Tilda Swinton Is Bringing a New Performance Piece to Guggenheim Bilbao

British actor Tilda Swinton will debut a new performance piece titled "House of Gestures" at the Guggenheim Museum Bilbao on June 5–6, 2025. The work, developed with French fashion curator Olivier Saillard, is inspired by the legacy of Dom Pérignon champagne and will be staged in the museum's Frank Gehry-designed atrium. Swinton has a long history of performance art, including her iconic work "The Maybe" (1995) at the Serpentine Gallery, and is currently the subject of the exhibition "Ongoing" at the Onassis Foundation's Onassis Ready in Athens.

An Artist Ponders Pond Scum, Humans and the Meaning of Life

Anicka Yi, an artist known for exploring the intersection of biology and technology, has created a new installation at Storm King Art Center. The work features muck-filled columns that examine pond scum and other microscopic life-forms, using them as a lens to question humanity's role in the natural world. The installation is described as a kind of laboratory where Yi investigates the agency and intelligence of non-human organisms.

How the British Museum is preparing for the arrival of the Bayeux Tapestry

Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux

The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.

Gabrielle Goliath’s "Elegy" Comes to Venice

South African artist Gabrielle Goliath’s installation "Elegy" was initially censored by South Africa’s Culture Minister Gayton McKenzie, who blocked it from the country’s pavilion at the Venice Biennale over its focus on Palestinian grief. After public outcry and support from several organizations, the work was instead installed in a Venice church, where critic Aruna D’Souza describes it as "hauntingly beautiful and achingly tender." The article also covers related news: a smear campaign against British-Nigerian photographer Misan Harriman for his Palestinian solidarity, and a list of summer art books.

Alexander James Dissects Painting’s Most Enduring Shape in Hong Kong Exhibition

British artist Alexander James presents *Dissecting the Square*, a new exhibition at Phillips Gallery in Hong Kong, running until 31 May 2026. The show features a series of paintings, sculptures, and installations that explore the square as a geometric form, inspired by a moment when sunlight dissected an empty canvas in his studio. James divides canvases into quadrants, creating works that balance order and disruption. The exhibition also includes Josef Albers’ *Homage to the Square: In Time* (1967) and a sculpture by Sean Scully, placing James’s practice in dialogue with art historical precedents.

Our Highlights From Frieze New York 2026

Frieze New York 2026 took place from May 13 to 17 at The Shed in Manhattan, featuring nearly 70 galleries. Highlights included Cindy Sherman’s new photographs at Hauser & Wirth (many sold on preview day, with Leonardo DiCaprio visiting), the Focus section curated by Lumi Tan and sponsored by Stone Island, and the Frame section where Diedrick Brackens’ woven works were acquired by the Brooklyn Museum. Frieze Sculpture at Rockefeller Center, curated by Brett Littman, showcased 14 international artists including Nick Cave and Hank Willis Thomas. Mapuche artist Seba Calfuqueo won the Focus Stand Prize for hair-centered works exploring feminism and indigenous heritage.

The art of chaos

The 61st Venice International Art Biennale has opened in Venice, running until November, amid unprecedented turmoil. The main exhibition, "In Minor Keys," was curated by Koyo Kouoh, who died of cancer shortly after presenting her vision featuring 111 artists including Carsten Höller, Alvaro Barrington, and Laurie Anderson. Her death has eliminated the Lifetime Achievement Award this year. Additionally, the Biennale faces a funding crisis as the EU threatens to withdraw its €2 million subsidy over Russia's participation with 38 artists following the invasion of Ukraine. Iran, Nigeria, and Israel are absent from their pavilions, while the US Pavilion, now organized by the American Arts Conservancy under inexperienced leadership, features self-taught artist Alma Allen.

At the Louvre Museum, ORLAN will give a free art history lecture this Friday

Au musée du Louvre, ORLAN donnera ce vendredi un cours d’histoire de l’art (gratuit)

French artist ORLAN will deliver a free art history lecture at the Musée du Louvre on Friday, May 22, 2026, as part of the fourth edition of the museum's "Leçons d'artiste" lecture series. Titled "Le musée et l'histoire de l'art cellules souches de nos nouvelles images," the talk will examine how museums like the Louvre shape art history—with its omissions, censures, and rewritings—and how new technologies, including artificial intelligence, feed on existing imagery. Two additional lectures will follow on June 12 (on body representation) and September 25 (on artists' responsibility in times of war and oppression).

