In Venice, the Monumental Farewell of Georg Baselitz at the Cini Foundation

À Venise, l’adieu monumental de Georg Baselitz à la fondation Cini

The Fondazione Giorgio Cini on Venice's San Giorgio Maggiore island has opened "Georg Baselitz. Eroi d'Oro," an exhibition of the late German artist's final works, just one week after his death in 2026. The show, presented alongside the Venice Biennale, features monumental self-portraits and portraits of his wife Elke, painted over gold-leaf backgrounds. Created in the last two years of his life, these works represent Baselitz's ultimate creative gesture, synthesizing six decades of experimentation with his signature inverted figures and expressionist color, supported by Galerie Thaddaeus Ropac.

In Performance Series, Artists Tackle the Nature of Images, and Reality, in the Face of AI

At Giorno Poetry Systems (GPS) in New York, a three-day program titled “Exert: The Physics of Metaphysics” featured performances and readings by artists including Mark Leckey, Hari Kunzru, and Gideon Jacobs. The works explored how emerging technologies like AI, VR, and AR are reshaping perceptions of reality and simulation, with Kunzru reading from a novel-in-progress about a man navigating a world where simulation encroaches on everyday life, and Jacobs presenting a performance lecture blending theater, essay, and AI-generated video.

Arghavan Khosravi Breaks Through Gendered Restrictions in Her Architectural Portraits

Arghavan Khosravi's solo exhibition "What Remains" opens today at Uffner & Liu in New York, presenting a new body of sculptural paintings that fuse Persian architecture with Christian altarpieces. The works explore women's fight for equality under censorship and religious dogma in Iran, featuring figures restricted by domestic objects, hinged shutters, and suspended cords, with fragments of limbs or faces visible. Key pieces include "Suspended" (2026), "Bearing" (2026), and "The Whisper" (2026), running through July 2.

Artists turn to textiles as they excavate history at Nada New York

At the New Art Dealers Alliance (Nada) New York fair, running until 17 May, multiple artists are presenting works that heavily incorporate textiles to explore themes of culture, belonging, and history. Artists such as Keith Lafuente (with SoMad), Polina Osipova (with JO-HS), and Griselda Rosas (with Luis De Jesus Los Angeles) use fabric and sewing techniques to examine histories of inequality, migration, and labor. Rosas embroiders over painted paper using imagery from Mexican codices, Osipova prints family photos onto traditional Chuvash fabric, and Lafuente repurposes scraps from Oscar de la Renta to comment on global labor inequalities. Other participants like Ruth Owens (with Voltz Clarke Gallery) use textiles in lightbox works to tell personal stories of migration and abduction.

Le vedute veneziane di Francesco Guardi tornano in laguna da un museo di Lisbona

Ca' Rezzonico, the Museum of 18th-Century Venice, has opened its exhibition season with a selection of ten paintings by Francesco Guardi (1712–1793) on loan from the Calouste Gulbenkian Museum in Lisbon. The works, dated between 1770 and 1790, include iconic Venetian views such as the Festa della Sensa in Piazza San Marco and the Regata sul Canal Grande, showcasing Guardi's distinctive loose brushwork and atmospheric perspective. The exhibition also features drawings from civic collections, including Il Gran Teatro La Fenice and two watercolored sheets depicting Le nozze del duca di Polignac.

Marat Guelman and the group + - Komma: First of all, it’s beautiful

Marat Guelman's exhibition at Ethan Cohen Gallery in New York (April 23–May 30, 2026) features AI-generated monoprints created in collaboration with the Montenegrin digital art group + - Komma. None of the works were painted by Guelman himself; instead, he programmed AI outputs based on historical models by artists like Picasso, Gauguin, Monet, Warhol, Lichtenstein, Turner, Matisse, and Richter. Every piece in the show incorporates an image of an atomic mushroom cloud, a motif Guelman uses to respond to Vladimir Putin's nuclear threats during the Ukraine war.

Senior Art Exhibition 2026 Showcases the ‘Incredible Crossroads’ of Studio Art Majors

The Senior Art Exhibition 2026 at Colby College Museum of Art's Joan Dignam Schmaltz Gallery of Art in Waterville showcases capstone projects from 17 graduating studio art majors. The works span painting, photography, printmaking, digital media, and sculpture, created after a yearlong capstone course coordinated by Associate Professor Bradley Borthwick. The exhibition runs through May 23 and includes a catalog with artist statements and critical essays.

Guillaume Dénervaud at PAGE (NYC) and Dracula's Revenge, New York

Guillaume Dénervaud presents a two-venue exhibition titled "Demeter" at PAGE (NYC) and Dracula's Revenge in New York, running from April 24 to May 30, 2026. The show includes a press release, checklist, poster, and 17 images documenting the works on view, with images courtesy of Page (NYC).

Blood-Red Landscapes by Andrew McIntosh Conjure the Terrifying Unknown

Scottish artist Andrew McIntosh presents a new series of crimson-hued landscape paintings in his solo exhibition "I Hope This Transmission Finds You Soon" at School Gallery in Folkestone, U.K. The works, including pieces titled "Whitney," "K2," "Gasherbrum," and "Matterhorn" (all 2026), transform familiar mountain forms into eerie, otherworldly scenes with glowing orbs and uncanny light, drawing inspiration from Cormac McCarthy's novel "Blood Meridian." The exhibition runs through May 30.

