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Julie Mehretu and John Jasperse Find Common Ground

Julie Mehretu, the celebrated abstract painter, and John Jasperse, a noted choreographer, are collaborating on a joint project at Marian Goodman Gallery in New York. The article explores how the two artists are working together to merge visual art and dance, asking how they can bring something productive to each other’s creative practices.

Yoo Young-kuk’s inner landscapes spotlighted in Seoul retrospective

The Seoul Museum of Art (SeMA) has opened its largest-ever retrospective of pioneering Korean abstract painter Yoo Young-kuk, titled "Yoo Youngkuk: A Mountain Within Me," marking the 110th anniversary of his birth. Running through Oct. 25 at SeMA's Seosomun branch, the exhibition brings together 178 works, including 115 oil paintings, drawings, photographs, archival materials, and previously unseen pieces, as well as BTS RM's collection "Mountain." Rather than a chronological format, the show begins in 1964—the year of Yoo's first solo exhibition—and moves backward and forward through time, highlighting his geometric compositions and bold primary colors inspired by the mountains and sea of his hometown Uljin.

Mark Seidenfeld Sets Sail Into “Uncharted Waters” With New Art Exhibition

Hamptons-based abstract painter Mark Seidenfeld presents *Uncharted Waters*, a solo exhibition of paintings inaugurating the newly renovated Corwith Homestead Tractor Barn at the Bridgehampton Museum. The show runs from June 4 through June 21, 2026, and features works that transition from representational to fully abstract, exploring themes of depth, gesture, and the unknown through layered, revised compositions.

Carbondale Arts Gallery exhibition “Kindred Spirits” closes after month of portraying artistic friendship

The two-person exhibition “Kindred Spirits” at Carbondale Arts Gallery closed on May 21 after a month-long run, featuring ceramic artist Christine Anderson and abstract painter Benjamin Strawn. The artists, who have been friends since meeting as students at the University of Denver over 40 years ago, displayed their work together for the first time in a joint show, with Anderson’s ceramic sculptures occupying the center of the gallery and Strawn’s abstract paintings lining the walls.