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Gagosian to Open New Upper East Side Gallery with a Duchamp Show, a Rarity in a Commercial Setting

Gagosian is set to inaugurate a new ground-floor gallery space at 980 Madison Avenue on Manhattan’s Upper East Side with a major exhibition of Marcel Duchamp opening April 25. The show features rare replicas of the artist’s most famous readymades, including the 1964 versions of 'Fountain' and 'Bicycle Wheel,' the latter of which is noted as the only version not currently held by a museum. The exhibition returns Duchamp to the same building where he showed with Cordier & Ekstrom Gallery in 1965 and coincides with a major retrospective at the Museum of Modern Art.

victoria dugger freak flag

Artist Victoria Dugger has launched her third solo exhibition, "Freak Flags," at Sargent’s Daughters in New York. The show features six mixed-media works that reimagine the American flag through a maximalist, Southern Gothic lens, utilizing materials like gingham, glitter, nipple tassels, and barbed wire. Drawing inspiration from Jasper Johns’s iconic flag paintings, Dugger’s versions replace traditional colors with hot pinks and bright greens, with several displayed upside down to signal national distress.

larry gagosian jasper johns interview

Larry Gagosian has opened a major exhibition of Jasper Johns's crosshatch paintings from 1973 to 1983 at his Upper East Side gallery in New York. In a forthcoming Gagosian Quarterly interview, Gagosian explains his motivation simply: he wanted to look at the works. The show features key pieces including all six versions of "Between the Clock and the Bed" (1981), borrowed from top-tier collectors and museums such as the Museum of Modern Art, the Virginia Museum of Fine Arts, and the National Gallery of Art. Gagosian recounts first encountering the crosshatch paintings in 1976 at Leo Castelli's gallery, before he had met Johns, through his connections with Merce Cunningham and John Cage.

kerry james marshall royal academy exhibition new paintings

Kerry James Marshall, a leading American painter, has debuted a new series of paintings as part of his survey exhibition at the Royal Academy of Arts in London. The works, featured in a section titled “Africa Revisited,” examine the involvement of Africans in the transatlantic slave trade, a topic Marshall says is often ignored because it complicates simplistic narratives of good versus evil. One painting, *Abduction of Olaudah and His Sister* (2023), depicts the kidnapping of 18th-century writer Olaudah Equiano, while three others—*Outbound*, *Haul*, and *Cove* (all 2025)—show Black figures actively participating in the slave trade. Marshall’s earlier Middle Passage works from the 1990s are also on view.

gavin turk ben brown fine arts

British artist Gavin Turk is set to debut a new body of work at Ben Brown Fine Arts in London for his sixth solo exhibition with the gallery, titled "The Escapologist." The exhibition features a series of trompe l’oeil paintings depicting partially open doors set within frames, hung low to create a sculptural, illusionistic effect. Drawing on art historical references ranging from Gerhard Richter’s modernist doors to René Magritte’s surrealist metaphors, the works explore the door as a symbol of the threshold and the psychological tension between anticipation and absence.

john chamberlain foil sculptures rockefeller center

Three large-scale aluminum foil sculptures by John Chamberlain have been installed at Rockefeller Center in New York City, marking their first U.S. appearance. The works—BALMYWISECRACK (2011), FIDDLERSFORTUNE (2010), and RITZFROLIC (2008)—were scaled up from Chamberlain's original palm-sized foil sculptures with the help of fabricator Ernest Mourmans, whose workshop solved the structural challenges of recreating foil's texture in monumental form. The installation is presented by Mnuchin Gallery and coincides with a mini Chamberlain festival at Rockefeller Center this spring, with Christie's also exhibiting related works.

10 Art Shows to See in Los Angeles This April

April in Los Angeles features a diverse array of art exhibitions, from major institutional retrospectives to politically charged group shows. Highlights include a 60-year retrospective of the influential printmaking studio Gemini G.E.L. at its own space, a survey of the Grunwald Center at the Hammer Museum, and shows celebrating LA performance art icons Bob & Bob and Rachel Rosenthal. The month also sees a newly discovered collection of matchbook miniatures by Joe Brainard and Dave Muller's work on social connection at ArtCenter.

How JR Transformed Paris’s Oldest Bridge Into a Massive Grotto

French artist JR has transformed Paris's Pont Neuf, the city's oldest bridge, into a massive inflatable grotto titled *La Caverne du Pont Neuf* (2026). The installation measures 120 meters long, 20 meters wide, and up to 18 meters tall, and will be open to the public from June 6 to June 28. It incorporates sound design by Thomas Bangalter of Daft Punk, augmented reality via Snap Inc., and a Bloomberg Connect guide. Over 800 people helped realize the project, which was fabricated from 18,900 square meters of fabric and 20,000 cubic meters of pressurized air by French firm Air Toiles Concept. The work concludes a five-year series of large-scale trompe l'oeil pieces by JR and pays homage to Christo and Jeanne-Claude's *The Pont Neuf Wrapped, Paris* (1975–85), with the blessing of their foundation.

