At the Venice Biennale, the Thrill of Victory, the Agony of Defeat

The article reports on the opening of the 61st Venice Biennale, highlighting the central exhibition "In Minor Keys" conceived by the late Koyo Kouoh, along with national pavilions and collateral events. It notes standout contributions from artists such as Alvaro Barrington, Kaloki Nyamai, Florentina Holzinger, Ei Arakawa-Nash, Li Yi-Fan, and Dries Verhoeven, while describing the American pavilion as lackluster and the overall commercial offerings as uneven. The text also covers performances and exhibitions featuring nudity and body horror, including Tino Sehgal's "The Kiss" and Maja Malou Lyse's video with the collective DIS.

adam pendletons hirshhorn museum exhibition

Adam Pendleton's exhibition "Love Queen" is on view at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., through January 3, 2027. The show features his distinctive abstract works that blend mark-making, pictographs, and all-caps texts, including pieces from his "Untitled (Days)" series and "Black Dada" series, as well as a single-channel video titled "Resurrection City Revisited (Who Owns Geometry Anyway?)" that documents the 1968 Poor People's Campaign.

At Mexico City’s Material and Salón Acme fairs, artists find hope in nature

Mexico City Art Week's satellite fairs, Salón Acme and Feria Material, drew large crowds during VIP previews on February 5, with Material reporting its biggest opening-day attendance ever after moving to the expansive Maravilla Studios venue. The fairs feature over 70 exhibitors, with a strong contingent of Mexico City galleries and around half of participating galleries from Latin America. Notable presentations include Rajni Perera's works on paper and sculptures addressing environmental exploitation and colonial control, Gala Berger's hybrid works on amate paper referencing the Svalbard Global Seed Vault, and Miguel Harte's enamel and resin pieces depicting nature overwhelmed by synthetic materials.

10 Art Shows to See in the Bay Area This Fall

The article presents a curated guide to 10 art exhibitions opening in the Bay Area this fall, highlighting shows by artists such as Mike Henderson, Julio César Morales, Auudi Dorsey, and Jim Melchert. It covers venues ranging from Haines Gallery and Gallery Wendi Norris to the Manetti Shrem Museum and di Rosa SF, with works addressing Black Oakland history, immigration, segregation-era Black leisure, and conceptual ceramic art.

10 Art Shows to See This Fall

This article previews ten art exhibitions opening in the San Francisco Bay Area during fall 2025. Highlights include "Object Oriented" at BAMPFA, focusing on artists' interpretations of everyday objects; "Super Flex: Powered by Alter Egos and Shadow Selves," a festival in Chinatown curated by Candace Huey, Taraneh Hemami, and Theo Lau; solo shows by Laura Figa and Fran Herndon at Et al.; Julio César Morales's "My America" at Gallery Wendi Norris, featuring a sound installation with Mexican Institute of Sound; and "Art of Manga" at the de Young Museum, showcasing original drawings by 11 manga artists including Taniguchi Jiro and Takahashi Rumiko.

Curators Announced for 16th Baltic Triennial

The Contemporary Art Center (CAC) Vilnius has appointed artist Nikita Kadan and curator Natalia Sielewicz as curators of the 16th Baltic Triennial, scheduled for 2027. Kadan is a Kyiv-based artist, while Sielewicz is chief curator at Warsaw's Museum of Modern Art. The duo has proposed "grief and resurrection" as the triennial's theme, framing despair and mourning as spaces for careful listening and potential renewal.

San Francisco’s Museum of the African Diaspora marks 20 years with a show about Blackness and the cosmos

San Francisco's Museum of the African Diaspora (MoAD) has reopened its renovated ground-floor lobby to mark its 20th anniversary, alongside two new exhibitions. The larger show, "Unbound: Art, Blackness & the Universe" (on view until 16 August 2026), explores Blackness and the cosmos through painting, photography, sculpture, and installation. Curated by MoAD's first full-time curator Key Jo Lee, the exhibition features 17 artists including Torkwase Dyson, Barkley L. Hendricks, Lorna Simpson, Oasa DuVerney, and Mikael Owunna, organized under three themes: "Geo-Cartographic," "Religio-Mythic," and "Techno-Cyborgian." The $500,000 renovation also upgraded lighting and HVAC systems.

