hidden vermeer self portrait maid asleep

New research by the Metropolitan Museum of Art suggests that Johannes Vermeer may have hidden a self-portrait beneath his painting *A Maid Asleep* (1656–57). Using scientific analysis, the Met's team discovered an overpainted figure in the background—a man painting with his left hand, likely a reflection in a framed mirror. The image is too obscured to reveal facial features. The theory, first proposed by the Met in 2023, is bolstered by a comparison to Nicolaes Maes's *The Naughty Drummer* (1655), which similarly depicts an artist reflected in a mirror. The Met argues Vermeer likely knew Maes's work.

The True Story of César's Forger Currently Featured in a Canal+ Documentary Series

L’histoire vraie du faussaire de César actuellement dans une série documentaire sur Canal+

The French documentary series on Canal+ explores the life of Éric Piedoie Le Tiec, a prolific art forger who flooded the market with thousands of fake works. Based in the French Riviera, Le Tiec specialized in creating pieces "in the style of" modern masters like Raoul Dufy and César Baldaccini. Following César's death in 1998, Le Tiec partnered with Jean-Charles Villa to mass-produce fake "compressions" using industrial car crushers, exploiting the artist's rising market value and lack of a definitive catalogue raisonné.

A Dismembered Album by Gerard van Honthorst (1592-1656): Unpublished Drawings and Reconstruction of a Corpus

Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus

An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). Following the 2014 exhibition of twenty-seven drawings identified by the author, this study adds thirty-two more sheets—twenty-two of which are previously unpublished—as a preliminary step toward reconstructing a dismembered album. The research, conducted with direct observation and advanced imaging techniques (digital microscopy, ultraviolet, raking light), aims to restore the album's original order and shed light on the role of drawing in Honthorst's workshop and creative process.

After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027

The Social Practice CUNY (SPCUNY) initiative, a major program fostering the intersection of art and social justice across the City University of New York’s 25 campuses, will officially sunset in February 2027. Co-directed by artists Chloë Bass and Greg Sholette, the program will conclude following its final 2025–26 fellowship cohort. The decision to end the project stems from the directors' personal transitions, including Sholette’s upcoming retirement and Bass’s shift away from full-time teaching to focus on her studio practice.

Portraits of the student artists in the 2025 Senior Thesis Exhibition

Bates College's 2025 Senior Thesis Exhibition, titled "Under the Parachute," opened on April 11 at the Bates College Museum of Art, showcasing works by seven studio art majors. The exhibition features a range of media including mixed-media pieces, cyanotype quilts, ceramics, watercolors, and sculptural installations. Student artists such as Avery Lehman, Miryam Keller, Danny Zuniga Zarat, Alex Provasnik, Lila Schaefer, and Lizi Barrow presented year-long projects that explore themes of memory, empathy, family, and modern life. The exhibition is open through May 24, with faculty advisers Carolina González Valencia and Susan A. Dewsnap supporting the seniors.