A tale of two Annas: Van Gogh’s favourite Whistler painting stars in Tate Britain show

Tate Britain will open a major exhibition titled *James McNeill Whistler* on 21 May, running through 27 September, before traveling to the Van Gogh Museum in Amsterdam (16 October–10 January 2027) under the subtitle *Dandy and Disrupter*. The show’s centerpiece is Whistler’s iconic *Arrangement in Grey and Black no. 1* (commonly known as *Portrait of the Painter's Mother*), on loan from the Musée d’Orsay in Paris and displayed in its original frame designed by the artist. The article explores Vincent van Gogh’s admiration for the painting—he wrote to his sister Wil in 1889 that it reminded him of their own mother—and traces the work’s connections to the Goupil gallery (later Boussod & Valadon), where both Vincent and his brother Theo worked.

Backflips, boulders and dancing dogs: the images that shaped art photography – in pictures

A new exhibition at the Princeton University Art Museum, titled "Photography as a Way of Life," celebrates the photographers who helped establish art photography as a serious movement from the 1940s to the 1970s. The show features works by Minor White, Aaron Siskind, Harry Callahan, and others, including images by Ming Smith, Donna-Lee Phillips, and Walter Chappell. The exhibition runs until September 7 and highlights how these educators and artists transformed photography's role in both the art world and higher education.

Lost ‘cloud’ of artist who wrapped the Reichstag to be created in UK gallery

Six years after Christo's death, Gagosian London will realize a monumental installation he designed in 1968 titled "Air Package on a Ceiling," originally conceived for the Institute of Contemporary Art in Philadelphia but never built due to technical constraints. The plans and a detailed scale model were discovered by studio manager Lorenza Giovanelli in 2018, hidden inside a hollow plinth in Christo's studio. The work, a vast internally illuminated suspended form resembling a cloud, will fill a 16-meter-long, 10-meter-wide space at Gagosian London, descending just above head height, in collaboration with the Christo and Jeanne-Claude Foundation.

Paul McCarthy: ‘The world is now an extreme absurdity. The work is a reaction to that’

Paul McCarthy, the 80-year-old American artist known for his transgressive critiques of consumer culture, has opened a new exhibition titled "SS EE Saint Santa Eva Elf" at Hauser & Wirth in Paris. The show features large-scale drawings and a six-channel video installation created during filmed performances with his long-term collaborator, German actress Lilith Stangenberg, who plays the Elf. McCarthy revisits his iconic Santa Claus motif, portraying him as a dark, psychotic figure—the "god of capitalism and consumption." The exhibition also includes earlier drawings made with Stangenberg at Bowman Hal gallery in Madrid. The interview reveals that McCarthy's home and studios in Los Angeles were destroyed by wildfires, resulting in the loss of art, drawings, notebooks, and books, and the cancellation of a planned London show.

The Women Defining Printmaking at the 2026 IFPDA Print Fair

The 2026 IFPDA Print Fair opened at New York’s Park Avenue Armory, placing a significant spotlight on the contributions of women artists to the medium. High-profile offerings include a new release by Laura Owens from Crown Point Press, Louise Bourgeois’s "Spirals" woodcut series presented by Carolina Nitsch, and large-scale sculptural works by Joan Hall and Orit Hofshi. The fair demonstrates the technical breadth of modern printmaking, ranging from traditional woodcuts to unique, hand-embellished compositions and experimental collaborations between artists and master printers.

Process Is the Point at IFPDA Print Fair

The International Fine Prints and Drawings Association (IFPDA) Print Fair returned to New York’s Park Avenue Armory, featuring 80 global galleries, publishers, and print studios. The event showcased a diverse range of works, from 19th-century Japanese ukiyo-e masterworks by Hokusai to contemporary pieces by artists such as Kiki Smith, Julie Mehretu, and David Hockney. Notable highlights included Kiki Smith’s massive 12-foot watercolor "Wooden Moon" and Paula Rego’s influential abortion etchings, which were recently acquired by the Metropolitan Museum of Art.

