Why did Van Gogh sign his paintings as ‘Vincent’?

Art historian Julia Engelmayer has published a study titled 'Simply ‘Vincent’: An Overview of Van Gogh’s Signed Paintings' on the Van Gogh Museum's website, analyzing why and how Vincent van Gogh signed his works. The research reveals that only 133 of his 840 surviving paintings bear a signature (16%), an unusually low proportion for a 19th-century artist. Van Gogh signed with only his first name due to strained family relations and the difficulty non-Dutch speakers had pronouncing his surname. The study also highlights his predominant use of red signatures (on 75 works), angled signatures on over half of his signed pieces, and a distinctive horseshoe-shaped 'V' used during his Arles period.

The Wild Nine-Month Journey that Led to Nathaniel Mary Quinn Designing the Rolling Stones’ New Album Cover

Nathaniel Mary Quinn was commissioned to create the cover art for the Rolling Stones' new album *Foreign Tongues*, due July 10, after a three-way call with Mick Jagger and producer Andrew Watt. Over nine months, Quinn developed a composite portrait merging the faces of Jagger, Keith Richards, and Ronnie Wood, and also redesigned the band's iconic tongue-and-lips logo. The process involved regular conversations with Jagger and Richards, a private rehearsal session, and a lunch at the Baccarat Hotel, culminating in the band choosing Quinn's original composite over a second option featuring a vintage sports car.

Elle Pérez Envisions New Residency Built on Family Legacy

Artist Elle Pérez is raising $100,000 to buy out relatives from a family home in Cabo Rojo, Puerto Rico, that has been in their family since the 1920s, with the goal of transforming it into an artist residency called Casa Pérez. To fund the project, Pérez is selling a portfolio of chromogenic studio prints for $1,795 each, produced in collaboration with the cultural office Public Relations. The artist’s work, known for intimate portraits and scenes of underground music, has been featured in the Whitney Biennial and solo exhibitions at the Baltimore Museum of Art and Carnegie Museum of Art.

Art Movements: Larry Gagosian Heads to the Big Screen

This week's Art Movements roundup covers several major art world developments. Larry Gagosian is the subject of a new unauthorized documentary by Canadian director Barry Avrich, completing his trilogy on the art industry. Pace Gallery has taken on representation of the Constantin Brancusi Estate. The Maxwell/Hanrahan Foundation announced five winners of its 2026 Awards in Craft, each receiving $100,000. Selldorf Architects and Studios Architecture Paris have been selected to lead a $1 billion renovation of the Louvre Museum, including a new room for the Mona Lisa. Other news includes the Sharpe-Walentas Studio Program's 2026–2027 cohort, A Blade of Grass's 2026 In Fellowship cohort, and several appointments.

Louvre Reveals Architects for $1 Billion Expansion

The Louvre has announced an international team of architects—New York's Selldorf Architects and Studios Architecture Paris—to lead its "Nouvelle Renaissance" expansion, a project estimated to cost over €1 billion ($1.2 billion). The plan, first announced by French President Emmanuel Macron in early 2025, includes a new entrance to accommodate three million additional visitors annually and a dedicated 33,000-square-foot exhibition space for Leonardo da Vinci's *Mona Lisa*. The museum's new director, Christophe Leribault, is moving forward with the project despite significant budget uncertainty, with cost estimates ranging from €270 million to €1.1 billion.

Six Artists Vie to Design Billie Holiday Monument in New York

Six artists have been selected as finalists to design a public monument honoring jazz singer Billie Holiday in Queens, New York, outside the Jamaica Performing Arts Center. The finalists—La Vaughn Belle, Nikesha Breeze, Nekisha Durrett, Tanda Francis, Thomas J. Price, and Tavares Strachan—submitted proposals after an open call in late 2025, site visits, and discussions with Holiday scholars and family. The New York City Department of Cultural Affairs released the designs on May 19 for public feedback through the end of May, with a final selection expected later this year. Proposals range from abstract silhouettes and bronze beans to more representational figures, reflecting Holiday's legacy and her connection to Queens.

