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perez art museum miami billboard lawsuit

Miami's Frost Museum of Science has filed a lawsuit against the Florida Department of Transportation seeking the removal of a giant digital billboard on the grounds of the Pérez Art Museum Miami (PAMM). The 1,800-square-foot sign, which advertises luxury brands like Tiffany and Yves Saint Laurent alongside PAMM programming, was built under a 2023 city commission exception that allowed billboards nearly twice the legal size limit. That exception was later overturned amid controversy over campaign contributions from the billboard's operator, Orange Barrel Media, to the commissioner who introduced it. PAMM argues the sign was approved by all relevant authorities, while Frost Science claims it violates state law, degrades the museum environment, and jeopardizes federal highway funding.

Museum diplomacy in action at ICOM UK 2026: museums in a changing world

ICOM UK hosted its 2026 annual conference in Oxford, bringing together delegates from over 20 countries to explore the theme of 'Museum Diplomacy.' Keynote speaker Dr. Sascha Priewe of the Aga Khan Museum and ICOM Canada framed the current geopolitical moment as a 'GZERO World,' where no country is willing or able to lead globally, and discussed how sanctions, export controls, and shifting alliances are straining international museum collaborations. Sessions featured case studies from the Science Museum Group and International Arts & Artists, emphasizing that trust and networks, not grand gestures, are essential for enduring partnerships.

Tate reveals the main reason for its lower attendance figures

Tate museums have experienced a significant drop in attendance, with Tate Modern seeing 25% fewer visitors in 2024 compared to 2019, Tate Britain down 32%, and Tate St Ives down 37%. While domestic visitor numbers have recovered to 95% of pre-Covid levels, international visitors are at only 61%, particularly among European 16-to-24-year-olds, whose numbers fell from 609,000 in 2019-20 to 357,000 in 2023-24. The Art Newspaper's research, combining government data and Tate's internal studies, shows that external socioeconomic factors—including a one-tenth drop in EU visitors to the UK overall—are the primary driver, not curatorial programming as some critics have claimed.