At a Powerful Carnegie International, Solidarity Is a Means of Survival

The 2026 Carnegie International, titled “If the word we,” opened at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists from around the world. Curated by Ryan Inouye, Liz Park, and Danielle A. Jackson, the exhibition emphasizes collective survival and interdependence, with works including Khalil Rabah’s video about Palestinian resilience, Shala Miller’s abstraction inspired by Toni Morrison, and a performance by Brooke O’Harra and collaborators celebrating teamwork through a historic basketball dunk by Julius Erving. The show extends to three other venues, including the Mattress Factory, where married artists Claudia Martinez Garay and Artur Kameya present a sprawling installation.

Near death experiences, ‘crip memes’ and the tyranny of the DWP: the new exhibition powered by illness and disability

Flare Up, a group exhibition co-curated by Mariana Lemos and Natasha Hoare at CCA Goldsmiths in London, showcases art centered on illness, chronic conditions, disability, neurodivergence, and deafness. The show features works by artists including Benoît Piéron, Avril Corroon, Derek Jarman, Christine Sun Kim, Jesse Darling, and the collective Freestylers, exploring themes such as near-death experiences, crip memes, government bureaucracy, and the fluctuating nature of symptoms. Highlights include Piéron's bunting made from hospital sheets, Corroon's installation on poverty and health, and Jarman's 1992 painting Act Up.

The 61st Venice Biennale: 'artists who confront difficult realities in unusual ways' at Palazzo Grassi and the Punta della Dogana

Curators Emma Lavigne and Jean-Marie Gallais have organized exhibitions for the Pinault Collection at Palazzo Grassi and Punta della Dogana during the 61st Venice Biennale, featuring artists Lorna Simpson, Paulo Nazareth, Michael Armitage, and Amar Kanwar. The shows respond to global tensions, with Nazareth using salt to trace a ghost ship referencing the slave trade, and Simpson creating nocturnal paintings and collages from Ebony and Jet magazines that explore identity and history. The exhibitions are part of the Biennale's broader global outlook, engaging with Venice's mercantile past and contemporary migration routes.

At 90, Printmaker Mohammad Omer Khalil Gets His Due

Mohammad Omer Khalil, the 90-year-old Sudanese-born printmaker based in New York, is the subject of a multi-city retrospective titled "Common Ground." The anchor exhibition runs through May 31 at the Blackburn Study Center in Manhattan, with satellite events at venues including Twelve Gates Arts in Philadelphia, the Arab American National Museum in Michigan, the New York Public Library, and Anthology Film Archives. Curated by Amina Ahmed and Jenna Hamed, the show spans Khalil's entire career, from his first etching made in Florence in 1964 to large-scale works inspired by Bob Dylan songs, poetry by Adonis, and films such as "The Chalk Garden."

L.A. vs. N.Y. vs. UK punks and so much more at a sprawling new Skirball exhibit

The Skirball Cultural Center in Los Angeles opens a new exhibition titled "Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976-86," tracing the evolution of punk music and culture over a decade. Featuring nearly 400 original fliers, posters, photographs, clothing, and pins, the show highlights punk's spread from New York to the UK and then to the West Coast, with a special focus on Los Angeles' contributions and the often-overlooked role of Jewish musicians and icons. The exhibition opens as punk celebrates its 50th anniversary, with events like the Sex Pistols' upcoming tour.

Recommissioned Rebels

The exhibition "Monuments," co-organized by The Brick and the Museum of Contemporary Art, Los Angeles (MOCA), features ten former Confederate monuments removed from public spaces across the American South. Highlights include Kara Walker's reconfigured "Unmanned Drone" (formerly Charlottesville's Stonewall Jackson monument), Richmond's toppled Jefferson Davis statue, and a graffitied Matthew Fontaine Maury statue. Co-curator Hamza Walker explains the show began after the 2015 Charleston church shooting and gained urgency following George Floyd's murder in 2020, involving complex negotiations with city governments and stewards to secure the politically charged pieces.

The forgotten Chinese conceptualists: Melbourne show brings together works by New Measurement Group

An exhibition at Buxton Contemporary in Melbourne, titled "Poetry Goes No Further Than Language: a Historical Moment of Art Becoming Art Again," brings together the complete artistic output of the New Measurement Group, a pioneering Chinese conceptual art collective from Beijing, alongside four conceptual experiments by Shanghai-based artist Qian Weikang. Curated by Carol Yinghua Lu and artist Liu Ding, the show aims to reassess early Chinese conceptual art, featuring works by the New Measurement Group (Chen Shaoping, Gu Dexin, Wang Luyan), pieces from the New Wave art movement, and new commissions by Melbourne artist Darcey Bella Arnold. The curators faced challenges locating the group's five publications, including one purchased on eBay from Europe, and used re-enactment and re-fabrication to recreate lost works like Qian's "Ladder Poem" (1990).