Russian art today is blood. A tough interview with Pussy Riot

“L’arte russa oggi è il sangue”. Una dura intervista alle Pussy Riot

During the preview of the 2026 Venice Biennale, the Russian Pavilion became the site of a protest by Pussy Riot and FEMEN, who staged an action called "STORM OF VENICE." Wearing pink balaclavas and carrying radical slogans, they denounced Russia's presence at the Biennale, accusing the Kremlin and the European cultural system of complicity. The protest centered on the phrase "Blood is Russia's art." In an interview, Pussy Riot member Nadya Tolokonnikova argues that artists who represent the official Russian Pavilion become instruments of the aggressive imperial state, and that the Biennale confuses cultural dialogue with political normalization.

Le CMN perd le Mont-Saint-Michel

The article reports on several developments in the art world: the Centre des Monuments Nationaux (CMN) loses management of Mont-Saint-Michel; the Venice Biennale opens amid controversy; a law on the restitution of cultural property looted during colonization is definitively adopted; the V&A East museum targets younger audiences; in Giverny, the Monet legacy does not benefit everyone; and the market for the Nabis artists is becoming more structured.

Notre-Dame: The Lie About Respecting Viollet-le-Duc's Light

Notre-Dame : le mensonge sur le respect de la lumière de Viollet-le-Duc

The article criticizes the planned replacement of the stained-glass windows in Notre-Dame Cathedral, designed by Claire Tabouret, arguing that the public establishment behind the project has made false claims about respecting the original light and colors of Eugène Viollet-le-Duc's 19th-century windows. The author compares the existing and proposed windows baie by baie, asserting that the new designs do not match the chromatic balance or light quality, and calls the official justification a lie. It also highlights two additional alleged falsehoods: that the law for Notre-Dame's restoration deliberately omitted the Venice Charter (when the culture minister said it was unnecessary because the charter was already binding), and that the National Commission for Heritage and Architecture had approved the window replacement (which the author claims is contradicted by the commission's own minutes and multiple members).

Multimedia arts project wins Sycamore Gap tree commission after public vote

A community arts charity, Helix Arts, and George King Architects have won a public vote to create 'The People's Tree', a multimedia artwork using preserved wood from the illegally felled Sycamore Gap tree in Northumberland. The National Trust commission, announced in September 2025, will transform the tree into a 'living archive' featuring participatory storytelling, a national sound archive, seed pods for digital recordings, a soundscape from growth rings, and a sound sculpture near the original site. The project is expected to begin public engagement in summer 2026 and be completed by autumn 2027.

Stonewall Monument Named Among Most Endangered Sites in the US

The Stonewall National Monument in Manhattan has been named one of the most endangered places in the US by the National Trust for Historic Preservation, marking the first time the site has appeared on the annual list. The designation comes amid the Trump administration's efforts to control LGBTQ+ history, including the National Park Service's removal of references to transgender individuals from the monument's official website and the removal of the rainbow pride flag from the site. Activists and the Gilbert Baker Foundation fought back, with the foundation filing a lawsuit that led to a settlement allowing the pride flag to be flown again, though the NPS has not restored the original website text.

“Villa Borghese è perfetta e non si tocca”. Siamo andati a vedere se è proprio così perfetta

A private company donated a design competition to the Galleria Borghese in Rome, aiming to expand the museum's exhibition spaces and services. Before any winning project was selected, associations like Italia Nostra protested, claiming the initiative would desecrate Villa Borghese. The article's author visited the park to document its current state, finding decay: a wrecked Globe Theatre, neglected ponds, graffiti, trash, dilapidated buildings, and a degraded horse-riding track. The author argues that while the park is defended as "perfect and untouchable," it is actually suffering from real neglect that goes unaddressed by the same groups opposing development.

Street artist Ozmo acquitted in court: 'His work is not vandalism and has cultural value' (but in the meantime it has been erased)

Lo street artist Ozmo assolto in tribunale: “La sua opera non è imbrattamento e ha valore culturale” (ma nel frattempo è stata cancellata)

In summer 2022, street artist Ozmo (Gionata Gesi) created an unauthorized site-specific work on the Fonte di San Cerbone in Baratti, Italy, depicting two Etruscan coins with Medusa's face. The work sparked debate: the Piombino municipality and museum director Carolina Megale welcomed it, but the Soprintendenza (cultural heritage authority) reported it to prosecutors as illegal defacement. The artwork was vandalized and later removed in April 2023. On April 29, the Livorno court acquitted Ozmo, ruling that his intervention was not a crime but an artwork with cultural value, setting a legal precedent.