In Performance Series, Artists Tackle the Nature of Images, and Reality, in the Face of AI

At Giorno Poetry Systems (GPS) in New York, a three-day program titled “Exert: The Physics of Metaphysics” featured performances and readings by artists including Mark Leckey, Hari Kunzru, and Gideon Jacobs. The works explored how emerging technologies like AI, VR, and AR are reshaping perceptions of reality and simulation, with Kunzru reading from a novel-in-progress about a man navigating a world where simulation encroaches on everyday life, and Jacobs presenting a performance lecture blending theater, essay, and AI-generated video.

Insider’s Look at Curating a Show Inspired by the Declaration of Independence’s 250th Anniversary [Interview]

The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.

There Is No Separation. In Conversation with Alice Maher   by Frank Wasser

Alice Maher, one of several Irish artists at the 61st Venice Biennale, presents three works in the Arsenale as part of the group exhibition “In Minor Keys,” curated by the late Koyo Kouoh. Her presentation includes a reconstructed 1996 installation *Les Filles d’Ouranos*, a new series of drawings and sculptures titled “The Sibyls” (2025), and a collaborative textile piece *The Map* (2021) made with Rachel Fallon. In a conversation with Frank Wasser, Maher discusses the political conditions surrounding this year’s Biennale, including institutional resignations, debates over national representation, and the inclusion of the Israeli and Russian pavilions.

An Artist’s MFA Show Confronts Columbia University Over Gaza

Artist Alejandro Valencia's MFA thesis installation at Columbia University, titled "DYNAMO (RATM01)" (2026), confronts the institution's response to the Gaza genocide. The multipart work, on view at the Miriam and Ira D. Wallach Art Gallery, includes a keffiyeh worn by fellow student Ridwana Rahman—who was banned from campus and denied her MFA degree after a protest—along with sundials, pencils, and a broken microphone referencing Palestinian scholar Edward Said. The piece critiques Columbia's crackdown on pro-Palestinian student activism and the suppression of dissenting voices.

La Fondation Beyeler di Basilea inaugura una grande mostra dell’artista francese Pierre Huyghe. Da vedere durante Art Basel

The Fondation Beyeler in Basel is opening a major solo exhibition of French artist Pierre Huyghe, running from May 24 to September 13, 2026. The show transforms Renzo Piano's museum spaces into a sensitive ecosystem inhabited by images, organisms, sounds, dust, algorithms, and presences suspended between the biological and artificial. Key works include "Apnea" (2026), an artificial organ submerged in water that breathes at a human rhythm; "Alchimia" (2026), featuring a worm on a threshold that reacts to air; "Liminals" (2026), a film depicting a faceless anthropomorphic figure in a state of radical uncertainty; "Adversary" (2026), a closed gate co-created by human and machine; and "Camata" (2024), a film set in the Atacama Desert that is continuously re-edited in real time based on sensors and audience presence.

‘Street Nihonga: The Art of Jimmy Tsutomu Mirikitani’

The Spencer Museum of Art has opened 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' a major spring exhibition featuring 170 works by the Japanese American artist, many never before displayed. The show traces Mirikitani's extraordinary life from his birth in Sacramento in 1920, his childhood in Hiroshima, formal training in traditional Nihonga under masters Kawai Gyokudō and Kimura Buzan, to his forced incarceration at Tule Lake during World War II after refusing to sign a loyalty oath. After years of statelessness and homelessness in New York City, Mirikitani developed a deeply personal, politically charged mixed-media practice that blended Japanese techniques with American street art.

Tilda Swinton to Perform at Guggenheim Bilbao in June

Actress and performance artist Tilda Swinton will stage a performance titled 'House of Gestures' at the Guggenheim Bilbao on June 5 and 6. The work, a collaboration with fashion historian and curator Olivier Saillard, is commissioned by Dom Pérignon as part of its 'Creation is an eternal journey' series. The piece explores gesture, presence, and transformation, set in the museum's atrium, and is free and open to the public with advance registration.