The Biennale of Quiet Tones

Die Biennale der leisen Töne

The 61st Venice Biennale's main exhibition, titled "Gardens, Processions, Art as Expression of Lived Realities," places humanity at its center. Curators revealed minimal biographical details for the 111 participating artists, only noting the oldest (Marcel Duchamp, born 1887) and youngest (Mohammed Z Rahman, born 1997), signaling a deliberate shift away from individual fame toward collective experience.

Finding art in the uncanny aesthetics of MAGA

Spielzeug gallery, founded in 2025 in Bushwick by Evan Karas and Eleanor Hicks, opened a pop-up show titled MAR-A-LAGO FACE on May 13 at a former restaurant on Allen Street in New York. The exhibition critiques the plastic-surgery aesthetics associated with Republican figures like Matt Gaetz, Laura Loomer, Kimberly Guilfoyle, and Kristi Noem, featuring works by queer, trans, and Latin American artists. The opening blurred the line between exhibition and party, with a DJ, themed drinks, and a bouncer checking bags.

WHO ARE THE CURATORS THAT WILL LEAD THE NEXT BIENAL DE SAO PAULO

The Fundação Bienal de São Paulo has appointed Amanda Carneiro and Raphael Fonseca as chief curators for the 37th Bienal de São Paulo, scheduled for 2027 at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park. Carneiro, a curator at MASP since 2018 and an artistic organizer for the 2024 Venice Biennale, and Fonseca, a visual arts curator at Culturgest and curator-at-large at the Denver Art Museum, will lead the largest visual arts event in Latin America.

Annonce de chercheurs : Exposition Maurice Utrillo, de Montmartre à Angoulême

The Musée d'Angoulême will host the exhibition "De Montmartre à Angoulême, Maurice Utrillo intime…" from April to September 2027, focusing on the artist's lesser-known years in the Charente region. Curators Pamela de Montleau and Philippe Cassereau are seeking archives, correspondence, photographs, testimonies, and paintings to illuminate Utrillo's two-year stay in Angoulême (1935–1937), where he married painter and writer Lucie Valore. The show will also feature works by his painter friends, including Maurice de Vlaminck, Alphonse Quizet, and others.

Theme and title announced for Wang Shu and Lu Wenyu’s 2027 Venice Architecture Biennale

Wang Shu and Lu Wenyu have announced the theme and title for the 2027 Venice Architecture Biennale: "Do Architecture – For the Possibility of Coexistence Facing a Real Reality." The curators posed a series of questions addressing global climate change, the coexistence of land and architecture, natural materials versus modern construction, and urban-rural development conflicts. They emphasized that architecture is not just theoretical but must be practiced firsthand, confronting real reality through real construction. The duo, founders of Amateur Architecture Studio, have a long history with the Biennale, having participated in 2006 and 2010, where they received a Special Mention for their project 'Decay of a Dome.' The twentieth edition of the Architecture Biennale opens in May 2027.

‘Into Other Spaces' to reexamine trailblazing women artists across decades

The Leeum Museum of Art in Seoul is hosting 'Inside Other Spaces: Environments by Women Artists, 1956-1976,' an exhibition that reconstructs immersive room-scale works by 11 women artists from underrepresented regions. Co-curated by Andrea Lissoni and Marina Pugliese, the show traces two decades of experimental environments made from light, sound, plastic, and foam, which anticipated installation and media art. The Seoul edition features a new version of Jung Kang-ja's 1967 work 'Muche-jeon (Incorporal Exhibition),' a smoke-filled chamber that evokes the tension of 1970s authoritarian Korea.

Five-Minute Tours: "Blank" at the Grackle Art Gallery, Fort Worth

The Grackle Art Gallery in Fort Worth, Texas, is hosting "Blank," a group exhibition curated by the artist duo Kickpigeon Kids (Cosmo Jones and Max Marshall) from May 2–30, 2026. The show features works by twelve artists including Amber Zora & Lee Strubinger, Carmen Menza, and Elizabeth Sciore-Jones, who were asked to submit artwork alongside an object representing "blankness" as a metaphor for possibility. The curators transform the exhibition into a collaborative installation, blending the artists' pieces with their chosen objects and ephemera.

“KRANKIE II: Middle of the Food Chain” Exhibition at 81C in St. Thomas

81C in St. Thomas, Virgin Islands, is presenting "Krankie II: Middle of the Food Chain," an immersive contemporary art exhibition by collaborative duo Emily Braswell (strawberriemilk) and Jenna Rees (warmmilkwithsugar). Opening on May 15, 2026, the show features painting, video, sculpture, and installation that construct a cinematic, psychologically charged world centered on a fictional 1980s movie star, offering absurdist commentary on fame in the pre-internet era versus today. The exhibition is a dual-location activation, also including a component at the XIIID Research and Strategy Innovation Center at the University of the Virgin Islands, with a free opening reception featuring DJ Carbar.