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‘I can use it, I can abuse it’: Tony Albert spent decades collecting racist ‘Aboriginalia’. Now he wants to turn yours into art

Tony Albert, a 45-year-old artist of Girramay, Yidinji, and Kuku-Yalanji heritage, has spent decades collecting thousands of objects he terms 'Aboriginalia'—kitsch, caricatured, and often racist depictions of Aboriginal people created by non-Indigenous Australians. His solo exhibition 'Not a Souvenir' opens at the Museum of Contemporary Art (MCA) in Sydney on 21 May, showcasing over 3,000 items from his collection alongside transformed artworks. The MCA is inviting the public to donate additional Aboriginalia items to Albert's collection, which is housed in his Brisbane studio.

Bharti Kher Commissioned by Powerhouse Parramatta, Australia’s New Cultural Center Opening Later This Year

British-Indian sculptor Bharti Kher has been commissioned to create a monumental sculpture titled 'Tree of Life' for the entrance of Powerhouse Parramatta, a major new cultural center opening later this year in Parramatta, west of Sydney, Australia. The work, made of four stacked bronze and clay heads, is part of Kher's ongoing 'Intermediaries' series, which began in 2016 after she found a collection of broken clay figurines in her Delhi studio. The commission was reported by Art Asia Pacific, and Kher previously installed related public works in Central Park and at Harvard Business School.

25th Biennale of Sydney – Rememory

The 25th Biennale of Sydney, titled 'Rememory,' opened on March 14, 2026, across multiple venues including the Art Gallery of New South Wales, White Bay Power Station, and the Sydney Opera House. Artistic director Hoor Al Qasimi curated the event around the concept of 'rememory,' inspired by Toni Morrison's novel *Beloved*, featuring over 143 works by 83 artists and collectives from 37 countries. The biennale centers First Nations voices and diasporic communities, with standout pieces like the Ngurrara Artists' *Ngurrara Canvas II* (1997) and works by Yaritji Young. However, the event has faced controversy due to Al Qasimi's opposition to the war in Gaza, leading to criticism from donors and board members, as well as logistical disruptions from the Iran war affecting the curator and artists.

Adelaide’s Tarnanthi is going on tour

Tarnanthi, the Art Gallery of South Australia's annual exhibition of Aboriginal and Torres Strait Islander art, is launching a national tour titled 'Tarnanthi on Tour: Too Deadly' starting July. The touring exhibition features over 30 works from the past decade of the festival, many conceived for Tarnanthi and never seen outside Adelaide. It will visit six regional galleries across Queensland, New South Wales, Victoria, and Western Australia over the next two years, including Rockhampton Museum of Art, Maitland Regional Art Gallery, Ngununggula, Caboolture Art Gallery, Geelong Gallery, and Lawrence Wilson Art Gallery.

New Exhibitions Unveiled At Expanded Art Gallery

Newcastle Art Gallery in Australia has unveiled the first three exhibitions from its 2026 program, marking the first changeover since its major expansion reopened in February. The shows include "Multiverse," a survey of Torres Strait Islander artist Brian Robinson featuring over 30 new and rarely seen works, including his first immersive installation; a debut solo exhibition by Newcastle-based artist Tiyan Baker; and "The Mordant Family Gift," presenting 25 works donated by philanthropists Simon Mordant AO and Catriona Mordant AM from artists including Ian Abdulla, María Fernanda Cardoso, and Rafael Lozano-Hemmer.

A life beyond diagnostic labels: Recovering Art exhibition opened this week at Dax Centre, Melbourne

The Dax Centre in Melbourne, in partnership with SANE Australia, has opened "Recovering Art," an exhibition pairing historical works from the Cunningham Dax Collection—created by patients in Victorian psychiatric hospitals from the 1950s—with new contemporary pieces by artists Ruth Buchanan, John Young Zerunge, Abdul Abdullah, Jenna Lee, and Luke Willis Thompson. Curated by Andy Butler, the show includes landscape paintings by Rene Sutton, works by Graeme Doyle, Carla Krijt, and NEG, alongside new commissions that engage with themes of archive, classification, and institutional observation of lived experience.

From a waterfall cube to a field of mushrooms: Vivid Sydney 2026 – in pictures

Vivid Sydney 2026 has launched, transforming the city with bold light installations, projections, and digital art. The festival features a 6.5km light walk from Barangaroo to Darling Harbour, along with live music, panel discussions, and pop-up dining. Highlights include works like 'Vaiola' by Sāmoan/Australian artist Angela Tiatia, projected onto the Museum of Contemporary Art. The event runs until 13 June.

This First Nations artist wants your racist 'Aboriginalia' – video

Indigenous artist Tony Albert has issued a public call for Australians to donate their 'Aboriginalia'—objects that depict Aboriginal people and designs but were created by non-Indigenous people, often as caricatures or exoticized souvenirs. Over 3,000 items from Albert's own collection, including tea towels, ashtrays, and playing cards, are now on display in his solo exhibition 'Not a Souvenir' at the Museum of Contemporary Art (MCA) in Sydney, opening on 21 May.

Newcastle Art Gallery unveils three new exhibitions

Newcastle Art Gallery in New South Wales, Australia, will open three new exhibitions on May 23, 2026, following its major expansion and reopening in February. The shows include the largest solo exhibition to date by Torres Strait Islander artist Brian Robinson, titled "Multiverse"; the first institutional solo show by Tiyan Baker, "Mouth Mnemonica"; and "The Mordant Family Gift," featuring 25 works donated by philanthropists Simon Mordant AO and Catriona Mordant AM. The gallery has already attracted over 80,000 visitors, surpassing its previous annual record.

Phantasmagoria review: digital sorcery at the Henry Moore Institute

The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.

Bharti Kher Commissioned by Powerhouse Parramatta for Major Public Artwork

British Indian artist Bharti Kher has been commissioned by Powerhouse Parramatta to create a large-scale public artwork for the museum, which is set to open later this year in Parramatta, Western Sydney. Titled *Tree of Life*, the seven-meter-tall bronze sculpture features four stacked heads and incorporates clay fragments from figurines found in Indian secondhand markets, drawing on themes of ancestral memory, interconnectedness, and community.