British Museum Unveils Elaborate Display for Bayeux Tapestry

The British Museum has revealed its plans for displaying the nearly 1,000-year-old Bayeux Tapestry when it arrives on loan from France later this year. For the first time in recent history, the 230-foot-long embroidered narrative of the Norman Conquest will be laid flat in a bespoke case, allowing visitors to view all 58 scenes in a single unbroken display. The exhibition, supported by a £5 million pledge from WorldQuant CEO Igor Tulchinsky, will also feature loans including the Junius II manuscript from Oxford's Bodleian Libraries and silver coins from the Chew Valley Hoard. Tickets for the ten-month show, opening September 10, cost £25–£33.

Marat Guelman and the group + - Komma: First of all, it’s beautiful

Marat Guelman's exhibition at Ethan Cohen Gallery in New York (April 23–May 30, 2026) features AI-generated monoprints created in collaboration with the Montenegrin digital art group + - Komma. None of the works were painted by Guelman himself; instead, he programmed AI outputs based on historical models by artists like Picasso, Gauguin, Monet, Warhol, Lichtenstein, Turner, Matisse, and Richter. Every piece in the show incorporates an image of an atomic mushroom cloud, a motif Guelman uses to respond to Vladimir Putin's nuclear threats during the Ukraine war.

Vancouver Art Gallery's "Future Geographies" Exhibit Explores How Art Responds to Climate Change

The Vancouver Art Gallery has opened "Future Geographies: Art in the Century of Climate Change," an exhibition curated by Eva Respini, the gallery's interim co-CEO and curator at large. Featuring over 30 artists and 35 works—including sculptures, paintings, video installations, and photographs—the show explores climate change through themes of living knowledge, consumed earth, speculative worlds, and material memory. Highlights include Brian Jungen's whale-skeleton sculpture made from plastic chairs and Clarissa Tossin's multimedia weaving of Amazon boxes. The exhibition also incorporates sustainability in its organization, using recycled cardboard for labels, overland shipping for loans, and commissioning local artists.

Singapore Art Museum at 30: tough decisions

The Singapore Art Museum (SAM) is celebrating its 30th anniversary while navigating the challenges of its 2022 relocation to Tanjong Pagar Distripark, a remote industrial building that has drawn mixed reactions—some visitors find it too inaccessible, while younger audiences applaud the move away from the colonial civic district. Director and CEO Eugene Tan defends the decision, citing the building's high ceilings and flexible spaces as ideal for contemporary art, and announces a fifth gallery opening by 2026 that will bring total exhibition space to 3,800 square meters. The museum also plans to experiment with open-air exhibition techniques in the new space, aiming to reduce energy demands.

Romanesco in a Max Mara Coat

Romanesco im Max-Mara-Mantel

Evelyn Taocheng Wang's first institutional solo exhibition in Italy, "Sweet Landscape," opens at the Museion in Bolzano. The Chinese-born, Rotterdam-based artist presents silk paintings, pastel canvases, and painted garments that probe the region's complex history beneath its idyllic Alpine scenery. Works such as "Frog Princess Checks Her Smartphone in front of Window of August Macke’s Hat Shop" (2026) and "Ancient Roman bust for Sale" (2026) blend local food motifs, cultural translation, and hybrid identity, questioning who gets to write history and how landscapes are perceived through secondhand experiences.

Three Dinosaur Fossils Are Up for Grabs at This New York Art Gallery

Amanita, a New York art gallery, is presenting three Maiasaura dinosaur fossils alongside a John Chamberlain sculpture in an exhibition titled "Land Before Time: Three Dinosaurs and a Gondola" at its Bowery location through August 9. The fossils, sourced from Tucson-based Granada Gallery, include an 85 percent complete adolescent, a 68 percent complete adult, and a 62 percent complete juvenile—marking the first time a full Maiasaura growth cycle has been displayed. The Chamberlain piece, "Gondola Marianne Moore" (1982), was procured with help from Hauser and Wirth. Only the fossils are for sale, with prices undisclosed.

Isamu Noguchi was never a designer, affirms High Museum of Art, Atlanta

The High Museum of Art in Atlanta presents "Isamu Noguchi: 'I am not a designer'," the first design retrospective of the Japanese-American sculptor in 25 years. Co-curated by Monica Obniski and Marin R. Sullivan, the exhibition features nearly 200 objects, including sculptural models, furniture for Herman Miller and Knoll, Akari light fixtures, and large-scale installations like Martha Graham's stage set for "Seraphic Dialogue" (1955). The show challenges Noguchi's own resistance to categorization by framing his multidisciplinary practice—spanning sculpture, design, architecture, and public art—through a design lens.

