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Previews: 61st Venice Biennale: In Minor Keys

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.

Venice Diary Day 2: “In Minor Keys” Is a Major Statement on Perseverance and Play

The article is a diary entry from the 2026 Venice Biennale, focusing on the exhibition "In Minor Keys" curated by the late Koyo Kouoh. The author describes an emotional experience, beginning with a poem by Refaat Alareer on the Arsenale wall, and highlights works by Guadalupe Maravilla, Alexa Kumiko Hatanaka, and others that address themes of perseverance, healing, and survival. Maravilla's sculptures reference a child kidnapped by ICE, while Hatanaka's linocuts explore bipolar disorder as an adaptive trait. The show also features artist-led collectives like Denniston Hill and fierce pussy, emphasizing institution-building and world-making.

Behind the 2026 Venice Issue Cover

Frieze magazine has published a critic's guide to the 2026 Venice Biennale, highlighting key installations and pavilions to see in the Arsenale and Giardini. Notable entries include fierce pussy’s posters welcoming LGBTQ+ visitors to Venice and Florentina Holzinger’s water-themed Austrian Pavilion. The article is part of Frieze's coverage of the 2026 Venice Biennale, offering curated recommendations for attendees.

Abbas Akhavan Refuses to Perform an Identity

The article is a critic's guide to the 2026 Venice Biennale, highlighting key installations and pavilions in the Arsenale and Giardini. It features works such as fierce pussy's posters welcoming LGBTQ+ visitors and Florentina Holzinger's water-themed Austrian Pavilion, among other notable presentations.

72 Hours in Venice: Palazzos, Protests, and a Biennale on the Brink

The article recounts a journalist's 72-hour visit to the Venice Biennale, beginning with a protest by Pussy Riot and Femen at the Russian Pavilion. The action features pink smoke, chants of "Blood is Russia's art," and a guerrilla performance of the song "Disobey," set against a backdrop of internal Biennale strife—including juror resignations over countries whose leaders face ICC arrest warrants (Netanyahu and Putin). The narrative also notes the presence of alt-right figures like Ryan Coyne and sculptor Alma Allen's troubled U.S. pavilion representation.