Indigenous Artists Infiltrate the Met With a Guerrilla A.R. Project

On Indigenous Peoples' Day, nonprofit media lab Amplifier launched an unsanctioned augmented reality exhibition titled “Encoded” at New York's Metropolitan Museum of Art. The project features 17 Native artists who have digitally altered 25 iconic American artworks from the Met's collection—such as Thomas Cole's *View on the Catskills – Early Autumn* and Emanuel Leutze's *Washington Crossing the Delaware*—overlaying Indigenous perspectives onto the museum's American Wing. Visitors can view the AR works on smartphones or iPads, and Amplifier representatives are on-site to distribute guides and offer tours through the end of the year.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

The Met opens reimagined Arts of Oceania galleries showcasing works from the Pacific

New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.

Between Ritual and Institution: Andrea Canepa's Interventions in Spain

ENTRE EL RITO Y LA INSTITUCIÓN: LAS INTERVENCIONES DE ANDREA CANEPA EN ESPAÑA

Andrea Canepa, a Peruvian artist born in 1980, has installed "Fardo" at the Palacio de Cristal in Madrid's Parque del Retiro, running from January 13, 2026 to January 1, 2027. The work wraps the building's perimeter in a printed fabric bearing patterns from Paracas funerary textiles, a pre-Columbian culture from southern Peru. Created during the palace's ongoing restoration (which began in 2023), the installation challenges the building's colonial history—it was built for the 1887 Exhibition of the Philippine Islands—by introducing indigenous visual and ritual references. Canepa also presented "Entre lo profundo y lo distante" at the IVAM in Valencia until April 12, 2026, which uses Andean huacas (sacred spaces) to propose a non-linear relationship between time, body, and space. Both works transform passive contemplation into active, bodily participation, using ritual as a means to reorganize the exhibition experience.

Monopol Gives Away 5 x 2 Tickets for Photo Exhibition at Museum Rietberg

Monopol verlost 5 × 2 Tickets für Foto-Ausstellung im Museum Rietberg

The Museum Rietberg in Zurich is presenting the exhibition "Fast ein Paradies" (Almost a Paradise), which critically examines colonial-era photography as an instrument of power. The show juxtaposes historical photographs with contemporary artworks that recontextualize this material, featuring artists like Sasha Huber, Sammy Baloji, Raphaël Barontini, and Andrea Chung, who intervene in the archival images to challenge colonial narratives and restore agency to the subjects.