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Artnet News highlights the top photography moments of 2025, including Sara Cwynar's exhibition of search-engine images at ICA Boston, Inuuteq Storch's debut at MoMA PS1 showcasing his Greenlandic hometown, and Dietemar Busse's Polaroid portraits celebrated at Amant, New York. The year also saw Wolfgang Tillmans' blockbuster farewell exhibition at the Centre Pompidou before its five-year renovation, and Marian Goodman Gallery's inaugural show of Ana Mendieta's work, "Back to the Source," featuring her iconic photographs and performances. Mendieta's work was also spotlighted at Art Basel Miami Beach, with her piece "Sandwoman" (1983) drawing emotional responses from visitors.

Radiohead Brings Its Strange Visual Universe to Life in an Immersive Spectacle

Radiohead has launched "Motion Picture House," an immersive audiovisual installation at Brooklyn Navy Yards in New York, on view through June. The exhibition draws from the band's albums *Kid A* (2000) and *Amnesiac* (2001), featuring glitching televisions, cryptic posters, stick-figure sculptures, and alien landscapes. It culminates in a 75-minute film, *KID A MNESIA*, directed by Sean Evans, originally released in 2021. The show debuted at Coachella Festival and will travel to Chicago, Mexico City, and San Francisco through early 2027.

The Permanence of Refusal: Interview with Ding Yi

Chinese artist Ding Yi, who first appeared at the Venice Biennale in 1993 as part of the inaugural Chinese contemporary art exhibition, has returned to Venice with his first solo show in the city, titled “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia. The exhibition, referencing philosopher Yuk Hui's concept of cosmotechnics, traces Ding Yi's abstract visual language from the 1980s to the present, featuring new and historic works that engage with the modernist architecture of Carlo Scarpa. In an interview with ArtAsiaPacific during the 61st Venice Biennale preview week, Ding Yi reflects on the evolution of his practice, his travels, and the deep perceptual frameworks of ancient civilizations.

Record-Breaking $110.5 M. Basquiat Painting, Now Owned by Ken Griffin, to Go on View in Miami This Summer

The Pérez Art Museum Miami will present "Basquiat: Figures, Signs, Symbols," an exhibition of approximately ten works by Jean-Michel Basquiat from the collection of billionaire Kenneth C. Griffin. Opening June 25, the show includes the record-breaking 1982 painting "Untitled," which sold for $110.5 million in 2017 and was later acquired by Griffin, alongside other major paintings and a sculpture.

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Nathaniel Mary Quinn is preparing for his fifth solo exhibition with Gagosian, titled “ECHOES FROM COPELAND,” opening September 10. The show is inspired by Alice Walker’s 1970 novel *The Third Life of Grange Copeland*, which Quinn read twice and found deeply resonant. The works continue his signature style of fragmented, abstract-figurative portraits using oils, pastels, and charcoal, while also incorporating influences from Francis Bacon exhibitions he saw in London. Quinn’s practice draws heavily on his own traumatic upbringing—his mother died when he was 15 and he was abandoned by other family members—and his compositions evoke fragmented memories.

Inez & Vinoodh Handpick 6 Defining Works From Their New Retrospective

The Dutch photography duo Inez & Vinoodh have launched a major retrospective titled "Can Love Be a Photograph" at the Kunstmuseum Den Haag. Spanning their career since 1986, the exhibition features 150 works that blur the lines between fashion photography, celebrity portraiture, and fine art. To mark the opening, the artists highlighted six defining works—including the digitally manipulated "Thank You Thighmaster" series—that prioritize conceptual depth and psychological mutation over the glossy celebrity culture they are often associated with.

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The Philadelphia Museum of Art has opened "Boom: Art and Design in the 1940s," a major survey featuring over 250 works including painting, photography, jewelry, ceramics, fashion, and furniture. The exhibition draws entirely from the museum's own collection, with around 40 percent of the works never exhibited before. It includes early pieces by celebrated figures like Jackson Pollock and Lee Krasner, as well as works by queer artists such as Paul Cadmus, Beauford Delaney, and Romaine Brooks, alongside self-taught artist Horace Pippin. Chief curator Jessica Smith emphasizes that the show aims to present a more complex, multivalent narrative of the decade beyond the dominant story of Abstract Expressionism.

