Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever

Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever

A major retrospective of Colombian artist Beatriz González, "Beatriz González: A Retrospective," is touring internationally, with recent stops at the Pérez Art Museum Miami and the Museo de Arte Miguel Urrutia in Bogotá. The exhibition, the largest of her 60-year career, showcases over 150 works, including her iconic paintings that appropriate and rework images from art history and mass media to critique political violence, social inequality, and cultural memory in Colombia.

‘It smells like my ranch!’ Diva of dirt Delcy Morelos and her amazing 30-tonne earthworks

The article profiles Colombian artist Delcy Morelos and her immersive earthwork installations, focusing on two major works: 'The Womb Space' in Mexico City, which has drawn over 60,000 visitors in its final month, and 'Origo', a new 24-metre-wide outdoor pavilion opening at the Barbican in London. Morelos creates vast soil sculptures sourced from specific regions, evoking sensory experiences of smell, touch, and memory, and invites visitors to contemplate their connection to the earth. The piece includes her reflections on Andean cosmovision, the sacredness of nature, and her 14-year artistic inquiry into soil as a humble yet life-sustaining material.

rediscovering luis fernando zapata

Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.

The 10 Best Booths at Untitled Art, Miami Beach 2025

Untitled Art, Miami Beach 2025 opened for VIP day on December 2nd under the Miami sun, featuring 160 galleries from 29 countries—a slight decrease from 2024's 176 exhibitors. The fair introduced a new Artist Spotlight sector for solo booths and a curated Nest sector led by Jonny Tanna, grouping 36 emerging galleries like Cierra Britton Gallery and Sorondo in an open-format layout. Highlights include Carvalho's booth with works by Élise Peroi, Rosalind Tallmadge, Yulia Iosilzon, and Rachel Mica Weiss, and SGR Galería's solo presentation of Colombian artist Lorena Torres. The fair's director, Clara Andrade Pereira, emphasized championing emerging talent and strengthening community.

BETWEEN EARTH AND CONCRETE DELCY MORELOS EXHIBITS IN LONDON

Colombian artist Delcy Morelos has unveiled her first UK public commission, titled "Origo," at London’s Barbican Centre. Located in the Sculpture Court—a space reactivated for the first time in ten years—the monumental oval installation is constructed from earth, clay, hay, and seeds, infused with aromatic spices like cinnamon and cloves. The work invites visitors to walk through earthen tunnels, creating a sensory experience that contrasts the organic, porous nature of soil with the Barbican’s rigid Brutalist concrete architecture.

Beatriz González at Barbican Art Gallery, London

The Barbican Art Gallery in London is presenting a major retrospective of Colombian artist Beatriz González, marking her first solo show in the UK and her largest-ever exhibition in Europe. The exhibition spans six decades of her work, from the 1960s to the present, showcasing her roles as an artist, curator, art historian, and educator.

delcy morelos barbican london commission

The Barbican in London will present a major commission by Colombian artist Delcy Morelos, her first in the United Kingdom, from May 15 to July 31. The centerpiece is an oval-shaped pavilion measuring roughly 78 feet in circumference, constructed from soil, clay, spices, and plant materials, sited in the Barbican's outdoor Sculpture Court. It is the third public-realm commission by the Barbican and the first in its Sculpture Court. The project is supported by the London-based Bukhman Foundation, founded by Anastasia Bukhman, a new addition to ARTnews's Top 200 Collectors list.

A Poetic and Material Institutional Critique: Gala Porras-Kim at kurimanzutto and the Venice Biennale

UNA CRÍTICA INSTITUCIONAL POÉTICA Y MATERIAL: GALA PORRAS-KIM EN KURIMANZUTTO Y LA BIENAL DE VENECIA

Colombian artist Gala Porras-Kim presents her first solo exhibition at kurimanzutto gallery in Mexico City, titled "Espacios del futuro replican los del pasado" (2026), alongside her participation in the 2026 Venice Biennale. The show critically examines how museum conservation protocols transform objects by detaching them from their original material, ritual, and spiritual contexts. Central to the exhibition is "The Motion of an Alluvial Record" (2024), a greenhouse that recreates the humidity and temperature of Yucatecan mangroves, allowing clay and sediment to shift continuously, resisting the linear, stratified time of Western archives and evoking cyclical Maya cosmologies. Another series, "Uprooted" (2026), reproduces fragments of looted Teotihuacan murals from Techinantitla, now held by the Metropolitan Museum of Art and the Ethnological Museum of Berlin, reinstalling them near the floor to restore their original architectural scale and orientation.