ruckus manhattan red grooms and mimi gross

In 1975, artists Red Grooms and Mimi Gross created "Ruckus Manhattan," a monumental multimedia recreation of New York City landmarks from Lower Manhattan to Times Square, built in a vacant lobby at 88 Pine Street with a team of 20 to 30 artists called the Ruckus Construction Co. Half a century later, the Brooklyn Museum is exhibiting excerpts from the project, and for the first time properly credits Gross as co-creator, correcting decades of obscuring her role when the work was shown at Marlborough Gallery, which represented only Grooms.

the clock christian marclay

Artist Christian Marclay is interviewed at Berlin's Neue Nationalgalerie ahead of his exhibition "The Clock," a 24-hour single-channel video installation that runs through January 25, 2026. The artwork is a meticulously edited collage of film clips, each showing a timepiece or time-related action, synchronized in real-time so that the film's time matches the viewer's actual time. Marclay discusses his long-standing interest in time, the project's origins in the early 2000s, and his process of deconstructing and linking found footage, emphasizing the crucial role of sound in smoothing transitions.

joan miro constellations 3 things to know

Spanish Surrealist Joan Miró created the "Constellations" series of 23 paintings on paper between January 1940 and September 1941, during the turmoil of the Spanish Civil War and World War II. Fleeing to Normandy and later Palma de Mallorca, Miró used oil and tempera on small sheets, producing joyful, abstract works filled with floating forms reminiscent of music and the cosmos. The series was shipped to New York in 1944 and exhibited in 1945 at Pierre Matisse's gallery, where it captivated exiled European artists and may have influenced Jackson Pollock's all-over drip painting style.

sylvia snowdens m street paintings command space at white cube new york

Sylvia Snowden's exhibition "On the Verge" at White Cube New York showcases her "M Street" series of paintings, created between 1978 and 1997. The works feature thick, impasto surfaces and muscular, whiplashed figures that emerge from oil pastel and acrylic, depicting anatomical crises rather than symbolic or allegorical subjects. The show was organized by Sukanya Rajaratnam, who conserved and restored the paintings from Snowden's archive in Washington, D.C.

christopher kulendran thomas moma gagosian new museum

Christopher Kulendran Thomas, an artist who has been building his own neural networks for over a decade, is showing new paintings and a video installation at Gagosian's Upper East Side location, with concurrent exhibitions at the Museum of Modern Art and upcoming at the New Museum. His series 'Peace Core' uses AI trained on Sri Lankan painters to generate compositions that are hand-painted onto canvas, depicting Mullivaikkal beach—the site of a 2009 massacre of Tamil civilians during the Sri Lankan civil war. The Gagosian show also features a 24-screen video installation that algorithmically remixes American TV footage from the morning of September 11, 2001, before the attacks became visible.

jordan wolfson little room

Jordan Wolfson's latest virtual reality artwork, *Little Room* (2025), debuted at the Fondation Beyeler in Basel during Art Basel. The piece requires participants to undergo a full-body scan using 96 cameras, creating a detailed 3D model that is uploaded into a VR environment. Once inside, pairs of participants find they have swapped bodies, experiencing a disorienting and intimate encounter where they watch their own body being controlled by another person. The work involves a lengthy, ritualistic queue and a twelve-minute VR session that explores themes of identity, voyeurism, and technological mediation.

jordan wolfson little rooms basel fondation beyeler review

Jordan Wolfson's new virtual reality artwork "Little Room" at the Fondation Beyeler in Basel, Switzerland, immerses participants in a multi-stage experience that begins with a full-body scan and proceeds to a VR encounter designed to be "morally and emotionally challenging." The piece combines elements from Wolfson's earlier puppet-based works with his notorious VR piece "Real Violence" (2017), which sparked controversy at the Whitney Biennial for depicting a brutal beating. Participants are paired, scanned, and guided through the experience by assistants, with early reactions suggesting the work provokes strong emotional responses.

ibrahim mahamas stunning textile installation blankets the barbican in london

Ghanaian artist Ibrahim Mahama has transformed the lakeside terrace of London's Barbican Centre with a monumental textile installation titled "Purple Hibiscus" (2023-24). The work, measuring 6,560 square feet, is made from handcrafted pink and purple fabric adorned with approximately 130 traditional ceremonial robes called batakaris, sourced from communities in Tamale, Ghana. Mahama collaborated with a network of local women weavers and employed around 1,000 workers to produce the piece over seven months, using Tamale's Alui Mahama sports stadium as a workspace. The installation is part of the Barbican's exhibition "Unravel: The Power and Politics of Textiles in Art."