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Adam Pendleton's exhibition "Love Queen" is on view at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., through January 3, 2027. The show features his distinctive abstract works that blend mark-making, pictographs, and all-caps texts, including pieces from his "Untitled (Days)" series and "Black Dada" series, as well as a single-channel video titled "Resurrection City Revisited (Who Owns Geometry Anyway?)" that documents the 1968 Poor People's Campaign.

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Michelle Grabner, a Milwaukee-based artist known for examining overlooked visual languages, has created a new series of porcelain sculptures at the Kohler Company's MakerSpace in Wisconsin. These works, which mimic janitorial supplies like sponges, sinks, and mop carts, are being shown at the Independent art fair this week with Cleveland's Abattoir Gallery. Grabner, who co-curated the 2014 Whitney Biennial and served as the inaugural artistic director of FRONT International, continues to expand her practice beyond painting into industrial materials, while also holding two concurrent museum retrospectives: "Underdone Potato" at the Schneider Museum of Art and "Under the Sink" at the Haggerty Museum.

Tuguldur Yondonjamts’s Animalistic Realm

Mongolian artist Tuguldur Yondonjamts explores the habitat of the saker falcon through a series of accordion-style books titled *The Secret Mountain of Falcons* (2011–14), created during fieldwork across Mongolia. The drawings, presented in Perspex vitrines at his solo exhibition *Wolf Loving Princess* at Gallery Ver in Bangkok, depict the falcon's perspective as imagined by the artist, blending black-and-white film-like imagery with abstract textures. The work responds to the falcon trade, particularly to the Middle East, and the species' declining population, which led to its designation as Mongolia's national bird in 2012.

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The ICA Miami has organized a major posthumous survey of the late painter Joyce Pensato, opening December 2 and running through March 15. The exhibition brings together over 65 works spanning five decades, from early Batman sketches to her signature enamel paintings that transform cartoon icons like Mickey Mouse, The Simpsons, and South Park characters into grotesque, emotionally charged images. The show is curated by artistic director Alex Gartenfeld, curator Stephanie Seidel, and ICA Art + Research Center Director Gean Moreno, and is the most comprehensive presentation of Pensato's work to date.

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Artist Kara Walker has transformed a decommissioned monument of Confederate General Stonewall Jackson into a new, grotesque sculpture titled "Unmanned Drone" (2023). After curator Hamza Walker secured the bronze statue from Charlottesville, Virginia, the artist reconfigured its parts at a New York foundry to create a 12-foot horse-man hybrid that subverts traditional heroic iconography. The work is currently the centerpiece of the "Monuments" exhibition at the Brick in Los Angeles, co-presented by MOCA LA.

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New York-based artist Dana James presents her third solo show with Hollis Taggart, titled “Ink Moon,” at the gallery’s Lower East Side location. The exhibition marks a significant shift in her practice, moving from her signature soft pastels and feminine sensibility toward bolder, more gestural works featuring near-black hues, intense primary colors, and expressive mark-making. James created the new body of work while navigating an advancing pregnancy, which she says pushed her work in a more intense direction rather than the expected softer style.

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Jacob Hashimoto presents a new solo exhibition at Miles McEnery Gallery in New York, featuring his signature constructions of screen-printed paper discs assembled into layered, three-dimensional compositions that blur the line between painting and sculpture. The show, his third with the gallery, includes works such as "The Promise of Other Inventions (that worked better)" (2025) and "No, No My Friends, We Will Not" (2025), and is accompanied by a fully illustrated publication with an essay by art critic and professor David Pagel.

‘Overworked’: Çağla Ulusoy in Conversation With ArtReview

ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.