THE MONUMENTALITY OF THREAD OLGA DE AMARAL AT MALBA

The Museo de Arte Latinoamericano de Buenos Aires (Malba) has opened a major retrospective of Colombian artist Olga de Amaral, titled 'Olga de Amaral: Textile Body,' to celebrate the museum's 25th anniversary. The exhibition, running until May 11, features over fifty works from six decades, including key series like Entrelazados and Brumas, drawn from collections across the Americas.

Art exhibitions to explore in the UAE this September

This September, the UAE is hosting a diverse array of art exhibitions across Dubai and Abu Dhabi, ranging from group shows to solo presentations and digital art showcases. Highlights include 'Summer Collective: Wavering Hope' at Ayyam Gallery, featuring 12 Syrian artists; Colombian artist Ana Escobar Saavedra's first solo show at 421 Arts Campus; 'To Know Malaysia Is To Love Malaysia' at the Cultural Foundation, presenting works by NYU Abu Dhabi MFA graduates; 'History Encoded' at kanvas, tracing digital art from algorithmic works to AI and blockchain; and Marwan Bassiouni's 'New Western Views' at Lawrie Shabibi, exploring mosque interiors in Western landscapes.

Beatriz González at the Barbican: Images Against Oblivion

BEATRIZ GONZÁLEZ EN EL BARBICAN: IMÁGENES CONTRA EL OLVIDO

The Barbican Centre in London is hosting a major retrospective of the late Colombian artist Beatriz González, marking her first solo exhibition in the United Kingdom and her most extensive show in Europe to date. Featuring over 150 works, the exhibition traces her six-decade career, from her early experiments with pop-inflected figuration to her iconic use of domestic furniture as canvases. Central to the show is her 1965 masterpiece 'Los suicidas del Sisga,' which exemplifies her method of translating degraded press photographs into vibrant, critical paintings that challenge historical erasure.

Beatriz González travelling show kicks off in São Paulo

The Pinacoteca de São Paulo is hosting the first leg of a touring retrospective of Colombian artist Beatriz González, featuring nearly 100 works from across her career. The exhibition, co-curated by Pollyana Quintella and Natalia Gutiérrez, takes an art-historical reading from the perspective of the Global South and highlights González's direct confrontation with Colombia's history of violence, as well as her engagement with kitsch and popular culture. The show will travel to the Barbican Art Gallery in London and the Astrup Fearnley Museet in Oslo in 2026.

WAYS OF REMEMBERING YAHUARCANI AND MUNOZ AT MASP

The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.

The History of Art from Bogotá at MAP

THE HISTORY OF ART FROM BOGOTA AT MAP

Montenegro Art Projects (MAP) in Bogotá opens a group exhibition titled 'La historia del arte contada desde Bogotá' (The History of Art from Bogotá), featuring 30 artists. The show explores how art history is activated today, treating it not as a closed archive but as a field in constant transformation, with artists reinterpreting and appropriating historical images and gestures through contemporary sensibilities.

Colombia of the 1970s arrives in Milan with an exhibition that feels like a film

La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film

Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.

Juancho Cano Shares Heritage Through Art Exhibition ‘FRAGMENTARIO’

Colombian artist and musician Juancho Cano presents his exhibition “FRAGMENTARIO: Visions in Pieces” at Athentic Brewing Co. in Athens, Georgia. The show features two sets of paintings: one created in Colombia and the other after his move to the United States three years ago. The works draw heavily on the heritage and culture of Pasto, Colombia, including imagery from the annual Carnaval de Negros y Blancos, such as the Andean devil figure. Cano also plans a multimedia event on June 7 incorporating music, stage art, and video, with contributions from his band BAMBARABANDA and colleagues.