claudia alarcon silat weaving venice biennale james cohan

Claudia Alarcón, a Wichí artist from Argentina, learned the traditional yica stitch from her mother and grandmother at age 12. Her weavings, created in collaboration with the all-female collective Silät, were a standout at the 2024 Venice Biennale, earning critical praise from Barry Schwabsky in The Nation. The works are now featured in a solo show at James Cohan Gallery in New York, as well as in Brazil’s Bienal do Mercosul, and will travel to the De La Warr Pavilion in England, the Museo de Arte de São Paulo, and the Guggenheim Bilbao.

james francos terrible nude paintings of seth rogen get gallery show updated

James Franco has created a series of nude paintings of his friend and fellow actor Seth Rogen, based on a 2011 book of fan art by Christopher Schulz. The works, rendered in acrylic over graphite illustrations, include sexually provocative phrases and are slated for exhibition at OHWOW gallery in Los Angeles, despite earlier confusion about a show at Pace Gallery. The paintings have drawn criticism online for alleged homophobia and plagiarism, adding to Franco's recent legal troubles.

In Pictures: New Museum curator Gary Carrion-Murayari’s Frieze favourites

New Museum curator Gary Carrion-Murayari shares his personal highlights from the Frieze New York art fair, selecting works by artists including Arthur Simms, Haegue Yang, Abel Rodriguez and Aycoobo-Wilson Rodríguez, Sung Tieu, Maryam Hoseini, Pedro Neves, and Melvin Way. Each pick is accompanied by a brief commentary explaining why the work resonates with him, ranging from underappreciated talents to artists featured in the 2024 Venice Biennale.

‘I paint the kind of people I’m attracted to’: Hernan Bas on hiding from the world in Venice

Cuban-American artist Hernan Bas has been living in Venice, painting tourists while reflecting on the ironies of mass tourism and his own status as a visitor. His new series, titled "The Visitors," comprises 30 paintings that will be exhibited at Ca' Pesaro, Venice's modern art museum, alongside the Venice Biennale. The works range from bleak to satirical, depicting young white men in tourist scenarios—such as a grinning youth at Holi in India or another cradling a koala—and explore themes of alienation, innocence, and the uncanny. Bas, who is gay, acknowledges that his subjects are often the kind of people he is attracted to, and he emphasizes narrative as central to his practice, aiming to be a conceptual artist who happens to paint.

Zurbarán in London, the Carnegie International, Walter Sickert’s Ennui—podcast

This episode of The Art Newspaper's podcast covers three major art events opening this weekend. The largest career survey of 17th-century Spanish master Francisco de Zurbarán since the 1980s opens at the National Gallery in London, co-curated by Francesca Whitlum-Cooper. The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art and other venues in Pittsburgh, directed by Eric Crosby. The Work of the Week is Walter Sickert's "Ennui" (c.1914), featured in the exhibition "Walter Sickert: Working Notes" at Charleston in Lewes, curated by Robert Travers of Piano Nobile in partnership with Charleston.

'It’s like the natural world. Nothing lasts forever': Tadashi Kawamata on creating his temporary sculptures

Japanese artist Tadashi Kawamata created a temporary wooden vortex sculpture titled "Tornado" inside the Palais de Tokyo in Paris, made from 5,000 individual pieces of wood and installed on the grand staircase for just two weeks in February. The work was commissioned by Ruinart as part of its "Conversations with Nature" series, which presents a piece in Paris before permanently installing it at the champagne house's headquarters in Reims. Kawamata, who has lived in Paris for 18 years, is known for using found materials and creating site-specific, temporary interventions on or inside architecture, emphasizing spontaneity and impermanence.

Chernobyl 40 years on, Paula Rego at Munch in Oslo, Gluck’s flower painting—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three distinct exhibitions. Host Ben Luke discusses the 40th anniversary of the Chernobyl nuclear disaster with organizer Olha Kovalevska, whose exhibition at Nikolaikirche in Potsdam runs until 27 April. He also explores a new show at Munch in Oslo, 'Paula Rego: Dance Among Thorns', with curator Kari J. Brandtzæg, focusing on Rego's engagement with Edvard Munch. Finally, the episode features 'Convolvulus' (1940) by Gluck as the Work of the Week, part of the group exhibition 'Handpicked: Painting Flowers from 1900 to Today' at Kettle's Yard in Cambridge, discussed with co-curator Naomi Polonsky.

‘This scene is alive’: Abidjan art week showcases city as growing cultural hub

The third edition of Abidjan Art Week recently concluded in Côte d’Ivoire, featuring extended gallery hours, bus tours, and exhibitions across diverse neighborhoods from the administrative Plateau district to the working-class area of Abobo. The event saw a significant expansion this year, with the number of participating galleries more than doubling and featuring artists from across the continent, including Cameroon, Mali, and the Democratic Republic of the Congo.