From The Mandalorian and Grogu to Dear England: your complete entertainment guide to the week ahead

This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights three upcoming exhibitions: Hulda Guzmán's first major European show at Turner Contemporary in Margate (23 May to 13 September), featuring her lush, mystical tropical paintings exploring Caribbean identity; Lewis Hammond's exhibition of dark, old master-inspired portraiture at The Hepworth in Wakefield (23 May to 1 November); and Joanna Piotrowska's show at The Common Guild in Glasgow (23 May to 18 July).

Guggenheim to Screen Artistic Portrait of Soccer Legend Zinédine Zidane

The Guggenheim Museum in New York will screen Douglas Gordon and Philippe Parreno's 2006 film "Zidane, a 21st century portrait" from June 11 to July 19, 2026, timed with the FIFA World Cup. The two-channel video piece follows French soccer legend Zinédine Zidane during a 90-minute match between Real Madrid and Villarreal, captured by 17 cameras to create an intimate, voyeuristic portrait of the player. This marks the film's first showing at the Guggenheim since the museum acquired one of 17 unique editions.

Art in America’s Summer Issue Features 20 “New Talent” Artists, Juicy Art Heist Stories, and More

Art in America's Summer issue features 20 emerging artists in its annual "New Talent" portfolio, selected by the magazine's editors. The issue also includes a feature on art heist stories by Jackson Arn, an essay on systems art by Emily Watlington, and a piece on tragicomic times by Eugenie Brinkema. Additional content includes a tribute to Henrike Naumann, a spotlight on Olga Fröbe-Kapteyn, a book review of Trevor Paglen's latest work, and departments covering museum and gallery worker perspectives, a Frick Collection vs. Morgan Library comparison, and a summer reading list of art-themed novels.

“Adam Pendleton + Antoni Tàpies” at Alfonso Artiaco, Naples

Mousse Magazine reports on the two-person exhibition "Adam Pendleton + Antoni Tàpies" at Alfonso Artiaco in Naples, which pairs the contemporary American artist Adam Pendleton with the late Spanish master Antoni Tàpies. The show explores how both artists use painting as a site where language, materiality, and history converge, highlighting Tàpies's textured, sign-laden surfaces and Pendleton's conceptual engagement with abstraction and text.

An Art-Lover’s Guide to Tunis’ Ground-Up Contemporary Scene

The article profiles Selma Feriani, a Tunisian gallerist who opened a new purpose-built gallery in the industrial El Kram district of Tunis in January 2024. Designed with architect Chacha Atallah, the three-story space features a concrete exterior referencing traditional Tunisian hand-application techniques and a garden of olive, palm, and orange trees. Feriani, who previously ran a gallery in London's Mayfair, returned to Tunisia after the Revolution to contribute to the country's cultural renaissance. The gallery currently hosts simultaneous exhibitions: Nadia Ayari's paintings of menacing plants and Nidhal Chamekh's "Frictions," part of his broader historical project "Et si Carthage…" exploring Mediterranean power dynamics.

This First Nations artist wants your racist 'Aboriginalia' – video

Indigenous artist Tony Albert has issued a public call for Australians to donate their 'Aboriginalia'—objects that depict Aboriginal people and designs but were created by non-Indigenous people, often as caricatures or exoticized souvenirs. Over 3,000 items from Albert's own collection, including tea towels, ashtrays, and playing cards, are now on display in his solo exhibition 'Not a Souvenir' at the Museum of Contemporary Art (MCA) in Sydney, opening on 21 May.

Sophie Von Hellerman “After a Dream” at Greene Naftali, New York

Greene Naftali presents Sophie von Hellermann's eighth solo exhibition, "After a Dream," featuring pairs of figures drawn from literature, art history, the artist's personal acquaintances, and imaginative constructs. The show explores creative relationships through the charged dynamic of the couple, presenting narrative chimeras that examine different forms of alignment and connection.

