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Elsa James’s exhibition in my home county, Essex, is a potent rejection of the erasure of history

Elsa James's exhibition "It Should Not Be Forgotten" at Firstsite in Colchester, UK, confronts Britain's role in the transatlantic slave trade through immersive installations. The show features a floor covered with larger-than-life photographs of the artist, recalling the diagram of enslaved Africans on the slave ship Brooks, accompanied by a cello soundscape by Kirke Gross. Other works give voice to enslaved women Phibbah and Molia, documented in the journals of their 18th-century owner Thomas Thistlewood, subverting historical narratives. The exhibition builds on James's earlier "Black Girl Essex" residency, which challenged the racist and sexist "Essex Girl" stereotype.

Still We Rise: Art Behind the Walls Exhibit at Fort Frederik Museum

The Fort Frederik Museum in St. Croix has unveiled "Still We Rise: Art Behind the Walls," an exhibition showcasing original works created by incarcerated individuals at the John A. Bell Correctional Facility. The collection features a variety of media, most notably locally sourced calabash gourds that have been transformed into intricate cultural vessels. Developed through a volunteer-led art and literacy program, the show highlights the personal narratives and creative growth of participants who used the project as a vehicle for self-reflection.