At the New Museum, Parallel Visions of Humanity’s Future Emerge

The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.

Picture gallery in transformation: recent gifts

MASP — Museu de Arte de São Paulo Assis Chateaubriand will present the exhibition "Picture gallery in transformation: recent gifts" starting May 15, as part of its Latin American histories series. The show features two sets of silkscreen prints recently added to the museum’s collection: 51 prints (2002–2007) by the Argentine collective Taller Popular de Serigrafía, which combined art and activism during the 2001 economic crisis, and the series "Ink and blood: 1968–2009" by Mexican artist Abraham Cruzvillegas, comprising 41 facsimiles of protest ephemera from Latin American social movements. The exhibition is curated by MASP artistic director Adriano Pedrosa, curator Regina Teixeira de Barros, and curatorial assistant Matheus de Andrade.

Amazonia Açu

Americas Society in New York will present 'Amazonia Açu,' an exhibition opening September 3, 2025, that offers a kaleidoscopic view of Amazonian aesthetic, cultural, and material diversity. Curated by Keyna Eleison and a committee of representatives from all nine Amazonian states—Bolivia, Brazil, Colombia, Ecuador, French Guiana, Guyana, Peru, Suriname, and Venezuela—the show features over 50 works by 34 local artists and collectives, addressing themes such as artistic production, land rights, cultural heritage, and spirituality.

Humans, Machines, and Possible Futures: The Last 100 Years at New Museum

HUMANS MACHINES AND POSSIBLE FUTURES THE LAST 100 YEARS AT NEW MUSEUM

The New Museum has launched "New Humans: Memories of the Future," a massive exhibition spanning its entire building and featuring over 200 international contributors. The show traces a century of artistic, scientific, and social evolution, pairing 20th-century masters like Constantin Brâncuși and Salvador Dalí with contemporary commissions from artists such as Hito Steyerl and Wangechi Mutu. By exploring themes of automated labor, artificial intelligence, and mechanized warfare, the exhibition frames the relationship between humanity and technology as a series of cyclical leaps and reversals rather than linear progress.

Form in the Age of Living Materials. Interview with Curator Pablo José Ramírez

LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ

The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.

Santiago Yahuarcani: The Beginning of Knowledge

SANTIAGO YAHUARCANI: EL PRINCIPIO DEL CONOCIMIENTO

The Museu de Arte de São Paulo (MASP) is hosting "El principio del conocimiento," the first solo exhibition in Brazil for Peruvian artist Santiago Yahuarcani. Curated by Amanda Carneiro, the show features approximately 35 paintings on llanchama (tree bark) that explore the Uitoto worldview. The exhibition is organized into five thematic sections that navigate the sensory experience of the Amazon, the spiritual significance of sacred plants like coca and tobacco, and the brutal historical memory of colonial extraction.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

WAYS OF REMEMBERING YAHUARCANI AND MUNOZ AT MASP

The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.

From a football feast to deceitful dolphins: three art exhibitions not to miss at the Manchester International Festival

The Manchester International Festival (MIF) returns with a new edition featuring three standout art exhibitions. At Aviva Studios, "Football City, Art United" pairs top footballers like Vivianne Miedema and Ella Toone with artists such as Suzanne Lacy and the collective Keiken to create 11 co-produced works exploring gender, ritual, and identity. At the Whitworth gallery, the first international solo show of Indigenous Uitoto artist Santiago Yahuarcani presents over 30 works on bark canvas, addressing ancestral cosmology and the legacy of colonial violence during the rubber boom.