Roberto Lugo brings monumental tribute to Puerto Rican culture to Manhattan park

Roberto Lugo has unveiled a monumental 20ft-tall urn titled *Capicú de Cariño (I Heard It Both Ways)* (2026) in Manhattan’s Madison Square Park, as part of his exhibition *Alfarero del Barrio (Village Potter)* commissioned by the Madison Square Park Conservancy. The urn features portraits of prominent Puerto Rican figures including Bad Bunny, Sonia Sotomayor, Lin-Manuel Miranda, Roberto Clemente, and the artist’s own parents, Gilberto and Maribel Lugo. The installation also includes a 15ft-tall orange fire hydrant sculpture, *Para Los Días Caliente (This Is For The Hot Ones)* (2026), and several planters and domino tables, all designed to invite public interaction and community engagement.

‘I will always fight against fascism’: Zineb Sedira on her Tate Britain commission

Zineb Sedira has been selected for the Tate Britain commission, creating her largest UK installation to date, titled *When Words Fall Silent, Cinema Speaks…*, on view until January 2027. The site-specific work in the museum's Duveen Galleries pays tribute to radical African cinema of the 1960s and 1970s, highlighting Algeria's role as a revolutionary hub. Sedira recreates the Parisian cafes of her childhood, featuring Scopitone machines that play short music films, and draws on the legacy of the Cinémathèque Algérienne and the 1969 Pan-African Festival.

Making Their Mark: Works from the Shah Garg Collection | Broad Strokes Blog

The article features an interview between NMWA Assistant Curator Hannah Shambroom and collector Komal Shah about the exhibition 'Making Their Mark: Works from the Shah Garg Collection.' The show, drawn from Shah and her husband Gaurav Garg's collection, presents approximately 80 works by women artists exploring abstraction, including pieces by Howardena Pindell, Sarah Sze, Kapwani Kiwanga, and Jacqueline Humphries. Shah discusses her transition from a technology career to art collecting, her focus on women working in abstraction, and how the exhibition emerged after publishing a book on the collection in 2023, with curation by Cecilia Alemani.

Virginia Museum of Fine Arts receives major gift of photography

The Virginia Museum of Fine Arts (VMFA) announced a major gift of 1,986 photographs from Joy of Giving Something, Inc. (JGS), a nonprofit founded by financier Howard Stein. The donation includes works by over 450 artists, spanning the 19th century to the present, with highlights such as rare daguerreotypes by Joseph-Philibert Girault de Prangey, prints by Gustave Le Gray and Eugène Atget, and significant holdings in American documentary photography from figures like Dorothea Lange and Walker Evans. The gift follows an earlier 2023 donation of portfolios and series, and positions VMFA to open five new photography galleries in 2027 as part of its expansion.

National Gallery takes art to town centres

The National Gallery is displaying high-quality reproductions of masterpieces by Claude Monet, Pablo Picasso, J.M.W. Turner, and Vincent van Gogh in town centres across the UK, starting with Croydon. The three-year initiative, called Art on Your Doorstep, places artworks in locations such as Croydon Minster and Queen’s Gardens, and will expand to Torquay, Derry, Birstall, and the Isle of Wight in 2026. Local residents help select the pieces and contribute creative responses, embedding the project within each community.

Part root vegetable, part deity: Inside Everything Is Terrible’s new Meow Wolf L.A. installation

Meow Wolf's upcoming Los Angeles location, set to open later this year in a former Cinemark movie theater in West L.A., will feature a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW, created by the L.A.-based multimedia collective Everything Is Terrible. WoWoW serves as the centerpiece of "the N.E.S.T.," an EIT-designed section of the 26,000-square-foot immersive exhibition space that tells the story of the Noothies, a fictional community of former film workers who discover a god and a hidden truth about reality. The installation pays tribute to maximalist roadside attractions like Wisconsin's House on the Rock and New Mexico's Tinkertown Museum, and is one of 45 installations by local collaborating artists including Gabriela Ruiz and David Altmejd.

Nolan Lucidi “Bildersaal” at Kunsthaus Glarus

Kunsthaus Glarus presents "Bildersaal," the first institutional solo exhibition by Swiss artist Nolan Lucidi (b. 2000, based in Basel). The installation combines videos and objects to explore male homosexual desire drawn from literature, art history, and personal experience, while also interrogating formal language and claims to authority.

Exhibition | Peter Stichbury, 'Grand Guignol' at Lett Thomas, Karangahape Road, Auckland, New Zealand

New Zealand artist Peter Stichbury presents 'Grand Guignol', a solo exhibition at Lett Thomas gallery on Karangahape Road in Auckland. The show takes its name from the Parisian theatre known for its graphic horror performances, suggesting Stichbury's paintings explore themes of the grotesque and macabre.