Phantasmagoria review: digital sorcery at the Henry Moore Institute

The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.

Contemporary art returns to center stage in Ascoli Piceno for the fifth edition of the Premio Sparti

L’arte contemporanea torna protagonista ad Ascoli Piceno per la quinta edizione del Premio Sparti

The fifth edition of the Premio Sparti, titled "Dove finisce la città" (Where the City Ends), will open on May 23 at the Forte Malatesta in Ascoli Piceno, Italy, running through June 28. Curated by Alex Urso, the exhibition features over twenty international artists exploring artistic practice outside major urban centers, with works also installed at the Frida Museum. The show is divided into three sections—"Essere oltre," "Essere qui," and "Essere altro"—highlighting artists who have chosen peripheral, rural, or marginalized locations as bases for their research, including Francesco Arena, Davide Maria Coltro, Andrea Mastrovito, and emerging talents under 35.

Finally, Culture Minister Giuli visited the Italy Pavilion at the 2026 Venice Biennale and made peace with President Buttafuoco

Finalmente il Ministro della Cultura Giuli ha visitato il Padiglione Italia alla Biennale di Venezia 2026 e ha fatto pace con il Presidente Buttafuoco

Italian Culture Minister Alessandro Giuli finally visited the Italy Pavilion at the 2026 Venice Biennale alongside Biennale President Pietrangelo Buttafuoco, marking their first public appearance together after earlier tensions led Giuli to skip the opening ceremony. During the visit, Buttafuoco proposed that the work of artist Chiara Camoni, whose exhibition "Con te con tutto" is curated by Cecilia Canziani, should find a permanent home after the Biennale ends, sparking discussion about the future of pavilion artworks.

Stimmung: sakral

The Anozero Biennale in Coimbra, Portugal, opens at the former Santa Clara convent, blending religious imagery with anarchist ideas. Artists including Taryn Simon and Nan Goldin present works that explore utopian visions of community and reciprocity within the monastery's walls.

US SCULPTURES AMID CONTROVERSY AT THE VENICE BIENNALE

The United States Pavilion at the 61st Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," which opened with no clear funding just ten days prior. Unlike previous pavilions supported by major foundations like Ford and Mellon, Allen's show relies on a $375,000 US government contribution and public donations via the American Arts Conservancy. The selection process was unconventional: the State Department, which took over after Trump's NEA budget cuts, imposed restrictions on DEI policies and required proposals promoting "American exceptionalism." Curator Jeffrey Uslip directly approached Allen without a formal proposal, leading the artist's two galleries—Olney Gleason and Mendes Wood DM—to drop him when he accepted the commission.

Ten artists serving life have a story to tell. It’s on the walls of this Center City art gallery.

Ten artists serving life sentences at SCI-Phoenix, a Pennsylvania state prison, have their work on display at Morton Contemporary Art Gallery in Philadelphia in an exhibition titled "The Weight of Time." The show is co-curated by artist Keith Andrews, who has been incarcerated for nearly 30 years, and gallerist Debbie Morton. Andrews' painting "Defiant Mercy" explores themes of time, isolation, and confinement, reflecting his own experience. The exhibition includes nearly 50 works by ten artists, each accompanied by biographies detailing their lives inside and outside the carceral system.

Paola Siri Renard “Double Star” at nouveaux deuxdeux, München

Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.

UMich art museum glorifies left-wing protests

A new exhibition at the University of Michigan Museum of Art (UMMA) titled “American Sampler: The Art, Language and Legacy of Protest” features posters, pamphlets, and video from 1960s and ‘70s left-wing protest movements, including the Black Panthers, Vietnam War protesters, and the anarchist Yippies. Guest curator Julie Ault organized the show using materials from U-M’s Labadie Collection, which holds radical literature. Conservative commentator Bobby Mars, writing for the Michigan Enjoyer, criticizes the exhibit for allegedly glorifying violence and anti-American sentiment, arguing that the museum’s framing encourages today’s students to protest against the government.