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James Hyman Gallery is presenting a dual-artist online exhibition titled “Signature Pots: Patrick Caulfield | Derrick Greaves,” which runs through December 25, 2025. The show brings together works by two major British artists—Derrick Greaves (1927–2022) and Patrick Caulfield (1936–2005)—exploring their shared focus on still life, color, and form. Greaves, who represented Britain at the Venice Biennale in the 1950s and was associated with the Kitchen Sink painters, later developed a graphic style linked to Pop art. Caulfield emerged in the 1960s as part of the New Generation alongside David Hockney and Bridget Riley. The exhibition highlights how both artists transformed everyday objects into iconic images, with works such as Greaves's "Still Life with White Lillies" (2021) and Caulfield's "Untitled (signature pots)" (ca.1975) demonstrating their mastery of line, shape, and color.

Uman’s kaleidoscopic journeys

The article profiles Somali-born, self-taught artist Uman, whose vibrant, pattern-filled paintings are currently the subject of her first institutional solo exhibition, 'Uman: After all the things…', at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut. The show, curated by Amy Smith-Stewart, features works like *Zam Zam Bom Bom* (2023) and *Melancholia in a Fall Breeze* (2025), alongside a large-scale mural and a sculptural streetlamp. The article also reveals Uman's plan to relocate from upstate New York to the south of France next spring, marking the end of a 20-year chapter in her adopted home.

Collection in Focus | Beatriz Milhazes: Rigor and Beauty

The Guggenheim Museums and Foundation has published a feature titled 'Collection in Focus | Beatriz Milhazes: Rigor and Beauty,' highlighting the Brazilian artist's vibrant, geometric abstract works held in the Guggenheim collection. The piece examines Milhazes's distinctive visual language, which blends modernist abstraction with Brazilian cultural references, and underscores the rigorous compositional structure underlying her seemingly exuberant patterns.

Arielle and the Politics of Beautiful Things

Arielle und die Politik der schönen Dinge

Josefine Reisch presents new works at Noah Klink gallery during Berlin Gallery Weekend. Her paintings combine mermaids, shipping containers, and Euroboxes to explore themes of standardization, global capitalism, and the politics of beauty. The exhibition, titled "Poxy Proxy," is a duo show with Miriam Umiń. Reisch's studio visit reveals her interest in how objects like Eurokisten (standardized plastic crates) and shipping containers symbolize economic progress and power structures, while mermaid imagery from Disney's "Arielle" questions the equation of beautiful things with moral goodness.

Exhibition | Paul P., 'The Fugitive Marvels of Sunset' at Maureen Paley, London, United Kingdom

Maureen Paley presents *The Fugitive Marvels of Sunset*, the fifth solo exhibition of Canadian artist Paul P. at the gallery. The show features his signature portraits of anonymous young men, sourced from gay erotic magazines from the late 1960s to early 1980s, alongside paintings of bats, laundry, and seascapes that explore twilight and threshold moments. The exhibition draws on coded visual languages from Victorian-era dandies and post-Stonewall culture, with works also included from a recent two-person show at KW Institute for Contemporary Art, Berlin.

Exhibition | Sheroanawe Hakihiiwe, 'Thapiri/Sonho' at Fortes D'Aloia & Gabriel, São Paulo, Brazil

Fortes D'Aloia & Gabriel in São Paulo presents 'Thapiri/Sonho', the first gallery exhibition in the city by Yanomami artist Sheroanawe Hakihiiwe. The show features paintings and monotypes that translate daily encounters in the Venezuelan Amazon—animal traces, plant structures, and natural formations—into a graphic vocabulary of lines, dots, circles, and repeating patterns. Hakihiiwe's work draws on Yanomami oral traditions and mnemonic structures, linking observed reality with dream encounters. The exhibition follows his 2023 solo presentation at MASP and includes works previously shown at MAC Parque Forestal in Santiago, Chile, and Sala TAC in Caracas.

PATRICK HERON: Early works, 1950-54

Hazlitt Holland-Hibbert presents a focused exhibition of Patrick Heron's early works from 1950 to 1954, tracing the British modernist's decisive shift from figuration to abstraction. The show brings together pieces from the artist's estate, including several never before exhibited, alongside loans from museums and private collections, highlighting a formative moment in post-war British art. Key works such as 'Christmas Eve: 1951' and 'Black Fish on Blue Table' demonstrate Heron's evolving visual language, influenced by the School of Paris and encounters with Braque, Matisse, and Bonnard.