New art exhibition to open this summer as part of Glasgow International 2026

A new two-person exhibition titled "Painting, our mutual friend" will open at Glasgow Print Studio on June 4, 2026, as part of Glasgow International 2026. Featuring artists Lorna Robertson and Andrew Cranston, who are life partners, the show runs through August 1 and includes etchings, monoprints, watercolours, and oil paintings that explore their individual and shared experiences. The works were developed through experimental residencies at the studio between 2025 and 2026.

75 Years of Making Art in Ardsley

The Ardsley Art Commission is presenting a unique exhibition featuring the works of mother-and-son artists Valda Hancock Wagner and Rich Wagner, spanning 75 years of artistic creation. The show includes oil and acrylic paintings, watercolors, drawings, etchings, and wood block prints, ranging from traditional realism to abstraction. Valda studied with notable artists such as Reginald Marsh, Robert Rauschenberg, and Robert Beverly Hale, and later taught art in inner-city New York. Rich studied at the Art Students League, the Royal Academy of Arts, and the Royal Drawing School, and has participated in over 80 exhibitions. The exhibition is on view at Ardsley Village Hall through October 1.

Artist Murari Jha sculpts memory and home in his New Delhi exhibition

Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.

New Exhibition Explores Albuquerque’s “Big I” as a Crossroads of Culture, Memory, and Movement

A new group exhibition titled 'At the East of My Past and the West of My Future' opens at the South Broadway Cultural Center Gallery in Albuquerque, running from May 28 to July 17. Curated by multidisciplinary artist Watermelon7, the show features 14 artists who reinterpret the city's iconic Big I interchange as a symbol of movement, identity, and transformation. Inspired by Jack Kerouac's 'On the Road' and Route 66, the works explore personal and collective journeys through paintings, mixed-media pieces, and installations.

Animated Bodies

Animierte Körper

Latefa Wiersch presents her exhibition "Atlas Studios" at the Istituto Svizzero in Rome, featuring unsettling, puppet-like sculptures that resemble film sets. The works explore themes of bodily helplessness, imperfection, and geopolitical displacement, drawing on her earlier project "Hannibal" at the Dortmunder Kunstverein, which addressed post-migrant German realities and the demolition of a housing complex. The new installation references the Atlas Studios in Ouarzazate, Morocco, and the history of cinema, with figures made from rags and nylon stockings that appear as actors or set workers.

Chandra Bhattacharjee magnifies lives pushed to the margins in his latest Kolkata showcase

Artist Chandra Bhattacharjee presents a new body of work titled "A Star Amongst Too Many" at the Sarala Birla gallery within the Birla Academy of Art and Culture in Kolkata. Curated by Uma Ray, the exhibition features large-scale charcoal drawings that depict marginalized figures such as ragpickers, trash collectors, beggars, and street vendors. The works use black-and-white charcoal with occasional bursts of yellow and rust—the latter symbolizing neglect—to highlight the overlooked lives of these individuals. The show runs until May 24, 2026.

Writer-artist Nia Zera's work draws parallels between Africa countries and Dravidian communities

Writer-artist Nia Zera recently opened her exhibition "Cobalt Blue" in Chennai, featuring 31 paintings on shaped wooden panels that draw parallels between Dravidian communities in south India and African cultures. The works explore shared histories of resource wealth and colonial exploitation, inspired by Karen Blixen's 'Out of Africa' and Zera's own upbringing near the Muthuvan Kudi community in Munnar, Kerala. The exhibition took one year and one month to complete, using a predominantly blue palette referencing cobalt and blue-green algae from Africa.

National Art Museum presents vibrant exhibition within World Urban Forum [PHOTOS]

The Azerbaijan National Art Museum has opened an exhibition titled 'Chronicle of the City of Winds: Baku in the Works of Artists from the 19th to 21st Centuries,' organized jointly by the Azerbaijan Culture Ministry and the museum. Featuring over 80 works of painting, graphic art, and sculpture, the show traces Baku's historical, architectural, and cultural evolution from the 19th century to the present day. It includes pieces from the museum's collection alongside contemporary works, and is part of the 13th session of the World Urban Forum (WUF13), held within the Year of Urban Planning and Architecture in Azerbaijan. The opening ceremony featured speeches by Deputy Culture Minister Saadat Yusifova, museum director Shirin Malikova, and People's Artist Salhab Mammadov, as well as a musical performance by Honored Artist Nargiz Karimova and Zumrud Alizade.

Fei Tian College MFA Graduation Exhibition Blends Technical Excellence With Human Stories

Fei Tian College in Middletown, New York, opened its 2026 Fine Arts Exhibition on May 11, showcasing oil paintings and graphic design works by undergraduate and graduate students. The week-long show serves as the MFA in Oil Painting graduation showcase, featuring works that blend traditional techniques with personal themes such as innocence, spirituality, courage, compassion, and humanity. Faculty members curated the layout, but each graduate artist developed their own vision over a year-long creative process, with many spending at least a year on a single painting from concept to completion.