Palate Cleansers at Frieze NY

Hyperallergic's coverage of Frieze New York and concurrent art fairs in the city frames the experience as overwhelming yet punctuated by standout works. Senior Editor Valentina Di Liscia compares the fair to an assembly-line salad, finding reprieve in art that evokes lush canopies, diaphanous portraiture, and ancestral gardens. The issue also includes dispatches from Future Fair, 1-54, TEFAF, NADA, and Independent Art Fair, alongside a tribute to Austrian performance artist Valie Export, who died at age 85, remembered for her radical feminist guerrilla performances that challenged the male gaze.

Seattle galleries launch Seattle Art Fair alternative

Two prominent Seattle galleries, Traver Gallery and Greg Kucera Gallery, are launching a new art fair called Assembly to coincide with the 10th edition of the Seattle Art Fair in July. Assembly will take place at West Canal Yards from July 23-26, featuring 10 to 15 invited galleries from the Pacific Northwest and Dallas, with a more intimate, curated approach and significantly lower participation costs ($3,000–$6,500 per gallery versus $25,000+ at SAF). The fair is invitational, uses vacant spaces around a central atrium instead of traditional booths, and plans to redistribute ticket and booth revenue to participating galleries.

Hisae Ikenaga ”Anatomies of Use” at KIOSK, Ghent

From April 4, KIOSK in Ghent presents a new solo exhibition by Hisae Ikenaga titled "Anatomies of Use." The Mexican-Japanese artist brings together sculptures, assemblages, and collages that rework industrial materials and everyday objects into hybrid forms, blending ceramic fragments with a visual language that balances functionality and abstraction.

Acacia Marable at Night Gallery

Acacia Marable presents a solo exhibition at Night Gallery in Los Angeles, featuring a series of new works that explore themes of memory, domesticity, and the passage of time through layered, abstract compositions. The show includes 76 images documenting the installation, with no accompanying text descriptions, emphasizing a purely visual experience.

The investigation of intimacy at the center of an exhibition in a Paris gallery

L’indagine sull’intimità al centro di una mostra in una galleria di Parigi

French artist Guillaume Valenti (b. 1987) presents his solo exhibition "Système domestique" at Parliament Gallery in Paris, exploring how personal identity can be conveyed through intimate domestic spaces rather than traditional portraiture. The show centers on repeated depictions of the artist's studio bookshelf, captured from the same viewpoint and proportions, which serves both as a subject and a structural grid. Valenti's paintings investigate the interplay of light, color, and abstraction, with works such as "Grise" (2026) and "Bibliothèque blanche" (2026) using overexposure and artificial coloration to deconstruct realistic representation. Other pieces like "The florist" (2026) depict views from the studio window, further examining the boundary between interior and exterior perception.

Anna Marzuttini and Giovanni Fredi ”SOUVENIR·SUBVENIRE” at SMDOT/Contemporary Art, Udine

SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.

Joy Machine’s Feel Free Examines Order, Change, and the Limits of Control

Joy Machine's exhibition 'Feel Free' explores themes of order, change, and the limits of control through a series of artworks. The show presents a visual dialogue between structured systems and the unpredictable forces that disrupt them, inviting viewers to reflect on the tension between stability and transformation.

Kettle Art Gallery presents "OG’s Return to Deep Ellum" opening reception

Kettle Art Gallery in Dallas is hosting "OG's Return to Deep Ellum," an exhibition reuniting eight pioneering visual artists who helped shape the creative identity of the Deep Ellum district. The show features works by Bill Haveron, Brad Ellis, Brad Smith, Clay Austin, Dwayne Carter, Frank Campagna, Greg "Ozone" Contestabile, and Thor Johnson, alongside tributes to the late Albert Scherbarth and David "Mosquito" Hawley. The opening reception precedes a run through August 16.

