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Mom, I'm Gonna Be an Artist!

Hyperallergic's Saturday newsletter, edited by Valentina Di Liscia, rounds up a week of art-world activity marked by protests and resistance. Staff Writer Isa Farfan asked 15 artists to share advice from their mothers for Mother's Day, featuring responses from Pat Oleszko, whose work is in the Whitney Biennial. The newsletter also covers editor-in-chief Hakim Bishara's report on a historic strike for Palestine and workers' rights at the Venice Biennale, where dozens of national pavilions shut down, and Editor-at-Large Hrag Vartanian's review of the central exhibition "In Minor Keys." Additional stories include Damien Davis on artists and consignment agreements, Matt Stromberg on the LA Art Book Fair, a protest against Jeff Bezos at the Met Gala, MoMA PS1's upcoming Teresa Margolles survey, and a picket at the American Folk Art Museum.

Artists, Read the Fine Print

Artist Damien Davis writes a critical piece on how so-called 'standard' contracts in the art world systematically undermine artists' power, citing long consignment periods, moral rights waivers, and opaque terms that favor institutions. Separately, the Venice Biennale has scrapped its traditional Golden Lion awards after the awards jury resigned; instead, ticket holders will vote on 'Visitor Lions,' with results announced in November, and notably Israel and Russia remain eligible despite the jury's earlier ban. Other news includes damage to a 1,000-year-old Native American archaeological site by construction crews building President Trump's border wall.

Ansel Adams Trust Slams Gallery for AI-Generated Work at AIPAD Photography Show

The Ansel Adams Publishing Rights Trust publicly condemned Danziger Gallery for exhibiting and offering for sale an AI-generated artwork at the 2026 AIPAD Photography Show in New York. The untitled piece, described as a color version of Adams' iconic photograph "Moonrise Over Hernandez," was printed by master printer Esteban Mauchi and displayed alongside works by Seydou Keïta, Hoda Afshar, and Matthew Porter. The trust stated it did not authorize or endorse the work, accused the gallery of exploiting Adams' name and reputation, and noted that Danziger did not remove the piece after being contacted. The gallery has not commented publicly.

Ansel Adams Trust Decries Dealer's Sale of Photo Colorized Using AI

The Ansel Adams Publishing Rights Trust has publicly condemned New York gallerist Peter Danziger for selling AI-colorized editions of Adams's iconic photograph "Moonrise, Hernandez, New Mexico" (1941) at the AIPAD Photography Show in April. Danziger displayed the AI-generated image at his booth with a wall text disclosing the prompt used, and offered prints in editions of 10 at three sizes. The Trust stated it was not notified in advance and accused Danziger of exploiting Adams's name and reputation for commercial gain. Danziger defended his actions, arguing the original image is in the public domain and that his work is transformative, though he apologized for not notifying the Trust.