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franco regime censored robert motherwell painting moma show

Newly uncovered documents from the Museum of Modern Art’s archives confirm that the Franco regime in Spain attempted to censor Robert Motherwell’s painting *Elegy to the Spanish Republic No. 35* (1954–58) before its scheduled 1958 exhibition in Madrid. The painting was part of MoMA’s traveling show “The New American Painting,” which introduced Abstract Expressionism to Europe. Spanish authorities demanded Motherwell remove the phrase “Spanish Republic” from the title, but the artist refused, leading to the work’s exclusion from the exhibition. The documents, reviewed by *El País*, also reveal that Catalan artist Antoni Tàpies boycotted state-sanctioned shows, calling the regime’s cultural propaganda “scandalous.”

The Body as Scandal: A New Cinematic Journey into the Art of Egon Schiele (For 3 Days Only)

Il corpo come scandalo. Al cinema il nuovo viaggio nell’arte di Egon Schiele (ma solo per 3 giorni)

Nexo Studios is set to release a new documentary film titled 'Tabù. Egon Schiele' in Italian cinemas for a limited three-day engagement from April 20–22, 2026. Directed by Michele Mally, the film explores the provocative life and career of the Austrian Expressionist, tracing his journey from the town of Český Krumlov to the cultural hubs of Vienna and Prague. The narrative features insights from experts at the Albertina and Leopold Museums, alongside archival footage and a parallel analysis of Schiele’s contemporary, Franz Kafka.

Talking Texas Art: The Panhandle

Glasstire has announced the second installment of its "Talking Texas Art" panel series, scheduled for April 23, 2026, at the Louise Hopkins Underwood Center for the Arts (LHUCA) in Lubbock. Part of the publication’s 25th-anniversary celebrations, the event focuses on the Texas Panhandle's creative landscape. The panel features prominent regional figures including Judy Tedford Deaton of The Grace Museum, Jon Revett and Amy Von Lintel of West Texas A&M University, and Charles Adams of CASP, moderated by Glasstire’s William Sarradet.