibition titled “Space as Place,” featuring seven artists—including Bianca Allen, Marie Medijne Antoine, Jordan Dubreuil, Wilfrid Ignace, Richard Louissant, Claire Saintil, and Zarita Zevallos—whose works explore themes of space, place, migration, and identity. The opening reception on April 16, 2026 drew strong public interest, prompting the gallery to extend the show through May 17. Kafou operates on a community-centered model, charging artists a reduced commission in exchange for their active involvement in managing and promoting their own work.
The Art Base in Basalt, Colorado, opens its fall season with 'Toxic Positivity,' an installation of plastic-formed sculptures by Denver-based artist Jodi Stuart. The exhibition runs from October 2 to November 8, 2024, with an opening reception on October 4 featuring an artist talk. Stuart specializes in a process that combines weaving techniques with plastics, creating objects that are both light and saturated.
Harrison Brothers Hardware Store, a historic fixture in downtown Huntsville, Alabama, is celebrating America's 250th birthday with an art exhibition featuring works by local artists. The open call for submissions, organized by the Historic Huntsville Foundation which owns the store, resulted in a collection of paintings that share a common theme of home and belonging, rather than overt patriotic symbols. The exhibit also includes the historic American signature quilt, stitched with notable 20th-century names.