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maurizio cattelan america gold toilet auction

Maurizio Cattelan's 18-karat gold toilet sculpture, *America* (2016), sold at Sotheby's New York for $12.1 million to Ripley's Believe It or Not!, the entertainment franchise known for oddities. The work, consigned by hedge-fund manager Steve Cohen, was auctioned from the Breuer Building and drew long viewing lines. Despite a playful bidding process led by auctioneer Phyllis Kao, the final price fell short of Cattelan's auction record of $17.2 million set by *Him* (2001) at Christie's in 2016.

ripleys buys maurizio cattelan gold toilet sothebys

Ripley’s Believe It or Not! has been revealed as the buyer of Maurizio Cattelan’s 18-karat gold toilet sculpture “America” (2016), which sold for $12.1 million at Sotheby’s “Now & Contemporary” auction on November 18, 2025. The work, consigned by billionaire collector and Mets owner Steve Cohen, hammered at $10 million after a single bid, just above the value of its raw gold. Sotheby’s had previously only identified the buyer as a “Famous American Brand.” Ripley’s announced the acquisition on Instagram, calling it the most valuable object in its collection and noting plans for public display, possibly allowing visitors to sit on the fully functional toilet.

maurizio cattelan golden toilet sothebys auction

Sotheby's is auctioning Maurizio Cattelan's solid gold toilet, titled "America" (2016), during its November evening sale at the Breuer Building in New York. The 18-karat, 100-kilogram functional toilet will be on view from November 8, though visitors will not be allowed to use it. The starting bid will be determined by the work's weight in gold, estimated around $10 million. The piece was previously exhibited at the Guggenheim Museum in 2016, where over 100,000 visitors used it, and at Blenheim Palace in the UK, where it was infamously stolen in a smash-and-grab heist and never recovered. Sotheby's will accept cryptocurrency for the sale, following the precedent set by Cattelan's banana artwork last year.

anicka yi pace future ai interview

Conceptual artist Anicka Yi has joined Pace Gallery, where she will be represented in partnership with Gladstone Gallery, 47 Canal, and Esther Schipper. Known for her research-heavy practice that utilizes scents, bacteria, and robotics, Yi cited Pace CEO Marc Glimcher’s background in biology and the gallery's history with light and space pioneers as primary reasons for the move. Her work will be featured in the New Museum’s upcoming expansion inaugural exhibition, "New Humans: Memories of the Future."

estate of susan rothenberg who fused symbolism with abstraction joins hauser wirth

Hauser & Wirth, the mega-gallery with locations across three continents, has announced its representation of the estate of Susan Rothenberg, the influential painter who died in 2020. Rothenberg, known for her psychologically charged works featuring horses, disembodied limbs, and uncanny landscapes, was previously represented by Sperone Westwater gallery from 1987 until her death. The gallery will debut Rothenberg's work at Art Basel in June 2025, followed by her first solo exhibition with Hauser & Wirth in New York in September 2025.

The Box Shutters in Los Angeles After Nearly Two Decades

The Box, a pioneering Los Angeles gallery known for its nonprofit-style support of experimental and performance art, has announced its closure after nearly two decades. Founded in 2007 by Mara McCarthy, the gallery’s final exhibition featured late California painter Wally Hedrick, and a closing event will include a fashion show by Johanna Went. Mara McCarthy cited the shifting market for her father Paul McCarthy’s work and the loss of family homes in the Eaton Fire as factors behind the decision.