Nick Cave’s “Mammoth” Collection of Objects Is a Public Deep Dive Into Personal History

Nick Cave's immersive solo exhibition "Mammoth" is on view at the Smithsonian American Art Museum through January 3, 2027. The show features a vast, illuminated table covered with hundreds of everyday objects—faux fruits, bejeweled vegetables, wooden canes, glass fish, toy trucks, and leather slippers—arranged with deliberate purpose. Alongside these collected items, Cave has constructed mammoth hides and bones, and a video projection brings the ancient creatures to life. The exhibition draws deeply on Cave's personal history growing up in Missouri, with memories of his grandparents' farm and his family's traditions of making, quilting, and craftsmanship informing the assemblage.

The Big Review | The reopening and rehang of the Sainsbury Wing, National Gallery, London ★★★★★

The National Gallery in London has reopened its Sainsbury Wing after a renovation led by architect Annabelle Selldorf, designed to create a more welcoming entrance. The wing, originally designed by Robert Venturi and Denise Scott Brown in 1991, now features a transformed ground floor with double-height spaces, improved lighting, and a new piazza linking to Trafalgar Square. The reopening coincides with the gallery's bicentenary and a major collection rehang titled "C C Land: the Wonder of Art," sponsored by a Hong Kong property developer. Old favorites like the chapel-like space for Piero della Francesca's works are restored, and new commissions, including Richard Long's "Mud Sun," greet visitors.

This Exhibition Proves That Blackness Is as Vast and Limitless as the Universe Itself

The Museum of the African Diaspora (MoAD) in San Francisco has launched "Unbound: Art, Blackness, and the Universe," a major exhibition marking the institution's 20th anniversary. Spanning all three floors, the show features an international group of African diasporic artists whose work intersects with astrophysics, spirituality, and mythology. Organized into three thematic sections—Geo-Cartographic, Religio-Mythic, and Techno-Cyborgian—the exhibition showcases diverse media ranging from Mikael Owunna’s ultraviolet photography and Harmonia Rosales’s Yoruba-inspired paintings to David Alabo’s virtual reality installations.

May You Live in Interesting Times — The IFPDA Print Fair Asks, Do Bad Times Really Inspire Great Art?

The 2026 IFPDA Print Fair, featuring over 80 exhibitors at New York's Park Avenue Armory, explores the provocative theme of whether societal crises and 'bad times' inspire great art. The fair presents a historical survey of printmaking as a medium for dissent and therapy, showcasing works from Francisco Goya's anti-war etchings to Kara Walker's critiques of racial injustice, German Expressionist responses to post-WWI turmoil, and contemporary pieces addressing ongoing conflicts.

The 2026 Venice Biennale is light and conscious

Quella del 2026 è una Biennale di Venezia leggera e consapevole

The 2026 Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, has opened with a focus on ecology and humanity's relationship with nature. The central pavilion at the Giardini presents a festive, craft-heavy exhibition that emphasizes connections with plants and animals, while the Arsenale offers a more spacious, symphonic experience featuring standout works such as Alfredo Jaar's "End of the World" (2023-2024) and Kader Attia's "Whisper of Traces" (2026). National pavilions, including those of Austria, Denmark, France, Germany, and Spain, explore themes of the body, memory, and ruin with notable installations.

Artist Paul Rucker’s Klan Robes Expose America’s Racist Underbelly

Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.

Ruin and beauty loom 30 feet over museum visitors at new St. Louis Art Museum exhibition

The St. Louis Art Museum has opened "Anselm Kiefer: Becoming the Sea," the first American survey of the German-born artist's work in 20 years. The exhibition features five monumental 30-foot-tall paintings, including the 2024 work "Lumpeguin, Cigwe, Animiki," inspired by Kiefer's 1991 visit to St. Louis and his memories of the Mississippi River. Museum Director Min Jung Kim curated the show, which explores Kiefer's signature use of texture, sculpture techniques, and themes of ruin and resurrection.

Still We Rise: Art Behind the Walls Exhibit at Fort Frederik Museum

The Fort Frederik Museum in St. Croix has unveiled "Still We Rise: Art Behind the Walls," an exhibition showcasing original works created by incarcerated individuals at the John A. Bell Correctional Facility. The collection features a variety of media, most notably locally sourced calabash gourds that have been transformed into intricate cultural vessels. Developed through a volunteer-led art and literacy program, the show highlights the personal narratives and creative growth of participants who used the project as a vehicle for self-reflection.

New Exhibition Showcases Evolution of Virgin Islands Contemporary Art

The group exhibition "Virgin Islands Contemporary" is set to open at Salt of the Earth Tattoo in St. Thomas, featuring the work of ten local artists. Curated by Lucien Downes, the show highlights a diverse range of visual mediums that move beyond traditional Caribbean iconography like seascapes and historical narratives. The participating artists, including Brenda L. Cotto and Jon Euwema, explore themes of cultural evolution and identity through experimental materials and modern techniques.