Exhibition | Maureen Gallace, 'April 2026' at Gladstone Gallery, Samseong-ro, Seoul, South Korea

Maureen Gallace is making her South Korean debut with 'April 2026,' an exhibition of new paintings at Gladstone Gallery’s Seoul location. The presentation features the artist’s signature small-scale works, which depict the rural and coastal landscapes of the American Northeast through a minimalist, distilled visual language. These paintings continue Gallace's exploration of the tension between architectural geometry and natural environments, blending direct observation with the hazy quality of memory.

Patrick Martinez’s anti-Ice neons greet Frieze LA visitors

Los Angeles artist Patrick Martinez has installed six politically charged neon sculptures at the entrance of Frieze Los Angeles, featuring slogans such as “Deport Ice” and “Nobody is illegal.” These works adapt the visual language of local mom-and-pop storefront signage—typically used for check-cashing or pawn shops—to broadcast urgent social and political messages. The installation serves as a bridge between the elite art fair environment and the grassroots protest culture of the city.

5 Art Openings in London this week.

London’s art scene sees a surge of activity this week with five notable openings across the city. Highlights include a rare exhibition at Hazlitt Holland-Hibbert featuring Rachel Whiteread’s drawings alongside her sculptures, breaking her long-standing rule of keeping the two mediums separate. Other significant shows include LA Timpa’s UK solo debut at Cell Project Space, Hannah Lim’s exploration of cultural heritage at Wilder Gallery, and a group exhibition at Woodbury House featuring Los Angeles street art pioneers like RETNA and Chaz Bojórquez.

Rarely seen Matthew Wong works to go on show in Venice

A major exhibition of rarely seen works by the late Chinese-Canadian artist Matthew Wong will open at the Palazzo Tiepolo Passi in Venice from 9 May to 1 November 2025, coinciding with the 61st Venice Biennale. The show features 35 works dating from 2015 to 2019, curated by John Cheim of Cheim & Read gallery, and is organized by the Matthew Wong Foundation, founded by the artist's parents Monita Wong and Raymond KP Wong after his death by suicide in 2019. The exhibition catalogue includes a text by Nancy Spector, former chief curator of the Guggenheim Museum.

Christian Marclay's ‘Doors’ marks opening of Brooklyn Museum's new video art gallery

Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, marking the institution's first dedicated space for time-based media. The 54-minute work, co-purchased by the Brooklyn Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical setting rather than a typical black-box presentation.

The Art of Appearing

De l’art de paraître

The Musée Cognacq-Jay in Paris is hosting an exhibition titled "Révéler le féminin," which explores the intersection of 18th-century fashion and portraiture. Curated in collaboration with the Palais Galliera and the Musée d’arts de Nantes, the show features works by prominent portraitists like Élisabeth Louise Vigée Le Brun and Maurice Quentin de La Tour alongside rare period textiles. The exhibition examines how the rising bourgeoisie used clothing as a visual language of prestige and social standing during the Enlightenment.

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Anastasia Samoylova, an artist who works in photography and painting, is presenting her rarely shown "Breakfasts With" series at Casa Tua Aspen this summer. The series, begun in 2015 after she received her green card, combines breakfast food with photo books by notable creatives, creating still-life "conversations" that serve as daily creative prompts. The exhibition follows her dual show with Walker Evans at the Met, which showcased two differing visions of Florida. In an interview, Samoylova discusses how the series developed from a meditative morning ritual into a practice that helped her ground herself after leaving a tenured teaching position, and how intuitive pairings—like a cut mango with Barbara Kasten's work—emerged from spontaneity rather than conceptual planning.

Thinking small and dreaming big in Isabel Nolan’s imaginary world

Dublin-born artist Isabel Nolan discusses her Ireland pavilion exhibition "Dreamshook" at the Venice Biennale, developed with curator Georgina Jackson. The show explores the liminal state between dreaming and waking, weaving a fictional narrative around Renaissance humanist Aldo Manuzio, who popularized portable books. Nolan draws on late Medieval and early Renaissance visual language, using intimate forms like textiles to tackle big ideas about cosmology, religion, and humanism. She describes her ambivalent relationship with European cultural inheritance and the need to recover occluded voices.