The art world's most infamous toilet is heading to New York auction for US$10m – and the starting bid moves with gold

Maurizio Cattelan's solid-gold toilet sculpture, *America* (2016), will be auctioned at Sotheby's New York on 18 November 2025 as part of the Now & Contemporary Evening Auction. The work, weighing 223 pounds of 18-karat gold, has a raw material value of around US$10.2 million based on current gold prices. In a first for auction history, the starting bid will fluctuate with live gold prices until bidding begins. The sculpture was previously installed at the Guggenheim Museum, where over 100,000 visitors used it, and later made headlines when the Guggenheim offered it to the Trump White House as a loan alternative to a Van Gogh painting. One edition was stolen and never recovered, making this the only surviving example.

met receives photography collection walter artur

The Metropolitan Museum of Art has received a promised gift of more than 6,500 photographic works from German American collector Artur Walther and the Walther Family Foundation. The collection spans 19th-century vernacular photography to contemporary video, with strengths in African studio photography, German post-war photography, Chinese conceptual art, and early vernacular images. Artists represented include Malick Sidibé, Zanele Muholi, Ai Weiwei, Thomas Struth, and Bernd and Hilla Becher. A selection will debut when the Michael C. Rockefeller Wing reopens this month, with further displays planned for the Oscar L. Tang and H.M. Agnes Hsu-Tang Wing opening in 2030.

david shrigley selling old rope

British artist David Shrigley has created "Exhibition of Old Rope," a work consisting of 10 tons of salvaged rope arranged on the floor of Stephen Friedman Gallery in London, priced at £1 million ($1.3 million). Shrigley and assistants spent months collecting discarded rope from beaches, cruise ships, climbing schools, tree surgeons, and wind farms, then cleaned and assembled it into a large pile. The work plays on the English idiom "money for old rope," which originally referred to the resale value of used ship rope in early 19th-century Britain.

rachel whiteread collaboration puiforcat silver

English artist Rachel Whiteread, the first woman to win the Turner Prize in 1993, has collaborated with French silversmith company Puiforcat on a new seven-piece silverware collection. Inspired by corrugated cardboard, the collection includes serving trays, a pitcher, tumblers, and napkin rings, with surfaces that mimic the grooves and overlapping corners of cardboard, as well as watermark-like concentric circles. The trays echo Whiteread's recent artworks, such as *Untitled (Silver Pallet)* (2023), a flattened cardboard cast in lacquered silver.

Ed Ruscha, Lawrence Weiner | Hard Light (1978) | Art & Prints

An auction listing for Ed Ruscha and Lawrence Weiner's collaborative print "Hard Light" (1978) has ended, with the work described as an offset lithograph in colors on 60 lb. Mountie Matte paper, measuring 7 × 5 inches. The print is from an edition of 3560 published by Heavy Industry Publications, Los Angeles and Moved Pictures, New York, and is in good condition with pale toning and faint stains. The listing also promotes similar available works by Ed Ruscha, including "Mr. Ray" (1975), "Wall Rocket" (2013), and "Dead End III" (2014), with prices ranging from €13,500 to request-based.

Lawrence Weiner | A Means To An End (Hand Signed) (2006) | Available for Sale

A hand-signed original exhibition poster by the late conceptual artist Lawrence Weiner, titled "A Means to an End" (2006), has been made available for purchase through ArtWise in Brooklyn. Created for Weiner’s solo exhibition at Le Musée de Sérignan, the color offset lithograph features the artist's signature in black pen and exemplifies his career-long investigation into language as a sculptural medium. The work is priced at $700 and includes a certificate of authenticity from the gallery.

Pace Gallery announces representation of Korean conceptual artist Anicka Yi.

Pace Gallery has announced the representation of Korean-born, New York-based conceptual artist Anicka Yi, who joins the gallery's roster while maintaining her existing relationships with Gladstone Gallery, 47 Canal, and Esther Schipper. Yi will debut a new painting at Pace’s Art Basel Hong Kong booth this month, followed by a solo exhibition in New York in 2027 and upcoming projects at the New Museum and Storm King Art Center.

A time portal in 11 characters: On Kawara's "NOV. 27, 1984" sells for US$1.1m at Bonhams Hong Kong

On November 27, 2025, On Kawara's date painting "NOV. 27, 1984" from his Today series sold for HK$8.5 million (US$1.1 million) at Bonhams' Modern and Contemporary Art Sale in Hong Kong, becoming the top lot of the auction. The work, executed exactly 41 years earlier on November 27, 1984, features the date in white sans-serif lettering on a dark canvas and was acquired by a client represented by Bonhams specialist Ryo Wakabayashi, likely destined for a private collection in Japan.