Mattatuck Museum in Waterbury to host Mystic Dead show tied to gig poster exhibit

The Mattatuck Museum in Waterbury, Connecticut, will host a live performance by the Grateful Dead tribute band Mystic Dead on June 11, 2026, as a fundraiser for the museum's education and public programs. The event is tied to the upcoming exhibition "Psychedelic Splendor: The Concert Art of AJ Masthay & Helen Kennedy," which runs from June 13 to September 26 and features over 20 gig posters created for bands including Black Sabbath, Dave Matthews Band, and The Grateful Dead. The exhibit marks the first museum show for both Connecticut-based artists, who are known for their screen-printed concert posters.

Unchained.Art Contemporary Gallery presents Erin Carle: "you should eat a burger" opening reception

Unchained.Art Contemporary Gallery in Austin, Texas, is hosting the opening reception of "you should eat a burger," a solo exhibition by local artist Erin Carle. The show uses food as both subject and symbol, drawing from Carle's background in ballet to explore the coded language and expectations surrounding women's bodies, addressing themes of self-worth, desire, shame, and control through bright colors and stylized figures.

Sandro Miller’s Golden Tribute

Photographer Sandro Miller's exhibition "Steppenwolf 50: Through the Eye of Sandro Miller" is on view at the Art Center Highland Park through June 13. The show features a series of portraits and composites created in 2012 that celebrate 50 years of Steppenwolf Theatre Company. Works include large-scale composites like "Orgasmic Theatre" with 25 actors, a tribute to the late John Mahoney, and a collaboration with the late artist Tony Fitzpatrick. The exhibition also presents a grid of 45 black-and-white photographs capturing raw emotional moments from rehearsals and performances, along with diptychs and individual framed portraits of Steppenwolf actors.

Fort Worth African American Museum to officially open in June with joint exhibition

The Fort Worth African American Museum and Cultural Center will officially open on June 12 with its inaugural exhibition, "All ’N All: Artists Embracing Community," in partnership with Kinfolk House and the National Juneteenth Museum. The show features paintings, photographs, and mixed-media works by 11 North Texas artists exploring memory, culture, and the Black experience, and is part of the larger Freedom Vibes festival running June 11-20. The museum, which has been in development since 2020, secured its final funding from the Fort Worth City Council in January and purchased a 5,000-square-foot building on East Rosedale Street last summer.

A Roma si celebra il fotografo riminese Marco Pesaresi a 25 anni dalla morte: docu-film e mostra

Rome is celebrating the work of Rimini-born photographer Marco Pesaresi (1964–2001), 25 years after his death, through two events organized by the photography training center Daylight School, led by Marco Sconocchia. A documentary film titled "Il granchio nudo – La storia di Marco Pesaresi," produced by Riccardo Caccia and Michela Fragomeni and directed by Marta E. Antonioli and Elena Padovan, will be screened on May 21 at Nuovo Cinema Aquila. The film features unpublished materials, including Pesaresi's diaries and poems, and includes interviews with those who knew him. A group exhibition, "UNDERGROUND. Il mondo sotto. Omaggio a Marco Pesaresi," opens May 29 at Daylight School, reinterpreting the themes of his photobook "Underground" through the eyes of 15 photographers.

Grove Gallery to host ‘In the Absence of Space’ exhibition

Grove Gallery in Evanston, Illinois, will host a group exhibition titled 'In the Absence of Space' from May 30 to June 28, with an opening reception on June 6. The show features artists who explore how minoritized and underrepresented communities respond to exclusion and invisibility by creating their own spaces of presence, connection, and community. The exhibition is presented by Evanston ASPA in partnership with Evanston Latinos, Aloha Center Chicago, Gichigamiin Indigenous Nations Museum, Shorefront Legacy Center, and Evanston Made.

Sacramento art exhibit puts a SMASH!-ing spotlight on piñata culture

A new art exhibition titled 'SMASH! A Piñata Exhibition' has opened at Prism Art Gallery in Midtown, Sacramento, curated by Bridgett Rex and Vianne De Santiago. Running through May 30, the show features piñatas created by amateurs, professional makers, and multidisciplinary artists, exploring the cultural and emotional significance of piñatas beyond their role as party decorations. The exhibition will conclude with a public smashing of selected piñatas. Artists such as Andres Alvarez and Gilbert Rangel contributed works that incorporate personal and cultural narratives, using materials like corn husks and tissue paper to reflect on heritage, memory, and community.