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why leonora carringtons otherworldly sculptures are generating interest and controversy

Leonora Carrington, the British-born Surrealist artist, has seen a dramatic revival of interest in her work, with her paintings breaking auction records and her sculptures gaining new attention. However, a bitter dispute has emerged between supporters of her later bronzes and critics questioning their legitimacy, complicating her legacy. Carrington lived most of her life in Mexico and died in 2011 at age 94, but her reputation has soared posthumously, marked by a 2015 retrospective at Tate Liverpool, her influence on the 2022 Venice Biennale, and a current retrospective traveling from Palazzo Reale in Milan to Musée du Luxembourg in Paris. Her painting *Les Distractions de Dagobert* (1945) sold for $28.5 million at Sotheby’s New York in May 2024, setting a record for a British-born female artist, while her wooden sculpture *La Grande Dame (The Cat Woman)* (1951) fetched over $11.4 million in November 2024.

A Trove of Vivian Maier’s Photographs Could Rewrite Her Market

A collection of 206 sold-out estate prints by photographer Vivian Maier is being offered as a single lot in Artnet's Important Photographs auction, with an estimate of $1–1.5 million. The trove, which includes gelatin silver and archival pigment prints from the 1950s to 1980s, represents a rare opportunity to acquire a comprehensive group of her work that is no longer available through primary market galleries.