The Surreal Economics of the Contemporary-Art Market

A conceptual artwork titled "Comedian" by Maurizio Cattelan, consisting of a banana duct-taped to a wall, sold at auction for over $6 million to billionaire Justin Sun. This sale occurred amid widespread speculation that the contemporary-art market has peaked, with global art sales dropping 12% in 2024. However, a painting by Marlene Dumas defied the trend, fetching $13.6 million and setting a record for a living female artist. The article explores the bewildering economics of the art market, featuring insights from economist Canice Prendergast and journalist Bianca Bosker, who describe a market where prices seem divorced from traditional logic.

Renowned Gallery Air de Paris Bankrupted, Closing This Week

Air de Paris, the Paris gallery known for its punk ethos and commitment to cutting-edge Conceptual art, will close this week after 36 years and more than 400 exhibitions, amid bankruptcy proceedings. Founded in Nice in 1990 by Florence Bonnefous and Edouard Merino, the gallery was named after Marcel Duchamp’s 50cc of Paris Air and became legendary for its inaugural show, “Les Ateliers du Paradise,” which featured artists living in the gallery and later influenced critic Nicolas Bourriaud’s theory of relational aesthetics. The gallery moved to Paris in 1994 and later to Romainville in 2019, showing artists such as Paul McCarthy, Raymond Pettibon, Liam Gillick, Pierre Huyghe, and Dorothy Iannone.

A gold toilet and the most expensive modern artwork ever sold at auction boost the New York market

Sotheby's New York held a landmark auction evening on November 18, 2025, featuring two headline-grabbing lots: Gustav Klimt's 'Portrait of Elisabeth Lederer' (1914-16), which sold for $236.4 million, becoming the most expensive modern artwork ever sold at auction, and Maurizio Cattelan's solid-gold toilet 'America', which sold for a disappointing $12.1 million after a single bid. The Klimt came from the collection of the late cosmetics heir Leonard Lauder, whose two-night auction total reached $527.5 million. The toilet, previously owned by investor Steve Cohen, had been commissioned when gold prices were far lower, ensuring the seller a profit regardless of the modest bidding.

Maurizio Cattelan's solid gold toilet going to auction at Sotheby's

Sotheby's will auction Maurizio Cattelan's solid gold toilet sculpture, *America* (2016), during its evening sale of contemporary art in New York on 18 November. Bidding starts at approximately $10 million, based on the current market value of the 18-karat gold used in the work. The piece, a fully functioning toilet modeled after a standard Kohler design, will be on view at Sotheby's Breuer Building from 8 to 17 November, though visitors will not be allowed to use it. This is the only surviving edition; another was famously stolen from Blenheim Palace in 2019 and believed melted down.

Stephan Balkenhol New Bronze Sculptures 2026 - Man in a White

German sculptor Stephan Balkenhol has unveiled two new hand-painted bronze editions, "Man in a White Shirt and Black Pants 2026" and "Venus 2026." Released in editions of 30 and standing 68 cm tall, the works are being showcased and sold through Frank Fluegel Galerie across its Nuremberg and Kitzbühel locations. The release coincides with the artist's participation in the Art Cologne Palma de Mallorca Fair and precedes his 70th birthday in 2027.

emerging risks art collecting insure against

Private Client Select (PCS), an insurance partner for serious art collectors, highlights the growing complexity of protecting fine art and collectibles. The article details unusual but real claims—such as a conceptual artwork mistaken for trash, a fiber work unraveled by a cat, or a sculpture damaged by a housekeeper—alongside more common risks like climate damage, transit mishaps, and theft. PCS's Art Services team, led by Senior Vice President Muys Snijders, offers proactive risk management, coordinating conservators, appraisers, and storage solutions. Emerging threats include climate change (wildfires, floods), social media exposure, financial complexities (tariffs, collateral lending), and material degradation of contemporary works using nontraditional materials.

