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Shreg the green ogre, a grey obsessive and Vermeer’s boiled egg – the week in art

This week's art roundup from The Guardian highlights a range of exhibitions across the UK, including Bruce Asbestos's 'Bootleg Shreg 2' at Exeter Phoenix Gallery, a playful show featuring a green ogre that parodies copyright rules. Other notable shows include Roy Oxlade's primitive paintings at Alison Jacques, May Morris's craft legacy at Lady Lever Art Gallery, a 30-year anniversary group show at Timothy Taylor, and Alan Charlton's monochrome grey works at Annely Juda Fine Art. The article also features an image of a naturally sculpted rock on Kangaroo Island, a review of the Turner Prize nominees, and a masterwork analysis of Vermeer's 'The Guitar Player' at Kenwood House, which was stolen in the 1970s and recovered with the help of a clairvoyant.

Photoville and South Street Seaport Museum Present Photographer Jon McCormack’s “Elements of Wonder”

Photoville, co-founded by Laura Roumanos, Sam Barzilay, and Dave Shelley, partners with the South Street Seaport Museum to present Australian conservation and nature photographer Jon McCormack's outdoor exhibition "Elements of Wonder: When Nature Becomes Art" from April 22 to June 14, 2026, in New York City. The free, public show features a decade-long environmental photography project spanning five continents, drawn from McCormack's book "Patterns: Art of the Natural World," capturing natural patterns at scales from microscopic mineral formations to aerial landscapes.