On the Market: Artist Lorna Simpson's Studio, Custom-Designed by David Adjaye in Brooklyn, New York

Lorna Simpson's custom-designed Brooklyn studio, created by architect David Adjaye in 2006, has been listed for sale at $6.5 million. The 3,300-square-foot, four-story property at 208 Vanderbilt Avenue in Fort Greene features a double-height great room, three bedrooms, a rear garden, and was originally built as a live/work space for the artist and her then-husband James Casebere. The listing is handled by Leslie Marshall and Nick Hovsepian of the Corcoran Group. Simpson, whose survey exhibition "Lorna Simpson: Source Notes" is currently on view at the Metropolitan Museum of Art, has moved her primary practice to a larger nearby space, using the Vanderbilt Avenue property for archives and events.

Altman Siegel, stalwart of San Francisco’s gallery scene for 16 years, will close

Altman Siegel, a prominent San Francisco gallery, will close on 22 November after 16 years in business. Founder Claudia Altman-Siegel announced the decision on 15 October, citing the difficulty for a gallery of its size to scale in the current climate. The gallery, which opened in 2009 at 49 Geary, expanded to a 5,000-square-foot space in the Minnesota Street Project complex and an outpost in Presidio Heights. Over its history, it staged 213 exhibitions and art fairs, representing artists such as Lynn Hershman Leeson, Trevor Paglen, Richard Mosse, Simon Denny, and Kiyan Williams. Its final exhibition will be an eighth solo show with Japanese painter Shinpei Kusanagi.

New York’s Tilton Gallery staging final exhibition after more than four decades in business

New York’s Tilton Gallery has announced that its upcoming exhibition dedicated to German-born American conceptual artist Ruth Vollmer will be its final show, closing after more than four decades in business. The gallery, founded by Jack Tilton in 1983, has been run by his widow Connie Rogers Tilton since his death in 2017. The Vollmer exhibition runs from 30 September to 15 November, after which Rogers Tilton plans to transition to private sales and research projects.

Rediscovered Rubens and a woolly mammoth head star at Brafa fair in Brussels

Brafa, Belgium's premier art and antiques fair, has expanded for its 71st edition, now featuring 147 exhibitors across three halls in the Brussels Expo convention centre. Highlights include a newly rediscovered Peter Paul Rubens painting, *Portrait of an Old Man* (around 1609), priced at over €1 million, and a 50,000-year-old woolly mammoth head from Siberia that sold for €45,000. The fair runs from 25 February to 1 March, with a strong focus on painting from Old Masters to Modern art, and a notable presence of Belgian and early 20th-century French artists.

kraftwer cofounder auction electronic gear ephemera

Julien's Auctions will sell equipment and ephemera from the estate of Kraftwerk co-founder Florian Schneider on November 19 at the Musicians Hall of Fame & Museum in Nashville, with online bidding already open. Highlights include an EMS Synthi AKS suitcase synthesizer used on the 1974 album *Autobahn* (est. $15,000–$20,000), a 1960s flute from Schneider's early career, and his 1964 Volkswagen van featured in the "Tour de France" video.

Southern Guild’s New York moment signals a shift for African art

Southern Guild, a Cape Town-based gallery, opened a permanent location in New York's Tribeca district on Friday, marking a major expansion for the gallery and a milestone for contemporary African art's international visibility. The inaugural exhibitions feature South African painter Mmangaliso Nzuza's "Ballad of the Peacock" and conceptual artist Usha Seejarim's "Used," both on view until May 17. Co-founder Trevyn McGowan described the 371m² space in a historic cast-iron building as both instinctive and strategic, following the closure of the gallery's Los Angeles outpost, which served as a testing ground for American audiences.